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Koto, a freelance sound designer, awaits for her former lover Shoichi at the airport when he temporarily returns from the Philippines. Their romantic relationship has practically ended ever since Shoichi went abroad, but Shoichi ends up staying at their former apartment complex where Koto now lives alone. This does not bring them back together, and Koto continues with her daily life... This is the first feature film by IWASAKI Kanshi, who studied directing under MANDA Kunitoshi at THE FILM SCHOOL OF TOKYO and has worked as an assistant director and sound recordist on films by MIYAZAKI Daisuke and KIYOHARA Yui. The subtle camerawork and attention to sound are superb, but what is most impressive is the lead actress MURAKAMI Yukino who plays Koto - her presence supports the backbone of the story that does not have any special incidents. Although the film depicts an everyday domestic world around us, it is interesting to see a glimpse of Japanese society through Koto's work.
A "remake" of a classic short film, but with a sharper edge.
A special event crossover between Kikai Sentai Zenkaiger and Kamen Rider Revice, later recorded and released physically.
Mihalis wakes up on another day of misery and melancholy until a special phone call drastically changes his life around.
Lidia just moved in with her influencer friends. It's been a month since her best friend Tomás killed himself, but it seems that her roommates don't care much. Very strange things will soon begin to happen: raccord errors, looks at the camera... and they will discover that her new home is haunted by a ghost.
What do you do with yourself when the pandemic forces you to stay within the four walls of your apartment? As a single urban individual, you establish a new routine. Waking up late, having breakfast, watching TV, drinking coffee, killing time… Every day is the same. A persistent pigeon keeps coming back to remind the author of what freedom means. In this humorous and beautifully edited short, Luka Marcetic films himself as he spends long and lonely days quarantined at his apartment and dreams of going outside.
Casey disappoints her father.
Since the day I was born is composed through a reflection on remorse and the search for mental liberation from the death of the individual. In the short film, barely two minutes long, an anonymous man remembers all the moments in which he has failed in the game of life; moments in which he has made mistakes, or has chosen the wrong option, harming someone close to him or himself, while his body hangs from a rope and is little by little deprived of oxygen. He regrets what he has experienced since the day he was born, but he also regrets the drastic decision he has just made.