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The Americans are swiftly closing on Okinawa, an island just south of the Japanese mainland. The Imperial command sends top generals and several army divisions to defend it at all costs. The mission quickly degenerates as vital resources and troops are diverted to other islands. After a civilian evacuation ends in tragedy most of non-combatants are forced to remain on the island. Many convert to soldier status. Tokyo sends mixed messages that squander time and resources, as when they order the defenders to build an airstrip for aircraft that never come. The truth soon becomes obvious: the high command decides that the island cannot be held and effectively abandons the Okinawan defenders. When the Americans land many troops are deployed in the wrong places. As the slaughter mounts, a suicidal attitude takes hold. Okinawa becomes a death trap, for civilian volunteers and non-combatants as well.
Jimmy Tong is an expert blackmailer and thief who specialises in white-collar crimes. With his side-kick, Jimmy steals a personal diary belonging to a Yakuza leader Ken Sato intending to use its details as a platform for blackmailing and to extort money. Sato agreed to the uneasy deal and made preparations to pay Jimmy his exorbitant demands only for Sato's girlfriend Jenny to betray him and make off with the money to Okinawa.
After World War II, when Okinawa was under control of the United States, the local yakuza prospered. But when Okinawa is returned to Japan, the mainland yakuza tries to take over; the local yakuza tries to compete. Now sides are drawn among the local yakuza guys who used to be best friends since their childhood, and brother fights brother. It results in the biggest yakuza war in Okinawa.
In the final hours of the Pacific War, Okinawa was the destination for Korean men conscripted as “military laborers” and Korean women taken as “comfort women.” Little is known about the number of casualties or their experiences. In 1989, Park Soonam started to track down the survivors of the Battle of Okinawa to record their testimonies. In 1990, Park visits Korea in search of former “military laborers” who had survived Okinawa and repatriated to Korea. The survivors vividly recount their experiences of their compatriots’ murder and about the “comfort women” to the Zainichi Korean female director. The film zeroes in on the murder of Korean “military laborers” and the presence of “comfort women” in Okinawa via testimonies of former Japanese soldiers.
Chiba, looking gnarly, and acting as animalistic as ever, stars alongside Matsukata as violent gangsters battling their way through fight after bloody fight with rival yakuza on the streets of Okinawa.
A Ryūkyū man dressed in a traditional bashōfu (芭蕉布 / banana plant cloth) kimono lies on the beach looking out to the sea. As he lies there, we witness the passage of time on the islands. At first there is peace and time seems to move slowly. Only the music and the occasional movements of the man indicate the passage of time. Finally a man carrying water passes by, followed by other people representative of times past: market vendors, peasants, the red-cheeked god dancing at a matsuri (festival). But as the film progresses, the islands prove to be the meeting place of many cultures.
Five authentic tales of people young and old, searching for a fresh adventure and new beginnings, all with one thing in common - they all take place on the exquisite island of Okinawa.
An Okinawan photographer, Mao Ishikawa spent her early 20s working as a barmaid in establishments catered specifically to African American GIs stationed in Okinawa. “There was love,” as the tagline reads, her photography book, 『Red Flower – The Women of Okinawa』 captured the diaristic intimacy of friendships, love affairs, and wild nights shared amongst her social circle of that time.
During their struggle against the U.S. military bases, the Okinawan people have found the ability to peacefully resist. They have been able to maintain an inexplicable identity, which is fascinating even to the Japanese.
A group of teenagers grow up in Okinawa amid the protests and resistance against the presence of the American base in the island.
A boss from a trucking company has run-ins with evil yakuza during the American occupation of Okinawa. Her hometown is threatened by usurers, gangsters and indirectly by American GI influences. She must battle a yakuza organization with her employees to help settle things.
Captured in black and white, Chikako Yamashiro is in tennis wear dancing in frenzied fashion to club beats in front of a tombstone in broad daylight. As her miniskirt gleams in the dazzling sunlight, a sun visor casts a dark shadow over her face. The video bursts with a vitality that seems to brazenly declare "I will embrace even conflict and wounds and dead, and live with them all."
On the eve of their return to the states, the crew of the U.S.S. Blake is unpleasantly surprised when their new captain, Lt. Commander Hale, announces that they've been reassigned to the upcoming invasion of Okinawa. With the news turning the crew against him, Hale must rise to the occasion to keep his men inline.
On April 1, 1945, the United States military launched its invasion of the main island of Okinawa, the start of a battle that was to last 12 weeks and claim the lives of some 240,000 people. This film depicts the Battle through the eyes of Japanese and American soldiers who fought each other on the same battlefield, along with Okinawa civilians who were swept up in the fighting. The film also depicts the history of discrimination and oppression forced upon Okinawa by the American and Japanese governments. Carrying up to the current controversy over the construction of a new base at Henoko, the film explores the root causes of the widespread disillusionment and anger expressed by many Okinawans. This ambitious documentary was directed by the American John Junkerman, long-term resident of Japan and Oscar-nominated documentary filmmaker. Okinawa: The Afterburn is a heartfelt plea for peace and an expression of deep respect for the unyielding spirit of the Okinawa people.
A documentary anime retelling the shipwreck of the freight boat Tsushima Maru, which was carrying 836 schoolchildren home in July 1944 when it was attacked and sunk by an American submarine. Produced by the surviving family members of the Tsushima Maru.
A film documenting life in Okinawa under the domination of American military bases
During World War II, many Japanese immigrants in Santos, Brazil, were forced to move to another place. Matsubayashi draws attention to the fact that 60% of the immigrants were from Okinawa. Based on testimonies from interviewees, this film reveals the hidden historical relationship between Okinawa and Brazil.