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During the pandemic, the filmmaker’s son found himself stuck at home for a very long time. Ying Liang watched him cut out a portrait of Abbas Kiarostami from a book, and create a face mask on the face of the Iranian filmmaker. Liang observes how his son builds a ‘world’ on his bed, makes a paper airplane, and flies various places with his new friend Abbas Kiarostami. After spending the whole day flying, he falls asleep on that same bed with the family’s kitten. In his dreams, he uses the ‘magic’ he has learned from an online magic course to remove the face mask. With The World of Mindfulness, Chinese filmmaker Liang – who is now living in Hong Kong – creates a marvellously simple piece about the world of childhood, adding a touch of playful cinephilia.
Microlove is a sci-fi romance movie about an outgoing wealthy young Thai man, Pat, who works at a Korean software company. He privately develops a software and catches the interest of the president’s daughter, Min Ji and they create a beautiful love story.
In a few days young girl has important Art Academy revisions. All she does now is work trying to come up with the main idea for her artwork. Despite her own clearly visible distraction there are multiple outside factors hindering the creative process. Only when diving deep into her own mind, ignoring the outside world she is capable to discover and meet the main character. Only then she is able to create it.
Jacek - a middle-aged man, uses the services of a company that transforms people into trees. The process of his transformation is supervised by Doctor Buk and therapist Melisa, who make sure that he is fully aware of the consequences and that his decision is not accidental.
This film shows that domestic violence is an urgent issue in Krola village, Ratanakiri. There, Ching Meth, a Kreung ethnic widower had suffered from her aggressive ex-husband who attacked her with weapons many times and even threatened to shoot her. Then, being left alone with a son and daughter, she works hard, but could not stay alone. And once again, she is married with another violent man. As her 21-year-old son, Nhap Thy, is traumatized he depends on his mother’s support. Also, Mett’s daughter has suffered from gender-based violence. At the age of only three years, another relative raped her. Thinking about the miserable life, Ching Meth cries a lot and finds hope in Christian religion.
Atsushi limps and escapes from a closed facility for drug addicts. He has only one goal: to kill his wife. Straying around, he is hit on a country road at night. When the driver gets out to check on him, Atsushi takes the opportunity and steals his car. Completely surprised, he notices the middle school student Nanako in the passenger seat. Actually on the way to a hotel room with her customer, the young girl desperately clings to her key ring: the only thing she has left of her mother. Deeply wounded by life, the unequal couple embarks on a journey into the unknown.
A journalism student wants to become a film producer. By chance, he overhears a conversation about the Mongolian rare findings that are brought to America and decides to explore this for his film getting financing from high sources in the Mongolian government. But things get terribly complicated.
A couple (Jian RenZi and Andrew Lin) who has been unsuccessfully trying to have a child for a few years, and decides to resort to an old Chinese fertility ritual, that of the “primer”: to temporarily adopt a child, who will open the way for their own progeny. They adopt a quiet 7-year-old girl (Wang Yifei) at an orphanage whose supervisors (Hui Shiu Hung and Pat Ha) are obviously not telling them everything. The adopted child is silent, asocial and constantly draws disturbingly dark pictures of her previous family. It doesn’t help that her new mother is beset with strange visions that threaten her sanity.
A man wakes up in a hospital bed with no idea who he is.
A woman who only has a couple of months left to live decides to go on a final journey, crossing several countries.
This is a 16-episode series from Vietnam in 2015.
Special agent Martinez investigates a string of missing girls in south Florida, but when one of the victims is the Ambassador's daughter, the pressure rises in finding the kidnapper before it's too late.
Inspired from a shockingly true incident of Hate and Revenge. The film is an investigative thriller that explores the mind-set of a criminal hiding in plain sight. A newly married couple receives a gift box five days after their wedding, their happiness turns short lived when the gift turns out to be a bomb that kills the husband and his grandmother and seriously injuring the wife. A massive investigation begins to find the killer.
A child's daydream during a school lesson is abruptly interrupted by the teacher. The instructor threatens to cut off the young pupil's ear to encourage concentration and prevent further escapes into the realms of imagination.
When a rich young man meets and falls for an aristocratic girl, he claims that he's a driver in order to get a job with her family. He finds that she is engaged to a fraudulent young man who's after her money, and that she is in fact trying to save her family from bankruptcy.
In the last moments before giving birth, a mother sees how some moments of her life and her child are similar.
Dr. Tawfiq remains captive to the traditions of honor and innocence, despite his liberation and printing some of the traditions of European civilization when he was studying there. And is incapable of reconciling his liberal mind with the environment in which he is raised and which makes him lagging behind the twentieth century.
The plot of Open Your Mind follows the extraterrestrial origin of life, coming from outerspace as six deities (Intermission act), evolving into water (Sho-ho) then emerging to the air (Hyakkin) and to the ground (Ku-nu). Each one of these creatures rules one of the six elements of the godai philosophy, i.e. Earth, Water, Fire, Wind (referred to as kaze in the Hyakkin chant), Sky and Consciousness (referred to as "Awakening" in the movie's title).
Here Müller and Kluge explicitly address a theme that is latently present in many of their conversations: the relation of intellectuals to reigning political power. Given his many writings on Frederick the Great, it is not surprising that Müller begins the discussion with the “love-hate” relationship between the 18th Century Prussian King and the French Philosopher Voltaire. Moving to the 20th Century, the conversation then focuses for the most part on intellectuals and their relationship to totalitarian regimes. An initial sketch of an encounter between the Russian writer Maxim Gorky and Vladimir Lenin in the post-revolutionary Soviet Union segues into a treatment of the German writer Ernst Jünger in the Third Reich (1933-1945). Müller follows this up with remarks about the importance of Jünger for his own thinking as a writer before and after the founding of the German Democratic Republic.