Of Dogs And Men

On a hot summer day, the emotional turmoil of a family facing a divorce reaches its peak when Napoleão decides to stop barking.

Three soldiers moving through the Cuban jungle: combat exercises and camouflage techniques are practised, but the battle never arrives. The nature of their mission becomes an ever-greater mystery, echoing unanswered in the impassive natural surroundings.

I'm a dog who lives under a bridge in a park...

Part time taxi driver and full time bum Ki-hoon lives one day at a time. His only wish is to live happily ever after with Hyun-hee. One day, Ki-hoon runs over a man while driving at dawn and it is only the beginning of his troubles. That same day, before the car accident, a corrupt businessman's mistress and her lover are hiding in a hotel room after having taken off with the man's dirty funds. But their happiness is short lived when things go haywire due to the man's cronies, cops and mistaken identities. As hitmen, cops, and the two lovers get entangled, one of them runs out with the money. But soon he runs into Ki-hoon's taxi and the man is killed on the spot. Ki-hoon thinks his luck has changed for the best when discovers the cash and leaves it in the care of Hyun-hee as she works her shift in a convenience store. Now the hitmen and the cops are hot on the trail of Ki-hoon. The paths of these unfortunate individuals come to a head at the convenience store.

The alpha male and the conscious female both seeking to destroy each other by pushing dormant buttons and grasping pleasure in serving and devouring. It's a circle that liberates before it starts to suffocate.

For 'Et les chiens se taisaient' Maldoror adapted a piece of theatre by the poet and politician Aimé Césaire (1913–2008), about a rebel who becomes profoundly aware of his otherness when condemned to death. His existential dialogue with his mother reverberates around the African sculptures on display at the Musée de l'Homme, a Parisian museum full of colonial plunder whose director was the Surrealist anthropologist Michel Leiris.

Japanese Yann Dedet's Land of the Singing Dog concerns a musicologist, Toyo Mahiru (Gen Shimaoka), and his wife, Yoshiko (Katsuo Nakamura), who travel to a remote French village because Toyo has heard there is a citizen of the village that owns a singing dog. As the childless pair humorously adjust to their new surroundings, they soon spend more time concentrating on conceiving than in searching for the talented canine. The subdued, reflective Land of the Singing Dog was screened as part of the Director's Fortnight at the 2002 Cannes Film Festival.

About the meeting of a boy and a dog. A woman found a stray dog, washed and fed it. At the same time, the boy tries to prove to his father that he is an adult and can have a four-legged pet and look after it. But before they are be together, they will have to pass several tests.

A young man, looking for a job...

VICE presents a documentary film about Service Dogs in Greece featuring personal stories of people who have identified their lives with these four-legged companions. We get a glimpse of these precious dogs’ life, training and work through the words of Elena Palanga, the only certified trainer in the country, 8-year-old Giorgos and his service dog, Mike, as well as the testimonies of people who suffer from dementia and Alzheimer’s disease.

A young criminal plans his first murder which will be carried out before an old man, his plan does not go as expected and takes a 180 degree turn.

Short animated film by Kuri Youji.

The aged farmer Gunnar and his visiting granddaughter Anna struggle with communication as their dog faces a terminal illness. Over a summer weekend, secrets unfold and the family must duel mortality.

Photo poetry of Bunchanawingʉmʉ Jesús Camilo Niño Izquierdo' piece of lost feelings in the Arhuaco Indigenous Reservation, northern Colombia.

A portrait of the life and work of the visual artist Birgir Andrésson (1955–2007). Andrésson grew up under unconventional circumstances, with both parents blind. He was known for his marginal personality but eventually became one of the leading Icelandic artists of his generation.

Images and objects warp under the scrolling gaze of a scanner bed. Photographs, shredded and reassembled, spark reminiscences in the artist’s voiceover, which relates the intertwined stories of a family trip to the island of Imbros and of his education at a bilingual German-Turkish public school. The coiling timeline of present experience overlaps with other stories detailing the complex intersection of these two cultures, and of personal and intergenerational memories.

When Chan is diagnosed with terminal cancer, he decides to end his own life, but his grandson unexpectedly brings him an abandoned old dog. The encounter cannot change their destinies but allow them to accept changes that inevitably happen.