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Lu and Wei live in a village in rural China. The young girls often go to the nearby river to play or fish with their fathers. The river has a special meaning for them because China’s one-child policy has led to some parents drowning their newborn daughters there.
In 1950 Saigon Paul Horcier, a young Frenchman is on the run for currency trafficking. A Eurasian woman he meets takes him to shelter in a village in No man's land between the French forces and the Viet Minh. He grows to have enormous empathy with the locals and their poor living conditions. He ultimately lays down his life on their behalf.
Davy Crockett and his sidekick Georgie compete against boastful Mike Fink ("King of the River") in a boat race to New Orleans. Later, Davy and Georgie, allied with Fink, battle a group of river pirates trying to pass themselves off as Native Americans.
Two babies are switched at birth. When the mistake is discovered 12 years later, it leads to complications in the lives of both families. One family is affluent, with dutiful and (apparently) contented children. The other family is poor, with rambunctious (even delinquent) children, often hungry, but with lots of laughter in the house.
After an extended period directing original screenplays, dos Santos returned to the creative engagement with literature that was the wellspring of his early masterpieces, offering a combinatory adaptation of five stories by the renowned Brazilian novelist João Guimarães Rosa. Openly embracing a mode of magical realism, dos Santos' celebrated film tells the story of a farming family defined by the absence of its father who abruptly abandoned his wife and children, sailing away down the river, including his son who continues to communicate with his father, speaking daily to him from the river bank. While offering an evocative vision of rural Brazil as a timeless land of mystery and solemnity, The Third Bank of the River is also bitingly satiric in the remarkable depiction of religious belief when the family moves to the city and its youngest member, a mesmerizing little girl, is revealed to be a kind of saint, capable of miraculous acts. -Harvard Film Archive
A story of a rat family who have to leave their home because humans start a construction site. Now the rats are searching for a place to stay.
Unjustly booted out of the cavalry, Mike McComb strikes out for Nevada, and deciding never to be used again, ruthlessly works his way up to becoming one of the most powerful silver magnates in the west. His empire begins to fall apart as the other mining combines rise against him and his stubbornness loses him the support of his wife and old friends.
Against all advice, a destitute Brazilian old man marries a nineteen-year-old girl. Because he can’t give her any children, he moves to the interior to make money, so she will at least have a good life. When he returns, he is told she has a three-year-old daughter. He buys himself a knife. Suspense movie with a combination of ethnography, adventure and dramatic action, based on a poem by the Brazilian writer Odylo Costa Filho.
A secret agent from Thailand goes to the United States on a mission to find out why a Mr. Stone died and bring his ashes and fortune, a jeweled elephant, back to his homeland.
When a criminal named King Fu who has terrorized a city substitutes himself for a stage actor who resembles him, the staff and spectators at that night's show think the actor is giving an unusually good performance.
Director Jean Delannoy's immediate followup to his brilliant Les Jeux sont Faits was the more conventional Aux Yeux du Souvenir (aka Souvenir and To the Eyes of Memory). The film is based on a true story, wherein an France airliner managed to survive a journey from Rio De Janeiro to Dakar with two of its engines incapacitated. To this already intensely dramatic situation has been added a romantic subplot involving Claire Magny (Michele Morgan) and Jacques Forester (Jean Marais). The love story adds very little to the film; fortunately, neither does it detract from the film's overall quality. As was the case with many French productions of the 1940s, Aux Yeux du Souvenir benefits immeasurably from the Wagnerian musical score by Georges Auric.
