O Que Vi Streaming Avec Sous Titres En Français , Streaming avec sous-titres en Français, que vi || Regardez tout le film sans limitation, diffusez en streaming en qualité.
Armed with plenty of defiant optimism, this elderly woman prepares a birthday party, grapples with her husband and even rescues a wedding that is about not to happen.
Two brothers who are singles live together without any problems until the day when a friend of them leaves her baby at their flat because she has no time to care for it at the moment. Now the two men find themselves in a completely new situation.
Four years after a military coup overthrew the Brazilian government in 1964, all civil rights were suspended and torture became a systematic practice. Using a mix of fiction and documentary this extraordinary film is a searing record of personal memory, political repression and the will to survive. Interviews with eight women who were political prisoners during the military dictatorship are framed by the fantasies and imaginings of an anonymous character, portrayed by actress Irene Ravache.
Hortensia is a mature officer of the INEM office. She has been abandoned by her husband so she doesn't believe in love anymore. One day Eduardo Fernandez goes to the employment office because after overcoming a deep depression, he has decided that his life has to get better.
On another day, a group of policemen guard the outskirts of a city. There is no one else on the streets. They wait for an order to go into action. However, that order never comes and a state of confusion and disorientation begins to take hold of them, until they forget what they were doing there.
Two underachieving brothers take responsibility for an abandoned baby.
On the eve of the Grito de Dolores and faced with the threat of being arrested by the viceregal government, Miguel Hidalgo suggested to Captain Allende that the flag of the insurgent movement be the banner of the Virgin of Guadalupe.
The gun pointed at the head is a delirium that expands into disorderly controlled chaos. “He Who Saw the Abyss” by Gregorio Gananian and Negro Leo, is like a car that enters the curve at 300km/h, but slowly. In an experimental whirlwind, moving between a noisy sound and an almost idyllic musicality, the film is structured out of a pile of images that seem as intimate as they are delirious, accelerating into a trance that is fragmented by a montage, signed by João Dumans and Gregorio Gananian, who strive to articulate an intense experience on the big screen.
Mr Antonio is undergoing a bad economic situation that shares with his daugther Leonor, a lovely teenager who makes him happy and helps him sewing to make end meet. But its not enough and Mr Antonio has no other choice than working as a thug of a night club. A job that brings unexpected changes tto his life.
Video letter directed by Anne-Marie Faux on the occasion of the 20th anniversary of the Côté Court Short Film Festival.
Documentary aims to answer the most significant questions that human beings have always been raised: the existence of God and evil, the creation of the Universe or the possibility of miracles. It supports both the prestigious character witness on the opinions of ordinary people.
¡Que viva la lucha! is a 2007 film directed and produced by Gustavo Vazquez about Lucha libre in Tijuana, Mexico, considered to be a form of extreme lucha libre. The film follows Extreme Tiger, an up-and-coming professional luchador from Tijuana, on a journey that places him in a mask vs. hair match against Joe Líder. In addition, he follows other new talent, Angel Negro Jr. and Pancho Cachondo. In the process, the film also interviews other luchadores, promoters, commissioners, families, and fans who discuss the cultural significance of lucha libre as sport, ritual, and spectacle.
The drama of the children of Ayacucho, forced to emigrate to the capital due to the extreme violence exerted on them by the protagonists of a conflict that is alien to them. They will remember through their testimonies the land they left behind: the landscape, their houses, their friends, their dead…
Shot in the rural Chinese province of Hebei, this work captures a pack of wild dogs scavenging in an arid desolate landscape. East of Que Village considers the impact of Chinese industrialisation and urbanisation on rural communities, casting fresh light on those neglected by the new social-economic paradigm. The dogs, which literally have to eat each other to survive are juxtaposed with a group of villagers who struggle in the same ways. The work reflects the sense of isolation and loss increasingly present in Chinese society as communities are scattered, traditional rural villages are dissolved, and the fight for survival takes hold. The work's title signals to the only road leading from the village to the outside world.
