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An irresistible journey through the universe of the singer and composer that revolutionized the song in Brazil and influenced generations of musicians, paving the way for movements such as Bossa Nova and Tropicália.
What is the influence of Jazz on Brazilian music and the influence of Brazilian music on Jazz? The documentary Zuza Homem de Jazz draws a parallel between the two universes, featuring the renowned Brazilian musicologist Zuza Homem de Mello as the protagonist. It offers an intimate look at the writer and music journalist and highlights his long connection with Jazz, that dates back to the 1950’s, when Zuza was a student at the Julliard School of Music. The film was also shot in New York, where Zuza meets old friends in the jazz circuit and revisits memorable stories.
In love with Trás-os-Montes and with his Guide of Portugal as a source of inspiration, Miguel looks for stories for his new documentary. One day, the appearance of a man riding a donkey changes his future.
Renata lives isolated in the countryside with her teenage daughter and her husband, conceiving fear as a common feeling. The arrival of a stranger awakens in her the desire for all that was asleep.
Carlos, a married lawyer, gets involved with one of his clients. But the relationship turns into an obsession. The woman understands she'll never manage to separate Carlos from his wife, and decides to leave him, running away with another man.
Inspired by the masterpiece of concrete music "Symphony for one man" Pierre Henry (1950), the film tells the story of a common man leaving the interior of Brazil to try life in São Paulo. The city, in its perpetual process of construction and deconstruction view from the microcosm of a construction site, its workers and a profusion of machines in full swing. The metaphysical revolt of this character is the revolt against his condition and against everything that humiliates him.
A countryman kills his father and heads for the big city. On his way, he meets the most bizarre and allegorical types: a robber, a drag queen who thinks he's Carmen Miranda, a black king, a fallen black angel, a priest, two whores, a pregnant cowboy, among others.
As head of the Organization for the Prohibition of Chemical Weapons, Brazilian diplomat José Bustani became an obstacle in America’s march to war with Iraq. Ousted from his position, he now revisits the chilling events that marked a turning point in global power structures.
