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Using archival material from Argentine television programs from 2001 and personal television archives from 89-91, Marilina Giménez, the director, traces part of her personal history in which she narrates her first lesbian relationship with Marina La Grasta, musician of the current group Ibiza Pareo. "If our desires are impossible we will be a mystery": the symbolic violence of les no representades is transformed into a banner of rage and pride.
The film follows the routine of composer Alexandre Guerra in the process of recording the soundtrack of a film, held in the cities of Budapest and Paris. Throughout the narrative, we follow the backstage of making music for cinema: the studio, the orchestra, the soloists and how the surroundings of the cities influence and interact with these forms of creative art.
The film follows the life of the doctor Menezes (Carlos Vereza), known as the doctor of the poor.
The film recounts an experience, that of a director and his two actors at grips with a play: from the first meeting to the initial readings, the rehearsals done at home, the ones done on stage and finally the first performance. But an experience that took place in the peculiar situation in which the whole of Italian culture found itself in the days between the first and second wave of the pandemic, when it really seemed possible to restart and the feeling of euphoria was accompanied by the illusion that the worst was behind us. Once again we were suddenly checked in our desire for beauty, for life.
For years, together with his partners from the production company O Quadro, he has been betting on cinema as a tool to explore the typical issues of youth. In this film, Evandro Scorsin turns the cameras on himself as he deals with the dilemmas of the passing of time and the imposition of adulthood. In an exercise in autofiction where cinema and life merge, the film is also a cinematic love letter to the beloved masters (especially Nicholas Ray). Coming and going between two countries and times, it records the vertigo of displacement and the reinventions inherent to an immigrant experience.
Told from the narration of her diary, 12-year-old Cuban-American Elena navigates the ups and downs of middle school and begins her journey to become the future president of the United States.
The series “Mundo da Lua”, produced by TV Cultura in the 90s in Brazil, returns in another logbook by Lucas Silva e Silva. The documentary “Diário de Bordo de uma Viagem à Infância” is the meeting of those who were in front of and behind the cameras, telling the backstage of the series, and also the fans who followed on TV.
A intimate diary of a pandemic day.
A woman teaches her techniques on how to seduct over men.
It was 2008. Antonio was filming his colleagues with an amateur camera in the dressing rooms of the show he was starring in. The tapes were forgotten for over ten years before becoming this film. Here, what was filmed instinctively becomes a moving, unfiltered diary, revealing the fragilities, doubts, joys and difficulties of acting. The dressing rooms appear as the other side of the stage: an intimate place where actors free themselves from their masks.
The 19th of September of 2021 the volcanic ridge of Cumbre Vieja, on the island of La Palma started erupting. This eruption lasted until the 13th of December of 2021. Lucía and two other filmmakers decided to travel and register the volcano. This is the journal of the first two days, based on the camera errors and casual conversations that were on the footage: Bad focus, being sleepy, journalists not knowing how to name the eruption, instagram, the crunch of Pringles fries, glutamato monosodico, the radio fluctuating between Prince and Elvis, selfies with the volcano, plans for illegal stuff and the seconds before a final system error.
Season over season, a young woman looks upon her window the birds, the city, the snow, the night… Current news arrive, enter the personal story and start a dialog with it, interrogating the relations between the private story and universal history. This diary is also an observation of time passing by and the cycles of life ; growth, wounds, healing, aging, death and birth.
