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During the night lived in 2020 with denialism, an actor in rehearsal and confinement, his and the character who rehearses, one of the thousand offered by the novel “A lua vem da Asia” by Campos de Carvalho. How to circumvent the taxes imposed by space, time and bodies? Narrative and language are structuring devices in these conditions. What's the way out? A memory? The affection? The imaginary? Liberation takes place through the singular path, that of authorship, imagination and poetry.
Sara, young and misunderstood by her father, she still has not gotten over the death of her mother. She lives clinging to her great passion: skateboarding, it helps to forget about her problems. There's an argument between her father and stepmother...because the father does not tolerate homosexuality. She decides to run away from home.
The filmmaker is asked to direct a short film for the opening of a certain festival. The responsibility upsets and distresses her. She finds a solution that results in a manifest secret about fragile cinema and it’s adventures.
Lyrical evocation of passages from the diary of Ashbel Green Simonton who, in 1859, arrived in Brazil with the purpose of dividing his faith amidst anguish, doubt and nostalgia for the lost unity, laying the foundations of Presbyterianism in the country.
Rafael sleeps. Rafael waits. Rafael hugs. Rafael lies down. Rafael cries.
Scheming secretary sabotages her boss's wedding plans and snags him for herself. She, him, his brother and the abandoned pregnant fiance all suffer as a result.
The well-known story of the girls who come from their villages to the capital to work helping with household chores, without thinking that in addition to that they were going to do other, better-paid jobs.
The diary of a trip - interrupted - of the director to Chile, made during the social explosion of the eighties: Expelled from the country after her semi-clandestine entry was discovered by the intelligence services, it was completed from a distance. It is one of the first returns from exile and a fundamental antecedent of the first-person documentary in Chile.
Through a mix of documentary and dramatization, this film reflects on the life and legacy of José Martí, writer and icon of Cuban nationalism.
Havana, a day in September 2000. Olympic Games are being held in Sydney and Mauricio's sixtieth birthday is here: a man alone and devastated by the unexpected death of his wife. The story is told through a review of passages that gave form to the last twelve years of his life, combining flashbacks with recent events encompassing the key moments that marked the path to that day. Individual dimensions combine with the social context in the last decade in the 20th century in Cuba, a decade marked by deep political, economic and social changes that stirred the ethic and human bases of these generations, the first to enter in the new millennium.
Four women share a secret in the solitude of the internet. Carri, Fabi, Fiore and Rocío have something in common, they want to be perfect princesses and they confess their anguish to strangers on the web. They try to be normal, but not eating is a problem.
This film, Diario de el Loro y el Cisne, is one of the results of this process of writing directly over the images and sounds. It is made entirely from discarded material from the film Loro y el Cisne. I'm not entirely sure of the result. The only thing I can say about it is that it's extremely sincere.
A woman explains her distaste for the use of underwear.
Through photos of the time and recording of the writer, this documentary tells the story of Juan Ramón Jiménez in the light of his work.
