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The fascinating life of dedicated zookeepers of Parc Safari, one of the largest zoos in Quebec.
The director lost her three uncles. She returns to the cemetery where they are buried. Mixing super-8 home movies and 16mm travelling shots in the alleys of the cemetery, "We came back to chesnut tree avenue " is a tribute to their invisible presence.
One day, Jean-Christian Riff notices two boys playing a mysterious game under his window. He films them. This is the starting point for a film that, without the camera ever leaving its unique position behind the window, progressively opens up the circle of perceptions and emotions to the dimensions of the world. The space makes this cosmological miracle possible : a bus stop, a riverbank and the river that runs along it, but also the filmmaker’s appartment, where daily life and its sounds resonate : a multiple scene upon which pass time, seasons, beings of all ages and conditions. This film is its author’s last, as he died just after having finished the editing. It is life itself, made poetry. (Cyril Neyrat)
Focusing on the work of cartoonists in Egypt, Algeria, Syria, and Palestine, this documentary examines how comic strips and caricatures are becoming a vehicle for dissent and a voice for freedom of expression in the Arab world.
Documentary on the Armenian genocide
A party at night. Some teenagers dance and fall in love as if it was the first and the last time.
Saint-Nazaire, the shipyards. Tiny little men on gigantic machines, boats that will sail away: between the workers' every day life, the sailors' experience and the dream of seeing the world, how can imagination still have a place in an industrial world?
Dimitri and Pierrot set off on a tree top adventure course. They wish to become real adventurers and win women's hearts. But their harnesses are too tight around their crotches, making them uncomfortable and reconsidering their lifestyles.
As they spend one last summer night together, a group of young Ukrainians shares their hopes and dreams for the future. But one of them must choose before the sun rises: reporting to the draft office calling him to war or fleeing the country?
How do we protect our connection with young people? This is the question the film tries to answer by addressing them directly through a voice-over. In a mosaic of fiction and animation sequences, film excerpts, "smartphone" shots and a considerable amount of archive material, the film restores entire sections of our History and our current events, by looking back at some of the major political and social achievements that young people often ignore. "Letter to the child you gave us" aims at inciting them to measure the importance of laws, the stake of democracy, and to push them to the commitment until fighting abstention.
My big brother went away to soon, without a word. Actually, he never could speak, nor could he walk. I never knew what he could see or hear. Or if he really loved me. So before our uncertainties and regrets settle forever, we, his two little brothers, decided to finish the film we had started with him during the last year of his life, hoping to find a word or a look that would prove it to us, once and for all.
