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Sébastien Betbeder and his actors Thomas Blanchard and Thomas Scimeca gather to imagine the script for the the film they will shoot in a year's time at Kullorsuaq in Groenland - a sequel to Inupiluk.
Doctor Rougel is so absorbed in his work that he neglects his wife Nadine, who is subjected to the advances of Gérard Bérault, an admirer. A series of unfortunate events leads the doctor to doubt the fidelity of his wife, and he shamelessly throws her out. Michèle, the Rougels' little daughter, sick from despair, will eventually reunite her estranged parents.
New York-based tech company Clearview AI is working to identify and compile the faces of every human being on the planet. The firm claims that its database will serve as a force for good, helping to solve crimes and prevent espionage. But what if Clearview AI’s powerful facial recognition software, that could potentially be used for mass surveillance and profiling, fell into the wrong hands? What if it already has?
The fascinating life of dedicated zookeepers of Parc Safari, one of the largest zoos in Quebec.
Two housewives discuss philosophical themes (actually an updated dialogue between Plato and Socrates) while doing the house work. The husband of one of them rehearses his part in a theatrical play, reading a 20th century philosophical text about totalitarianism.
The unique story of film directors who managed to critic the Communist regime while being produced by the State: this is Polish cinema's golden age, in the 1970s. Director Ania Szczepanska, born in Poland and raised in France, meets prominent filmmakers, producers, actors such as Andrzej WAJDA, Marcel LOZINSKI, Krzyszstof ZANUSSI, Kristina JANDA, Ryszard BUGAJSKI and confronts them the testimonies of the State men of that time. Through unknown archives, forgotten documentaries and excerpts of cult films, she relates how the Solidarnosc people ended up in Cannes.
The director lost her three uncles. She returns to the cemetery where they are buried. Mixing super-8 home movies and 16mm travelling shots in the alleys of the cemetery, "We came back to chesnut tree avenue " is a tribute to their invisible presence.
