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Two 20th-century friends accidentally stumble into the year 1492, where they meet a charming teen and try to alter history.
Wendy, her husband Dan and their kids have just moved to the small town of Stull, Kansas, where Dan is the new pastor. But in this sleepy community of friendly neighbors, a horrific series of occurrences awaits them: Their teenage daughter is being tormented by grisly visions. Her younger sister has been marked for a depraved ritual. And deep within the heartland darkness, one of The Seven Gates of Hell demands the blood of the innocent to unleash the creatures of the damned.
Nothing is Left to Tell is the title of both a film and social experiment. In the summer of 2010, Almborg and a group of eleven strangers of varying ages and backgrounds traveled to a small, uninhabited island off the coast of Sweden. Their mission was to collaboratively build a wooden structure without plans or blueprints and while on the island they would not communicate using spoken or written language. Three individuals in the group were responsible for documenting the process, however, their task was similarly governed by rules: they could film no more than 30 minutes of activity per day. The resulting film explores the limits of language and the relationship between communication and community.
Lower Austria in the 80s. Anna helps out in her uncle's tavern to fund her studies and meets handsome Kurt who casts an eye on her. But when the local factory closes, life in the valley changes. Anna learns that Kurt is going to marry. Then a terrible accident occurs. The film conveys the rural society's changing self-conception and outlines the conflict between staying or leaving for the city.
A short film by the Dolan Twins
