Notes For A Film About Gilgamesh

Poet-filmmaker Jørgen Leth taps his own earliest inspirational veins by free-floating through a camera/microscope-enhanced set of poems with love as their first and final subject. For example, how a tropical island woman prepares for a meeting with her lover. The film was shot partly in the South Pacific with more than a nod to social anthropoliogist B. Malinowski's historical work The Sexual Life of Savages.

After being disappeared by a fascist group in 1960, this film by the Master Jacinto Esteva about the emigration of Spanish workers in 1960 was recently found to the delight of documentary lovers.

A personal documentary about loss.

The story is about a former war veteran named Rachman (80 years) who still lives up to now, after the post-war independence with life problems and hustle in the big city, he finally had to surrender to the situation to live under poverty until now, hard to find a work with low-ranking military capital without the support of sufficient formal education, makes Rachman very struggling to find a decent job.

In her first cinematographic film, artist Eleni Kamma revisits the tradition of the Karagöz Theatre and its role in the creation of a political voice.

This film about the life of Cubans without a roof over their heads shows how they go about their everyday activities: preparing food, discussing politics, singing songs, reading old texts by Fidel Castro, and sleeping off a hangover. Fourteen minutes of detailed observation of people overlooked by others.

An old couple waits to see their grandson. But the only daughter abroad with her child is reluctant to come back. Meanwhile the boatman fails to solve the problem with his wife. She leaves the baby with the boatman and goes away. The decision by the boatman changes the world around the old couple.

The film tells the story of a reporter's search for the records on the "horror notes", which reappeared many horrifying and supernatural rumors about the ghost in Cuipinglou and the supernatural incident on Beijing Bus No. 375.

How can the complex narrative of experience be understood as a coherent whole through the collection of states and thoughts? Since 2016, YR has dedicated itself to the ongoing exchange of its creative processes and focuses on the conscious abolition of any type of judgement. YR uses real life experiences and observations as its basic materials – what emerges is a growing collection of inner and outer realities by way of image, sound and text. The artists see themselves as storytellers who observe and question, document and recycle. This continuum can be understood as a sketchbook without a fixed vision. «notes of forms I» is the first audio-visual collection (journal movie) outside their ongoing blog work, in which YR exclusively uses materials from its artistic processes between January and March 2021

In the 90's and early 2000's Romanian mainstream press began reporting on homosexuality and activism in a very flashy and sensationalistic manner. Notes on Hiding focuses on what the media didn't report on.

Three women reminisce about their times at school and rekindle and affirm old friendships. They share a strange secret about each other that is never made known to us. The film is a cinematic interpretation of Samuel Beckett’s 1967 dramaticule, ‘Come and Go’.

Wandering Notes revealing an everyday life of the city that the author was born. Places picked by chance show her encounter with this city.

This is a record of people who face up to the big change.

The film revolves around a reckless young man who suffers an accident that leads to him to be Paralyzed. In the hospital, he meets a man who changes the course of his life.

Although college student Sam has made a pact to graduate with his best friends, he lags behind as the only one who is struggling to finish his thesis. At the same time, the girl he loves has found a new relationship. Can Sam push forward and fight for everything he desires?

The whole world knows his pictures — the Victory Banner over Berlin, the traffic controller, the Victory Parade. Printed in millions of copies, minted on gold coins, included in all encyclopedias and textbooks, neither became signs, symbols of the Second World War. Only few people remember the name of their author.

Anat Gov, one of the most influential playwrights in Israeli theatre, is preparing for her death. She asks Arik Kneller, an artists' agent, to be the executor of her will. Arik struggles to accept the humor and serenity with which she faces her upcoming end. Anat, consciously accepting her nearing end, wishes to leave a spiritual legacy: there can be a happy ending. Almost a decade after her death, her loved ones try to fill the void left by her words with their own. Through excerpts from her plays and footage of her family and political world, a new script is written: one in which the line between the play and reality is blurred.

Note Out is a 2011 Malayalam comedy film directed by debutant Kutty Naduvil starring Nishan and Mithra Kurian in the lead roles. The music of the film has been composed by Vinu Thomas with lyrics penned by Anil Panachooran. Note Out tells the story of a group of youngsters led by Nishan who lead a care-free life with neither much aspirations nor any definite goals. A smart young girl happened to come across their life which leads to so many unexpected incidents.

A blind old man lives in a lost way station. He intuitively determines the condition of the railway tracks, which are monitored by his son. Every month, a track meter equipped with state-of-the-art technology passes through the stop, but its readings differ from what the old man feels about the road. The son finds himself in a dilemma: which to trust more — his father's intuition or the indications of the computer? After all, the lives of hundreds of passengers depend on the right decision.

Uta’s mother died when she was six years old; her father she never met. She was forced to adopt a traveller’s life when her grandmother died, and now she is a dancer and part of a family of actors who travel from town to town, setting up street performances. A way of escape from this marginal existence arises when she gets the chance to move to tea merchant Hiramatsu’s place, where she is asked to teach his daughter to dance.