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Scientist Edward O. Wilson has named the coming geological era Eremocene. In her analogue science fiction essay, Viera Čákanyová explores this era of loneliness in dialogue with a virtual alter ego from the future.
Documentary portrait of the actress Romy Schneider, in which director Frederick Baker tries to form an overall picture from the facets of image, myth, real life and screen persona.
Reminiscences from a few people convicted to the Siberia prison camps.
Frank Zappa: Phase Two is a 2002 documentary about Frank Zappa. It features a lot of footage from Scheffer's previous film, but new material from Malcolm McNab's private achive.
Recently retired from a company after some 40 years of service, Sunada Tomoaki, father of filmmaker Sunada Mami, is diagnosed with terminal cancer and only has a few months left to live. True to his pragmatic core, Sunada sets out to accomplish a list of tasks before his final departure: playing with his grandchildren, planning his own funeral, saying “I love you” to his wife, among others. In a voice over, using words taken from her father’s diary, filmmaker Sunada speaks tenderly in first person as the elder Sunada.
A piano player is trying to find the one and only true note. He finds it.
Akif left Germany to join up with the PKK guerrilla fighters. His diary records the doubts, dreams and political discussions that the fighters share as they march through the mountains, and in the meetings where the women criticize male prejudices.
A student film by MATSUOKA Honoka (Musashino Art University)
Korean concert version of death note the musical this showcase follows Light's quest through song.
1000 : Oru Note Paranja Katha (English: 1000 - Story narrated by rupee note) is a 2015 Indian Malayalam thriller film directed by A. R. C. Nair. The film features Bharath, Mukesh and Maqbool Salmaan in the lead roles along with Leema Babu and Kalaranjini in key supporting roles. The film was released worldwide on 13 February 2015.
Get to know the diverse work of microbiologists in laboratory conditions and in the field.
War as a preposterous and absolutely masculine fiction -as well as the educational and occupational exclusion of women in a society that educates them to serve and be mothers- is repudiated by Virginia Woof in Three Guineas. The Civilization Desire is a piece that appropriates family movies filmed in Spain during the Republic, the Civil War and the early years of Francoism. The home movie becomes an alternative chronicle to the great stories, that reveals social differences and gender stereotypes learned from childhood, in the civilization of strength, despised by Woolf.
An autobiographical collection of instances that describe the action of living in a post-industrial landscape, the end of a love story and the politics of what is private and what is public. The camera, as a device for recording and recollection, goes beyond evoking the past to become a tool for the appearance and exorcism of spectres.
A biographical documentary exploring the utopian ideas of Harald Szeemann, the man who revolutionized the art exhibitions world.
The shape of a journey during which two women share their thoughts on the period of austerity policies in Portugal. A generational gaze on that time, on a route towards the South, from Portugal to the Sahara desert.
Mga Tala sa Kagandahan (Notes on Beauty) follows a filmmaking and theatre workshop for genderqueer kids (in swardspeak, baby bakla) in a Sitio in the City Antipolo, Rizal - a known pilgrimage site east of Manila. Its assertion: the right to our own representation, in front of and behind the camera. The footage, majorly shot by the kids, are a mixture of moments of learning and play times, that hopes to show the kids' view of the world in their first takes.
The document consists of recordings collected in the years 1982-1987 by an informal group that included Jacek Petrycki, Bohdan Kosiński and Marcel Łoziński. The film reveals the backstage of the activities of the anti-communist underground, shows the everyday life of hiding oppositionists and the Polish reality of the 1980s.
