Notes For A Film About Gilga

The paths that the artist traveled to create two essays that are landmarks of contemporary Brazilian photography.

A clever king of Joseon and his brilliant chronicler hunt for the truth behind a crime that threatens the throne and the stability of the country.

Documentary about Santos Busto and Concepción Berasaluce, Spanish refugees who arrived in Chile because of the civil war, fifty years after their arrival.

Ambitious psych major Molly White is on top of the world as she preps for her grad program entry exams. After celebrating with boyfriend Brady, Molly finds her roommate Emma crying after an incident she had with her boyfriend Adam. The next morning, Molly is shocked to learn that Emma jumped from the roof late that night, leaving a suicide note behind. Refusing to believe that Emma would do such a thing, Molly starts having haunting dreams over Emma’s death. Driven to uncover the truth about what happened to Emma, Molly begins to search for answers positioning herself in harm’s way.

Educational video produced by the New Energy and Industrial Technology Development Organization (NEDO) in 1994, it was later included on the 13th issue of Boku, Doraemon magazine released on August 20, 2004.

Elsa Brès' "Notes for les Sanglières" imagines an alliance between wild boars and people grounded on concepts of boarcentrism, ecofeminism and forms of communal living. Shot in the area of the Cévennes, in the South of France, the video brings together ideas, experiments, field recordings and fiction tracks that sketch the common struggle of human and animal rights.

The execution of 200 Greek resistance fighters by the German occupiers on May 1st, 1944 in Kaisariani, as reprisal for the Greek Resistance ambush against Nazis.

"The wound and the knife" is several things, or at least three: a documentary, a fiction and an essay. A documentary about the creative process of the last 5 years of the artist Emilio García Wehbi, a series of fictional scenes that dialogue with his work and a kind of essay on the body. In this sense, the staging is situated in the fragment, not only in the fragments of Wehbi's works, but also in the fragments of the bodies that make up those works. Thus, a little adrift and with a puzzle structure, in "The wound and the knife" I manifest a constant will to jump into the void, in this way the film denies itself as a closed work, but rather, what what it tries to be is a draft, the single notes that survived my own process.

A look at the last few days of in the life of composer Frédéric Chopin's professional life.

Production Notes allows us to eavesdrop on the business decisions behind the creation of seven TV ads by means of repetition, slow motion, and “production notes”— memos sent from the advertising agency to the production company prior to filming the spots, to describe the intentions, desires, strategies and ideology of the commercials and their creators.

What are the necessary elements to produce a good western? To set the stage ironically for action involving all the usual characters : the good guy, the sheriff, the bad guy and the belle. Seen here in their first roles, the players in this video come from a region of Alberta, where cowboys are born and bred. They need not look too far from everyday life to draw inspiration for a classical western...

Calendar will be followed by the medium-length Notes For A Possible Sequel, a work-in-progress wherein Egoyan re-assembles the original cast and looks at how the intervening years have treated the characters, while ruminating on some of his essential themes including heritage and the aesthetic impact of technological change.

Notes for a Time/Bank articulates a series of reflections about the political, historical and anthropological necessities for the existence of alternative economies and initiatives, such as time banking. Divided in ten chapters, the film combines researches on historical attempts to implement alternative economies with various commentaries on the nature and value of money.

The immediately recognisable voice and sweet wistful words of the late legend of the avantgarde, Jonas Mekas, is heard over the images of an imagined trip to Mexico. He speaks about memory as being testament to suffering, while expired 16mm film shows us an act of remembering, memory as a verb: peaceful protest.

If his father had lived beyond the age of seventy-four, the following may have been the cinematic response to the city where in 1944, he last saw his family. Filmed in the mid-1980's, Lodz, Poland. Constructed in 2012, Florence, Massachusetts.