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A look at legendary Japanese animator Hayao Miyazaki following his retirement in 2013.

Picked up by a beautiful motorist, jobless hitchhiker Pierre (Hossein) is subsequently romanced by the girl. Immediately thereafter, however, she dumps him, attempting to run him over as a final insult. Memorizing her license number, Pierre pursues the enigmatic motorist. Arriving at her home, Pierre is met by two young ladies (Marina Vlady and Odelle Versois), either one of whom might be the woman he's looking for.

Karin Oriyama, 16 years old. She is in high school and... she's about to get married!

"Ceci n'es pas moi." (This is not me.) contains strange images of Emmsen Jafari, when he wasn't afraid of knife. This video is made by old footage taken by Majid Jafari at the first birthday of Emmsen Jafari.

A hand, a foot and the head fighting over sugar.

Juhani, a welder and Ritva, a right-wing backgrounded, future clerk get married. Soon we see that their marriage seems to be all about long business trips, housing problems, concerns about the money and political disagreements.

The famous Spanish comedian Andreu Buenafuente, CEO of the production company El Terrat and prestigious TV host, tells how he and his numerous collaborators, both on set and behind the cameras, managed to carry on with their work despite the chaos and the several logistical and human problems caused by the global pandemic that began in early 2020.

In order to avenge a friend and to fulfill his last wish, Rocco has to find out what happened to an army corps that has mysteriously disappeared. He therefore puts on the disguise of a doctor and starts investigating in a somewhat uncomfortable town

Once a champion of international cocktail competitions, bartender A-rong struggled through life after losing his sense of smell. When a friend bought a bar, A-rong returned to the counter, showcasing his remarkable mixology talent. He crafted personalized drinks for each bar patron, with every glass telling a story of joy and sorrow. Meanwhile, the romantic setback that once defeated A-rong quietly resurfaces on this journey.

Impact Wrestling presents A NIGHT YOU CAN'T MIST, in partnership with Tommy Dreamer's House of Hardcore, from the world-famous 2300 Arena in Philadelphia, Pennsylvania. In the main event, Japanese legend The Great Muta makes his return to U.S. soil as he teams up with Tommy Dreamer against the team of Johnny Impact and Michael Elgin with Jerry Lynn serving as the special guest referee. In other featured matchups, it's "Touch It vs Suck It' as Joey Ryan goes one-on-one with Billy Gunn. The House of Hardcore Championship is on the line as Willie Mack defends against X-Division Champion Rich Swann and Teddy Hart in a 3-Way clash. Sami Callihan and Eddie Edwards will renew their heated rivalry when they face off in a Philly Street Fight. Plus Knockouts Champion Taya Valkyrie puts her title on the line against Jordynne Grace in a rematch from Rebellion.

The film is based on the best choreographic numbers from the performances of the Leningrad Music Hall, songs of pop stars and romances performed by popular singers. The concert numbers are united by the storyline of the participation of all performers in the filming of a musical comedy film.

The story of child violence and the national violence. And the problem of the old Japanese environmental pollution.

After the cultural revolution

Bucharest, October 1989: a secondary school student disappears without a trace. Weeks later, he resurfaces at a meeting of the Communist Youth where he is denounced for certain "reprehensible actions" and excluded from the organization. As a result of the same "reprehensible" deeds he is expelled from the school. His schoolmates are never told what his actions actually were. "Notorious deeds, unworthy of being mentioned," is the only comment provided by a high-level communist party representative. Now, 25 years later, those involved are keen to tell their side of the story.

Today, liberated Kherson experiences constant shelling from Russian troops, making it perilous to open the theater's doors and welcome people inside. The theater stands empty, or so it appears. However, the theater troupe is rehearsing a play in Kyiv. They no longer need scripted roles; instead, they portray themselves in a documentary-style show, recounting their own story of how the people of Kherson resisted the Russian occupation and how they were leaving the Russian occupation because of their pro-Ukrainian stance. For those who remain in Kherson, most of their time is spent in the theater's basement, which once served as a refuge for townspeople during the early days of the full-scale invasion. It has now become the heart of the Kulish theater. Has this war separated people not only physically?