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October 1941. Thousands of fascists troops are advancing on Kalinin to capture the city and therefore open a direct route to Moscow. There are two thousand people able to defend the city and they are without tanks or artillery. The only hope of holding the enemy off is in the fifth infantry division convoy, who are about to pass through Kalinin station. But saboteurs intend to do everything to keep this from happening. The head of the Kalinin garrison, Major Sysoyev, struggles to keep order and calm in the city, and himself falls under suspicion of involvement with the subversive enemy group.

120 minutes before "EVANGELION:3.0 YOU CAN (NOT) REDO."

Dutch composer Louis Andriessen collaborates with director Peter Greenaway on a commissioned short film to commemorate the 200th anniversary of the death of Mozart. Gods create Man, Music and Mozart.

Hyun, a best-selling writer, has found himself in a slump for a long time. In the meantime, he accidentally meets Yu-jin, an aspiring young writer. Hyun gets confused when Yu-jin confesses his love to Hyun. A 19-year-old student and Hyun’s son, Sung-kyung, who is skeptical about his life, meets Jung-won, a young married woman living next door. Sung-kyung has a good feeling for this freewheeling woman. A pure-hearted man, Soon-mo, who is Hyun’s best friend and also the publisher, meets his friend’s ex-wife.

A high-profile defense attorney determined to change her image takes on a pro bono case, which soon threatens both her and her family.

This MGM Crime Does Not Pay series short shows the role the crime laboratory plays in the solving of cases, and how even the smallest detail can become a major clue.

A girl's relentless obsession over her new boyfriend leads to disaster.

Having always craved more from the artistic and conceptual angles of erotic filmmaking, I knew that I wanted to break the mold and make an experimental piece that lives without a classic storytelling arc. An art film that just exists and breathes and whispers to your libido. Inspired by Magritte’s "The Treachery of Images", I non-verbally argue that the one-sided representation of sex in media, whether through sensationalized click bait disguised as journalism or the male-dominated pornographic vision, strips sex to an act that nullifies its complexities and emotions. Created with absolutely no budget, this piece proves that there is a place for sex in art.

Allie is a doting single mother to her fun-loving deaf son Finn – but between a busy work schedule and taking care of her child, love is low on her list of priorities. But when her life gets turned upside-down when her tenant has to move out. Allie finds an unlikely new tenant in handsome, free-spirited Ronan, who Finn adores. Between her new dating adventures and a surprising connection with Ronan who might just be the perfect fit, can Allie find her happily ever after?

While battling Alzheimer’s disease, Deenie Hartzog-Mislock’s grandmother invents a wild story and the family learns to love an imaginary man named Nick Stephanopoulos.

A young pickpocket in the New York subways, living a fast, free, lifestyle is confronted by a woman whom he had a one night affair with, she informs him that she is now pregnant with his child, he must now choose between continuing the lifestyle he lead or take responsibility for his actions.

As every year, German brewery tycoon Karl Schneibel spends the summer holiday on an Italian island with his beloved grandson Christian, near the children's home run by his ma, Dr. Gioia. This year however, Christian's heart isn't in his summer fling but his lover at home, Anna, daughter of Karl's general manager Dr. Werner. Christian has a bad eye in Veronica, the woman who became Karl's much younger lover 'by travel fate', the first thing soon proved untrue. But by then, the Schneibel firm and estate have been taken over according to an elaborate conspiracy, which Christian takes on with some help from his friends.

Racketeers muscle in on construction business, use inferior materials, make big profits and endanger the public safety.