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Humans are social beings. But what are they when isolated and lonely? In It Seems To Be Loneliness But It Is Not Lukas Marxt puts himself in this situation by going to a place where human encounters and exchange can hardly be expected. The artist moves through an inhospitable location. The subjective camera makes his gaze our own as he glides over a variety of structures in the rocky ground of the volcanic Canary Island of Lanzarote.

I Am Here You Are Not I Love You follows the writer Aidan Ryan as he attempts to make sense of the work and clues left behind by the late visual artists Andrew Topolski and Cindy Suffoletto, his aunt and uncle, who passed away when he was a teenager.

SCP-2316 is a body of water within which anomalous sensory phenomena manifest. On their return from Grace’s sister’s funeral, Grace and her ex-boyfriend make a ‘quick' stop at a lake area from her childhood where they encounter SCP-2316.

She first met him when the blooming lotus flower was falling, only to have to part ways. Years later, when they reunited, Li Zhong Mou had all but forgotten of Wu Tong's existence, leaving her forlorn, except the only thing he wants now from her is the guardianship to their son. 7 years long years together, can they fix their broken relationship?

Jacqueline Gozlan - who left Algeria with her parents in 1961 - nostalgically retraces the history of the Algiers Cinematheque, inseparable from that of the country's Independence, through film extracts and numerous testimonies; notably that of one of its creators, Jean-Michel Arnold, but also of filmmakers such as Merzak Allouache and critics such as Jean Douchet. A place of life for Algerians, the Cinémathèque was the hub of African cinemas. Created in 1965 by Ahmed Hocine, Mahieddine Moussaoui and Jean-Michel Arnold, the Cinémathèque benefited from the excitement of Independence. The Cinematheque becomes a meeting place for Algiers society, future filmmakers find their best school there. In 1969, the Algiers Pan-African Festival brought together all African filmmakers, and from 1970, Boudjemâa Kareche developed a collection of Arab and African films.

Shinichi Tominaga is a prosecutor, newly appointed to the special investigation division for the Tokyo district prosecutors' office. He is currently busy with a case involving suspicious donations to powerful politician Yohei Tachibana. Shinichi then receives a mysterious message from his friend Samon Kondo. His friend is in charge of space development at The The Ministry of Education, Culture, Sports, Science and Technology. The message talks about a scandal related to space development. Samon soon goes missing after sending the message. Shinichi begins to see a connection between the two cases.

Ten-year-old Brigitte spends holiday with her father Peter on the Baltic Sea and everything is perfect until they meet strange and beautiful woman on the beach.

Queer Pasifikas grapple with intolerance within their own communities.

Shagdar's daughter, Hishgee, a director of a commercial bank, is about to give birth, and Shagdar is happy to smell his niece's baby. However, when the child born from the endowment fails, Dr. Bold replaces the child with another mother to fulfill his promise to his grandfather. At this time, Shagdar's son Gan-Ulzi participates in defrauding his father's bank of a large amount of money for his power and position. In the course of the events, the above complexities are resolved and the conscience of the person is recognized, and the story ends with a sharp discussion of moral issues in today's society.

Jan Gębski’s camera carefully observes how one of the last remaining heroes of the Warsaw Uprising struggles with the reality. The elderly woman’s closest companion is her cat.

Documentary about young earthquake victims in Banja Luka.

Several years after the opening of the country in the Meiji Period, the Westernization has also come to a remote town where Gonzo, a clog maker, and his wife, Osei, live. While shoes take over from clogs, Gonzo hasn’t been able to make money from his business and owes Zenzo, who controls the town. Taking advantage of it, Zenzo tries to sleep with Osei, to much resentment. Tired of their poor life and Zenzo, Osei suggests Gonzo they quit clog making and go live with her older brother who has a business in Osaka, but Gonzo doesn’t agree from his pride as an artisan, and from lack of money to travel. So Osei plans to make money to get out of the town by pretending she’s dead and receiving condolence money from Zenzo. Hearing the news from Gonzo, Zenzo rushes to their house, but as he sees Osei lying on the futon, he realizes she’s not dead. Gonzo keeps drinking as it’s poured, as Zenzo has planned. His intention is to take Osei, while a drunk Gonzo sleeps.

An esteemed piano tuner and repairer, Jacobo leads an apparently happy life with his wife, Helena. His serene existence is thrown into a state of confusion when insomnia creeps in, and pianos that previously repaired miraculously overnight remain unfixed. Jacobo plunges into paranoia and madness, hearing noises during the night and having ephemeral visions of a stranger roaming the house in a dressing gown. Helena reassuringly denies anything out of the ordinary, and suspiciously insists he is hallucinating. Is the life we think safe and secure true, or is there a second reality lurking? THE MOST IMPORTANT THING IN LIFE IS NOT BEING DEAD is a tale of betrayal and forgiveness in a rich musical universe, set against the Franco era, a period of political deceit and distorted reality in Spain. Playfully, the tragicomedy questions our perception of reality and the vulnerability of our human condition.

It's a biographical and daily life documentary about TANAKA, Mitsu who is the legendary leader of women's liberation movement of Japan on 70's, filmed closely for four years since 2014.

On the waterfront, a few soldiers inspect the perimeter where a festive table has been set up in front of a makeshift wooden stage. The garrison commander greets a motley group of foreign visitors as the waiters open the champagne to start the show. The perspectives alternate, the bah-humbug atmosphere at the guests' table is counterpointed by the reluctance of the performers and the resentment of those who prepare the meal and must serve the guests. From this group, the character played by Marga Barbu stands out for her eccentric, disruptive presence, upsetting the fragile balance of the whole performance and aggravating the already tense situation towards its dramatic climax.

DTV sequel to The Reason I got SIck, but this time it's a standalone instead of an anthology.

The One & Only Live Show Of D.L.I.M.C.