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Documents a negotiation of desire between the artist, Kenneth Tam, with the man in the box. After posting a Craigslist ad in the Casual Encounters section seeking a participant for a video, Tam responded with a project of his own. After repeated discussions, both the artist and participant ultimately agreed upon a set of conditions that attempted to satisfy both of their respective needs. The participant's frustrated intentions quickly came into tension with the artist's own refusal to fully acquiesce to his demands, yet at the same time Tam's prerogatives as an artist required him to compromise his position and meet the participant halfway.

The official documentary for the album 'Periphery V: Djent Is Not A Genre'

Footage from summer of 2018 that explores the passing of time regarding the little things in life.

The Life Story of John Lee, or the Man They Could Not Hang is a 1921 Australian silent film (which is now considered lost) based on the true life story of John Babbacombe Lee. It is a remake of a 1912 film with some extra scenes of Lee's childhood.

Little cartoon

Those Who Do Not Remember The Past Are Condemned To Repeat It (2020) is an experimental documentary investigating the intersection of People’s Temple (Jonestown) with the first-person survival horror game Outlast 2 developed by Red Barrel. Departing as the digital study of the game, this project attempts to recontextualize the relationship between the mass suicide of People’s Temple in 1978 and the game’s narrative. Composed by the archival materials from FBI and machinima made with the game, this work conveys uncanny audio and visual journey in the understanding the self-destruction, the religious utopia, the binary between capitalism and socialism.

"Nicolás Zukerfeld’s third feature is a wry, surprising work of filmmaking-as-criticism that begins as a kind of supercut of moments from the work of pantheon Hollywood auteur Raoul Walsh. This rhythmically entrancing parade of images traces a mysterious and amusing arc across the director’s vast oeuvre—but at the halfway mark, the film reinvents itself as an idiosyncratic, essayistic investigation into memory, cinema, and their shared mutability." - NYFF

The film consists of fragmentary images, of water flowing in stone-paved gutters, narrow alleys and the rooftops of buildings, afternoon and night views of the city glimpsed through a car window, the fishing harbor and the ruins of a church destroyed by the atomic bomb.

Through archive material and an intimate conversation between mother and daughter, the filmmaker immerses herself in memory to understand and rebuild her identity, based on the story she shares with her mother.

A genius girl with an IQ only one point lower than Hawking, Wang Huihui, has been a hot topic of public opinion for many years. One day in 2015, on the day he was admitted to the best university in China, 9-year-old Wang Huihui went missing.

A farewell letter; places of repression; stories of the lives of victims of reprisals narrated by their children; create a tale so that WHERE OBLIVION MAY NOT DWELL.

Documentary about transgendered people. The film alternates between musical performances and personal stories. Hanne Rasmussen, formerly called Hans, faces stigma and still has to dress in men's clothes when he sees his family. With old letters and archive clips, Ellen Bækgaard talks about historical figures such as Lili Elbe and Magnus Hirchsfeld. American Christine Jørgensen shares the story of her life and the attention she received when she went to Denmark in the 1950s to have sex reassignment surgery. And Thomas Holck, who was formerly called Lis, talks about his innermost thoughts and the 15 years it took to achieve stability in his new gender.

A reflection, echoing and weaving of experiences, lessons, histories as well as potential histories surrounding the Gaza solidarity student encampments and student movements internationally.

The director leaves his native country and adapts to new territories. Inside his work routine in a New York City restaurant, messages from his family come and go, shattered pieces of lost paradises.

Chinese movie

A documentary film about Erkki Kurenniemi (b. 1941), whose career represents a surprisingly natural blend of music, film, computers, robotics, science and art.

A man tries desperately to kill himself, but consistently fails to the amusement of the Narrator, who may or may not be behind his failure

Norbert, the protagonist of the film, is a priest. But also a father and a criminal convicted of bank robbery. His future is uncertain, as is his family's.

Angela Su’s fictional artist Rosie Leavers is the last remaining person to upload her consciousness to a video game. Contemplating during a pandemic year which also saw people’s resistance movements in many parts of the world, the work pinpoints the uncanny affinities between gaming and warfare strategies. They have mutually informed the infrastructure of both worlds since time immemorial when diplomatic conflicts played out on the battlefield of the 64 squares of a chess board to flight simulation technologies which were adapted to shape gaming experiences as we know it now. When the conflict is between the state and its people, she speculates that gaming strategies empower civilians in resistance movements to counter imperialism through its own operative logic. But once we upload our consciousness, are we able to return to the sensibilities and political motivation that inspired the revolution to begin with?