Not

Examples of technological impositions and how that which is not=there is e+affected.

A three part documentary detailing the making of the Will Ferrell Land of the Lost remake.

The narratives of Filipinos and Japanese soldiers who lived through the Japanese Occupation trace the destructive effects of the war that lasted decades after.

Documentary short about the relationship of Anne Bancroft and Mel Brooks.

They hit the camera lens almost four decades ago. Successful workers, winners of social competitions, students, scientists are ordinary residents of the city on the Neva. Today they came to the St. Petersburg Documentary Film Studio to meet with the footage of the chronicle that captured them. What will this meeting bring?

Fences, zooms, blast beats, and oscillators search for possibility or perforation as walls close in, attempting to break free from patterns and spirals as bodies become contained.

There Will Be Some Who Will Not Fear Even That Void is an ecological film for the 21st century - a film about the future of our planet that turns the traditional environmental documentary on its head. Rather than looking at our influence on the environment, ...Even That Void examines the environment's influence on us - emotionally, psychologically and ethically. The film suggests that the limits to exploring and dominating nature are no longer technological, but moral. We now have the technology to 'conquer' virtually any part of the planet if we want to - the question is no longer 'can we' but 'should we'?

The film guides the viewer through the process of making contact with a figure who exists only in his own photographs—70’s gay sex icon Peter Berlin. The film is structured in three parts, which were made chronologically. In the first part, the filmmaker appropriates Peter Berlin’s outfits and poses, playfully attempting to embody Peter Berlin’s artistic persona. Each frame of the original 16mm film was then hand-painted to distort the image, producing an animated effect that prevents the viewer from seeing the full performing body. In the second part, a voice over relates a story riddled with anxiety about a potential meeting with Peter Berlin that is paired with images of mansions and window displays. The third and final section is an interview with Peter Berlin in his apartment, describing a moment of exchange that crosses lines of gender and generation, a moment where the identities of two filmmakers briefly coalesce.

Currently religious fanaticism is on the rise worldwide. Director Paula Fouce ventures into the madrassas, religious schools, and meets moderate Muslims as well as hard-liners. NOT IN GOD'S NAME traces the three reasons for religious extremism. The solutions to hatred in the name of God are laid out by the Dalai Lama, who is received the Congressional Gold Medal in recognition for his work on religious tolerance from the U.S. Congress.

The Santal, or Santhal, are an ethnic group native to India and Bangladesh in South Asia. Handia, a locally made drink which is considered staple at all the community events and occasions, is made from fermentation of rice. Chullu which is further prepared from the rice’s distillation process occupies a sizable portion of village economy, especially the economy of poor tribal people. According to NSSO, an average person in rural India consumes 220 ml of alcohol in a week. TAADER NAAKI GOLPO BOLA MAANA is just one of the stories that are known to these tribal lands, mostly unheard of in urban circles, yet are not to be told in rural as well. It is one of the regular days in the life of one Santhal family where 3kg of rice yields upto 9 litres of handia approximately. It is mostly the womenfolk who participate in the making of this drink.

Juanita wanders between reality and her dreams to cope with the absence of those she loves.

A young woman travels to visit a friend who lives with her partner, without counting on a global pandemic that will prevent them from leaving.

A pack of chips for three and a few pies. This is a dinner for Svetlana Tikhanovskaya and members of the joint headquarters of Veronika Tsepkala and Maria Kolesnikova. Even before their pre-election pickets began to be canceled, we spent the whole day with the presidential candidate and her team.

Babi is a woman who lives, loves, and moves around the city with the same intensity as she pedals her bicycle.

A film about the planes of the Great Patriotic War returning to the sky. Behind this return are people who do not forget and will not let anyone forget what our fathers and grandfathers did for us today. The main person in the fate of veteran aircraft is Boris Osyatinsky. Thanks to his energy, more than a dozen aircraft have already been restored in Russia.

"I Do Not Know What It Is that I Am Like" juxtaposes images of animals, both wild and domestic, and natural environments with human activity as it takes place in an apartment, and during a fire walking ceremony in Fiji. Documentary-style footage is combined with staged events. Despite the piece's lack of a traditional narrative, it bears some relationship to nature works. The segment features material from "Il Corpo Scuro (The dark body)" - animals and natural environments are seen up close and at a distance.

Meet Gavin McInnes, the audacious Canadian who birthed two polarizing legacies: the left leaning, multi-billion-dollar VICE media empire and the notorious Proud Boys, a violent right wing militia group that was at the forefront of the storming of the Capitol on January 6th. Once celebrated as a progressive visionary, McInnes' transformation into a radical right-wing provocateur stunned the world and left many old colleagues and friends questioning how the, once, coolest man in New York City became the despised leader of the Proud boys. In a high-stakes quest for truth, his former Vice Magazine protégé embarks on a journey into the heart of darkness, determined to unravel the twisted transformation that his mentor and friend underwent. This documentary delves deep into the psyche of a man who defied expectations, exposing the raw, unfiltered journey of a counterculture icon who became the leader and figurehead of an extremist, violent movement that shook the foundations of democracy.

When TJ comes out as a lesbian her mother unable to process it turns into a slug.

This film collage is based on Heinrich Heine’s poem "Lorelei". Traditional German postcards were used with images of the siren on the Rhine who lured fishermen and sailors to their death with her beauty and song. The stop-trick was used to film the participants who recite the poem, as well as old beer-drinkers who sing in beer cellars.