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Mr. Bang is totally nervous. His doctor cannot help him either and recommends that he should go on vacation. Nothing easier than that. But the calm does not really want to come back. From struggling with a deck chair to encountering an octopus that is out for a picnic, he is spared nothing.

After his business' bankrupcy, Giorgos Alexiou decides to commit suicide. Rosa, his cousin's wife who stand to benefit form his death, hires a private detective to keep an eye on him in case he changes his mind. Minas, Giorgos' employee, becomes Giorgos' guardian angel preventing the suicide at the last minute.

37th entry in the Japanese horror found footage franchise, "Not Found".

When "American Psycho" was released early in 2000 it reaffirmed author Bret Easton Ellis as the controversial "bad boy" of contemporary American Fiction. "This Is Not an Exit" reveals the world inhabited by Ellis.

First-ever Moldovan feature film.

Soviet propaganda cartoon made shortly after the German invasion, promising victory against the fascist invaders.

“Since 2011, as an author and in a frantic and committed fashion, I record music and dance expressions of various kinds all over the country. From a great conversation with film director Inês Oliveira, who followed my work for a while, I raise fundamental questions in this film: Why do I do what I do? What is this all about? What are the relationships with the people? What differentiates me from scientific work? What is tradition?” — Tiago Pereira.

43rd entry in the Japanese horror found footage franchise, "Not Found".

24th entry in the Japanese horror found footage franchise, "Not Found".

After studying abroad, the willful and independent Dinara plans to marry the Frenchman Jules. Parents don't like her choice, so the heroine gives money to the cab driver Darkhan, who has to pretend to be her boyfriend with a horrible temper. In this way, mom and dad might change their opinion about the french guy.

Just this man is not a magician. When it comes to the precious women in the high society circles in Thailand Everyone must be thinking of two celebrities who can't control each other's glory. One of them is Anusaniya Voralertlak, a wealthy heiress in Thailand who is rising to the position of a new generation of influential business women.

A tragic story of love and betrayal during WWII.

28th entry in the Japanese horror found footage franchise, "Not Found".

31st entry in the Japanese horror found footage franchise, "Not Found".

Mefody, a wise master, comes to a weird village one day to teach local men wisdom and life. The strange thing about the village is all the men living there are of different nationalities: German, Jewish, Ukrainian, Russian, Uzbek, Gypsy etc.. Mefodi teaches all them the way to understand each other, he speaks about music, cabala, fairy tales, sex etc. Finally all of them become even more friendly to each other and find success in life.

A housewife confronts situations to which no sane response exists... “Madwomen: To Be a Sparrow Not a Canary” is an experimental found footage melodrama composed entirely out of film footage shot in Soviet Estonia from 1960 until 1969. An experimental collage creating an alternative narrative to the storylines in the animations, documentaries and feature films of that time period.

The disastrous meltdown of a nuclear power plant in Northern Spain created a contaminated no-go zone and left the nearby provincial city and inhabitants in a state of shock and mourning. Three years later, while the city prepares for the commemoration ceremony, a mutilated body is found in a warehouse. Police inspector Hector Uria's search for the murderer takes him deep into the no-go zone and into his own past.

Shooting against the staggering beauty of the Moroccan landscape, from the rugged terrain of the Atlas Mountains to the stark and surreal emptiness of the desert, with its encroaching sands and abandoned film sets, a director abandons his own film set and descends into a hallucinatory, perilous adventure of cruelty, madness and malevolence. A Paul Bowles story combined with observational footage forms a multi-layered excavation into the illusion of cinema itself.

At the station of Almamellék the semaphore turns red unexpectedly and the conductor shows a stowaway - with no money nor ticket - off the train. The stowaway has to undergo a serious and long investigation that tries to uncover the reasons for his "deed". In the meantime he can watch, like a spectator in a movie-theatre, how Kerek József, the strutting stationmaster rules his ridiculous empire through office bureaucracy, indifference, servility and negligence.