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Steel bridges and oil refineries and container ports. An ode to the shapes of industry, set in motion with music by Glenn Branca and operatic exerpts. –M. G.

Based on HIV/AIDS issues in African societies, this Second film of the series was Co-Directed by Khama Mbaula and Bright Makina. Filmed on Location In Lilongwe, Malawi and shot entirely on a handycam, no money was spent to make this episode. No professional equipment was used during the shooting of the film.

A man wanders through a city at night.

A documentary about Walerian Borowczyk's short films and animation, featuring his collaborators from that time.

Instructional film on How to Not Be Stupid

A collection of footage shot from 2018 to 2022 of live performances by Last Waltzon (Montreal, QC)

From a young age, Michael Fabiano was told he wasn't good enough. And things didn't get easier when he entered the world of opera. Now, a global talent, Michael reflects on a journey that led him to find stardom, and love, inside New York City's Metropolitan Opera.

Pulsating music accompanies our journey through winding passages where characters appear - a portrayal of dissolving memory, space and time.

A documentary which examines the making of Computer Hearts and the perils of no-budget student film making.

Big Big Train’s Summer Shall Not Fade - Live At Loreley is a blu-ray and double CD set of the band’s legendary performance at the Night Of The Prog festival on 13th July 2018 at Loreley in Germany. The audio for Summer Shall Not Fade has been mixed in both 5.1 and stereo by Big Big Train’s resident sound engineer, Rob Aubrey. The thirteen song set runs to over two hours. It includes classic material from English Electric, Folklore and Grimspound studio albums, and fan favourite deep cuts Kingmaker and Summer’s Lease. The performance features the full Big Big Train live band, including the late David Longdon, plus a five-piece brass section and is made even more remarkable by the fact that it was only the band’s eighth live show in this incarnation.

Made with sound and moving image recordings using a Sony Ericsson Cybershoot K800i mobile phone between 2005-2006, drawings and paintings made between 2005-2007 and 2018-2019 and photographic stills and moving image recordings made between 2011-2019 on various iPhones, this film is set within the context of gay male adolescent reaching sexual maturity in 1990s British suburbia. It charts teenage-hood; discovering one’s sexuality in private, away from one’s parents.

Elke Marhöfer's observational essay takes its title from a Korean Pansori song. One of three musical interludes performed in the film, this song tells the story of a turtle locked in a futile circle of evasion with a hungry tiger. Marhöfer's film is concerned with the formal attributes of Pansori music – its traditions of storytelling and the transmittance of an alternative knowledge. The film journeys through natural landscapes, small town streets, forested mountains and busy shipping channels as it looks at the divide between the traditional and the modern. Shot in 16mm, this measured and lyrical film is an exploration into the boundaries between humans, animals and things.

The story tells about a man who steals a cross from a church and replaces it with a toy boat. He’s caught by his fellow villagers, and condemned to death by being burnt at a stake. But God intervenes, causing a flood, only rescuing the man and his family.

This short tells about two astronauts, Tex an Mary Lou, who have feelings for each other, which they don’t express, because of their questionable marriages on earth.

A hypothetical fiction of a man's final moments in the finite, and first moments in the inevitable infinite.

Ken Loach documentary on the end of the 1984 - '85 miners' strike.

After breaking free from a long, toxic relationship, Fernanda embarks on a weekend getaway with three friends, seeking solace and distraction. However, what begins as an escape quickly devolves into a whirlwind of tension and hidden agendas, as the group's true intentions come to light, forcing Fernanda to confront the reality she sought to escape.

Mahtab is suspicious of her husband Ahmad, a university professor. As she tries to unravel the mystery instigated by Sima, a close friend of the family, by pressuring Farnoosh Kheirkhah, Ahmad's student, her husband tries to prove his innocence. But the sudden death of Farnoosh opens a new path before Ahmad, Mahtab, Sima, and her husband Mansoor.

The poet Natalya Gorbanevskaya (1936-2013) gained wide popularity first of all as a participant in the dissident movement and one of those legendary eight who on August 25, 1968 went to the Red Square to protest against the invasion of Soviet troops in Czechoslovakia, having paid for this several years of imprisonment. She was often called the heroine. She objected: "I'm not a heroine, I'm just an ordinary person." The authors of the film shot Gorbanevskaya for several years, asking questions that worried her as a poet, forced them to go to the square, and how her fate developed after forced emigration from the USSR.