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This film is about the protest through the eyes of LGBT + activists from Belarus - Olya, Zhenya and Sveta tell what it is like to be LGBT + people and fight for equal rights in the country where the revolution is taking place.

For some people, the legendary singer Jan Nedvěd represents an obsolete kitsch artist, for others a musical cult icon representing values that are rapidly disappearing. The documentary follows the daily life of a musician, advanced in his years, who embarks on (perhaps) his last tour, recalling his youth spent in the great outdoors and recounting criticism he received for performing at political demonstrations. A series of interviews with Nedvěd about his passion for music, interpersonal skills, and his twilight years supplement commentaries on loved ones, loyal fans, today's young vagabonds, and the humorous controversy of contemporary musicians stiffly parodying Nedvěd's own songs.

Omnibus work of three directors - Baksheesh Yamashita, Company Matsuo and Katsuyuki Hirano (3 AV gals in 3 ACTS). A rich one-on-one confrontation between the director and the actress.

Two best friends and roommates from college, a cafe owner and a normal office worker have leaned on each other amidst their quarter-life crisis. In spite of being more than friends, they have never dared to explore the deep waters and define their great chemistry. Circumstances have brought changes upon their relationship and while the café owner tried to make a move, everything went out of balance.

An early Gaumont short

It's Not About Ketchup is a documentary that delves into the intricate lives of a couple facing a challenge in their relationship. Centered around a seemingly trivial issue – their relationship with ketchup – but it has deeper dimensions. The film captures the essence of their journey, portraying the nuanced dynamics of love and understanding.

A 5-part making of documentary from Red Shirt pictures. It starts with a kind of general retrospective and then leads on into more individualized and expansion interviews with different key people in the production.

An old farmer has been abandoned by the society in a ‘corner’. This only corner that makes his life meaningful is facing being taken over. Stubborn and insignificant as he is, he will not surrender and will hold up his weapon to fight against the torrent of times.

Etienne is taken by his friends to a prostitute for the first time. Three troubled teens on their way to win their acceptance into manhood. Though several unexpected occurrences take Etienne on an unforeseen journey into himself.

The project attempts to push the boundaries of cinema by juxtaposing it with ideas from philosophy, visual art, chess, mathematics, geometry, linguistics and psychology

In the studio where the famous director Eric Von Berg reigns, Pierre Vanier, the male star of the film and the lover of Berg's muse, dies while rehearsing a scene. Over the course of a tangled investigation, the culprit is unmasked. This honest dresser is the adoptive mother of Vanier's wife, too unhappy with such a husband. The inspector, moved, concludes a suicide.

A film about four women who had an unwanted pregnancy. Two of them had an abortion. And two all the same gave birth, despite the fact that they were not ready for the appearance of the baby. Who of them regrets about his decision? What was the worst choice?

The upper stream of Hongjecheon has a long history. This region has been called different names in different eras. Its namesakes have been buildings in nearby areas, all of which now disappeared; places like the Shinyoung Shopping Complex, which was dismantled; Baeksukdongcheon, an area now under restoration plan; Segumjeong, an already-restored building. Buildings are not the only objects of restoration. The history of Segumjeong and Hongjecheon was also restored. Perhaps everything the film shows may be a kind of restoration

It tells the story of the long Malvinas conflict, usurpation, dispossession and war. The story of a daughter of a soldier who after the conflict decides to visit the islands to look for her father who never returned.

When a young woman turns 21, she suddenly finds herself without her older brother's protection and without a chance to say goodbye. She reflects on what she would say to him if he were here, but since he isn't, she must find a way to let him go and find peace. Eventually, she finds a way to move on but wonders if there could be a new kind of relationship between their souls in this world. Though she can't bring him back, she believes that by living her life fully and honoring his memory, she can maintain a connection with him.

Based on the real life events, this film tells the tragedy of Baby Porcuna, the sister of notorious gangster of the 1960s, Boy Porcuna, and her liaisons with men.

The central topic of the interview is the ancient concept of a necessary balance between the dead and the living, which also assumes the notion of a constant potential for force in the world. Müller and Kluge examine this mythical conception of life with reference to personal, historical, and political examples like the father-daughter relationship (Agamemnon and/or Müller himself), East Germans' hopes of finding a place in capitalism, or violence in the middle ages and in the modern period.

“How many hours could you spend watching this card?”, Pedro P. tells José Sirgado on the film ARREBATO (Rapture, Ivan Zulueta). I keep also my favorite album from my childhood. It’s called “Man, Races and Customs”. Every page reveals new interpretations, sometimes they are imprecise and weird about who we are and what the world is. – Andrés Duque.