Nomad

From humble beginnings to an aspiring thespian to acting as some of the world's most iconic and notable characters. He has picked up a reputation as 'America's Nice Guy', 'The Everyman' and a nomad of the arts. But we all know him... as Tom Hanks.

With talk of Soviet Cosmonauts just then in space, Kenzhe, the youngest son of the family, does not want to be part of the ‘train’ of children playing at going on the long journey to Moscow and instead tells his mother he is going to be a cosmonaut.

The urban fringe of Beijing is the loosen bricks from fragmented land. A result of urban development. The dynamic and complex urban system produced and blurred out the edges between cities and suburbs. The size, scale and land use of different areas are at constant conversion to each other, which becomes the foundation to China urban development and relative space of the society and the economy. In the video, several domestic vacuum cleaning robots are released at urban fringe. The robots navigate randomly in a demolishing area - a scene that we already witness and it could be found in different area under urbanization; a scene that is exciting and also being the norm in China. The robots - as the visitors from the outer space, arrive in our world. By taking in the dust and ashes at the urban fringe, the land reality is collected and made into a sample; a sample that conveys our all time obsession and celebration of modern contemporary.

The documentary starts with a diva of a tragic family history related to a history of migration. The rare archival footage reanimates her history reverberating with the current world crisis. Sound of Nomad: Koryo Arirang is a testimonial – a witness to injustice and tragedy, but it is also a declaration of survival – a survival that is not static but transformative – not brittle but fluid. The trains that displace, the deserts that separate form one harsh horizon – a historical limit – but within that limit, against it and across it are people, are a culture, not escaping but flourishing unofficially, with the affective majesty of a melody, a rhythm, an Arirang

An apocalyptic story of three wars in three film tales encompassing the end of the WWI,WWII, as well as a vision of the world destroyed by nuclear weapons. This film was honored at the film festivals in Venice and Sorrento. Immediately after that the copy with Italian subtitles was locked in a safe as evidence of the anti-communist activities of the director, who used real footage of the Soviet invasion.

A stifled city girl encounters a mysterious nomad with a bizarre condition that teleports them inexplicably to every corner of the earth.

An investigative documentary about the digital nomad lifestyle turns into an intimate conversation between mother and daughter throughout countries and years.

Ulrike Ottinger is an exceptional filmmaker and artist. Her cinematic universe has influenced entire generations. As a young woman, she brought the international art world to the sleepy town of Konstanz. It all began on the shores of Lake Constance where Ulrike Ottinger was born and where she still often spends time. Filmmaker Brigitte Kramer chose to begin her film at Lake Constance since she too shares Ottinger’s birthplace and a great love of these waters. This is also where the filmmaker’s own artistic development began, not least as a result of her encounter with Ottinger and her work. Other fellow travellers and friends appearing in this film include art historian Katharina Sykora, collector and curator Ingvild Goetz, film historian Ulrich Gregor, philosopher Bernd Scherer and actor Irm Hermann. Using this common ground as a starting point for an exploration of Ottinger’s substantial oeuvre, this documentary provides a keen insight into the artist’s life and work.

When Bruce Chatwin was dying of AIDS, his friend Werner Herzog made a final visit. As a parting gift, Chatwin gave him his rucksack. Thirty years later, Herzog sets out on his own journey, inspired by Chatwin’s passion for the nomadic life, uncovering stories of lost tribes, wanderers and dreamers.

Currently Mongolia’s capital has 1.5 million inhabitants - half the population of the country. 50-year Tumurbaatar is only one of many coming to the city to fulfil their dreams of a better life.

This documentary is a road-mind movie that immerses us in the fascinating world of photographer-writer Serge Emmanuel Jongué.

The young director, Gael Metroz, takes the road alone, camera in hand, in the footsteps of Nicolas Bouvier. He discovers that the East is no longer the almost carefree land of the Fifties recounted in l'Usage du Monde: Iran in crises, Pakistan shaken by tribal violence's, Taliban, civil war in Sri Lanka. This world, Bouvier had the usage, seem to have disappeared under the veil of time. Disappointed the director leaves the main road traced by the famous Topolino and continues on the small path with the nomads. In creating his own route, Gael Metroz reveals the writer's philosophy of travel.

It is 1965, a time of rapid economic growth for Japan and also a time when the people called Sanka, a nomadic band of outcasts, were fading away. Having arrived at his father’s countryside estate from Tokyo to focus on preparing for his high school entrance exam, a lonely 15-year-old named Norio (Rairu Sugita) encounters three Sanka, first teenage Hana (Naru Komukai), then her father Shozo (Kiyohiko Shibukawa) and her grandmother. Taken under their wing and drawn to their simple and rugged lifestyle, Norio begins to spend his summer days fishing in the rivers and catching snakes in the bush for food. He also witnesses how they are discriminated against by people like his authoritarian father who rejects their illogical lifestyle. With bad blood already existing between Norio and his father, and a hopeless desire to become one with the Sanka, Norio is forced to confront the cruel reality of his age.

Nomad transports the audience to the desert: Eleven dancers incarnate its vast expanse in all its beauty and terror. An atmospheric piece by the Belgian choreographer Sidi Larbi Cherkaoui.

Film starring Doskhan Zholzhaksynov, Ayanat Yesmagambetova, Jay Hernandez, Kuno Becker, Ron Yuan, Jason Scott Lee

A married man tries to lure his wife away from their own dinner party moments before the guests arrive.

Without imagine the consequences, a mercenary attacks the headquarter of the Organization, an powerful entity who governs Andromeda's galaxy.

In 1977, Ignacio Julià shot his last film in Super-8, Nomad, a 43-minute medium-length film with three protagonists and a fourth in the shadow, the author himself. The idea of assembling static portraits arose from reading a chapter on "off-screen space" - everything that does not appear on the screen but whose absence enhances the shot and the story - in Noël Burch's book Praxis del cine. The film shows the decisive influence of Andy Warhol and Phillipe Garrel's cinema. The soundtrack is by The Velvet Underground and the poster was by the Madrid artist Ceesepe.

Set in a post-apocalyptic world: an oblivious, hopeless romantic searches for someone he's lost, while also discovering the reality of the world that he's tried to ignore...