No Way Home Streaming Avec Sous Titres En Français

With his father's memory waning, a struggling forester must confront the troubling reality about his livelihood and his family's future.

We have witnessed how a Roma baby Ilya was left by his mum for an international adoption in 1993. 20 years later the young Frenchman came to Bulgaria to visit his mother and his seven brothers and sisters. An emotional film for the collision of cultures. Other Bulgarian children found parents abroad while shooting "The Long Way Home".

Andrei, a member of a group of Soviet troops in Germany, is ordered to return to Russia. It remains only to buy a car and, together with his beloved wife Marina, hit the road home by car. At one of the sections of the road, the spouses are stopped by police captain Malkov for checking documents. In the same second, bandits appear from nowhere and attack the passengers of a brand new foreign car. In an unequal battle, Marina dies, and Andrei is seriously injured. The hero still finds the strength to get to the nearest police station to report a crime. But the first who catches his eye is Malkov himself. Realizing that all efforts are in vain, Andrei leaves. However, the bandits are already aware of the surviving witness of the attack on the road, and they begin to hunt for the officer. Now he is alone against the whole gang.

After a spell cast by Grandma Faraway, the oldest son of a small family encounters the ghost of his late Grandma Maria still living in her old house, and they chat as they used to.

For the first time, this documentary includes two exclusive interviews with Vladimir Putin and full details about actions in Crimea during spring 2014. These events determined the history of modern Russia. The President talks frankly and openly about the challenges and risks that Russia faced during that time. This film provides the Russian view of the situation. It is impossible to form a complete picture of the world without it.

The story follows a group of Croatian refugees who have been forced to leave their hometown of Vukovar by Serbian forces during Croatia's struggle for independence. The people are settled at a railway station in a village near Vukovar, where they live in a train which is adapted to serve as a temporary accommodation.The situation grows dim as the date of their return proves to be uncertain, and the lives of the survivors and refugees becomes more and more complicated being burdened by PTSP and strong feelings of hope to return to their homestead.

A story about a group of eight teenagers who have bonded inside a bar & restaurant named “HOME”. Every members in the group have their own personality, different origin even their own faculty in university. Such as Pol, Man, Jay study at Faculty of Engineering. Sand, Bank study at Faculty of Medicine. Khaopod, Yuan, and Well study at Faculty of Communication. Friendship and story of problems in each families reveal teenagers’ life nowadays. And causing the group of them. All of them think that “HOME” is a home for them. Being the place which contain love, understanding, helping and consulting. Then one day Khaopod accidently shoot a picture, which turn the problem to “HOME”. This story will absolutely change her life and all friends’ life.

The way home for Aleksandr Rekhviashvili is not charted in the conventional sense. It takes the viewer along some peculiar roads and across a unique landscape: Georgian history and legend, politics and social stratification, religion and ethics. Allusive, stylized and allegorical from beginning to end, his long-banned The Way Home is in part a tribute to Rekhviashvili’s favorite director, Pasolini, especially to The Hawks and the Sparrows (1966). Together with the short film Nutsa (1971) and the widely acclaimed Georgian Chronicle of the 19th Century (1979; SFIFF 1983), The Way Home closes a triptych of films that represent Rekhviashvili’s poetic contemplation of Georgia’s past. It makes extensive use of poems by Bella Akhmadulina (the major female poet of the cultural ‘thaw’ of the ’50s and ’60s and a Georgian by descent), and of sets by Amir Kakabadze. Like other films in the trilogy, The Way Home is stunningly photographed in black-and-white.--Oxymoron

Stop motion animation. Part 3 in a series. A comet is on a collision course with Earth. The oceans have dried up, and Moomintroll and friends need to make their way through raging sandstorms to get home to their parents.

Inhospitable at the best of times, the snow-covered mountainscapes of Eastern Anatolia constituted a fatal frontier for many war exiles after the battle of Sarikamish in 1915, and provides a canvas laced with beauty and threat for this bone-chilling survival yarn, the superb debut feature of Alphan Eşeli. Starting out with three characters – a refugee mother and daughter and their grizzled guide – the film traces their daunting trek across this barren terrain to safety, with the Russians encroaching and other stragglers, including a pair of wounded, frostbitten Ottoman soldiers, all orbiting the same burnt-out village they find in their path. Puncturing its aura of ghostly impasse with some shocking narrative reversals, and constantly prickling with the mutual dread of strangers in gruelling extremes, the movie stakes out hugely credible ground next to established Eastern Front war classics (In the Fog, Come and See) while remaining thoroughly its own beast. (Source: LFF programme)

Childhood friends Hinata and Hayato are training hard in kendo for their final high school inter-high school competition. One day, Hinata is scouted by an entertainment agency. This causes a rift in their relationship. The film depicts these two young boys who grow up to be adults while still carrying the pain & doubts from their youth.

A zombie virus is wiping out the city. A young man chosen by drawing straws, and another man in his 40s who volunteers himself are going to the zombie area for securing daily necessities.

A romantic melodrama starring Brigitte Lin.

In this story of a family from a small town in the front zone of the Donbas, a son is worried about his mother, who is tied fast to her small homeland. This is a story about searching for a home and a homeland in your soul and in your heart.

When filmmaker Karima Saïdi’s mother Aïcha develops Alzheimer’s at the end of her life, Karima decides to make a film portrait of her at her Brussels care home. Before oblivion descends for good. Aïcha is becoming increasingly confused, and Karima takes her on mental journey back into her past. The filmmaker uses Aïcha’s stories and a wide range of family archive material to create an impression of Aïcha’s life. We start with her youth in Morocco, are shown how her husband brought her from Tangiers to Belgium, and how she later went on to raise her children as a single mother.

Suharjo wanted to visit his wife tomb in Yogyakarta so he requested his son, Aldy to go with him.

A Bunun porter A-Song joins a search and rescue team, only to find a dead body on his first expenditure on the rescue mission. As they go down, A-song soon gets lost in the mountains. His only help is Tzu-chiao, the dead victim on his back, who “guides” him to the mountaintop, which appears to be their only way home.　​　​

Pavel, 28, moved Crimea to a Ukrainian village after the annexation of the peninsula. But it is not easy for him to integrate into the new society. It's easier to be alone.