No Sé Quién De Los Dos Es El Que Está Perdiendo Más

Pablo and Fernando, owners of a children's book publishing company about to go bankrupt, have managed through unorthodox means to contract the country's best-selling author, Adela Mora. The evening of the official signing, Paco asks his friend to let him use his house for a love tryst while Fernando wines and dines Adela. At the same time, Paco's wife, Carmen, will be taking her lover to Rosa's house. From here on the rout begins, as Paco tries to get rid of Silvia, his secretary, and Carmen, her husband. Fernando thinks Rosa is cheating on him with Oscar, who thinks Fernando is gay and having an affair with his partner, while the soldier thinks his girlfriend is a professional...

John Calder, Samuel Beckett’s British publisher, moved to Montreuil, a town to the east of Paris, where Calder met with Billie Whitelaw, the muse, so to speak, of Beckett’s stage work, who is now relegated to a nursing home for actors.

After four years in prison, Olya decides to start over. And first of all she wants to get her ten-year-old daughter back. However, the overbearing grandma isn't letting her grandchild go without a fight. The family conflict quickly gets out of control and turns into a wild chase. And it definitely won't end well for everyone.

After waking up from a coma, Alice has no memory. As she learns the horrible truths about her past self, she must fight for redemption.

In the early 60s, Bernward Vesper and fellow university student Gudrun Ensslin begin a passionate love in the stifling atmosphere of provincial West Germany. Dedicated to the power of the written word, Bernward and Gudrun found a publishing house whose first publication is, paradoxically to many, a controversial past work of Bernward's ostracized father, an infamous Nazi author. Bernward defends his father's writing ability, even if he is haunted by his father's suspicious past.