No Pain No Gain, Streaming avec sous-titres en Français, no pain no || Regardez tout le film sans limitation, diffusez en streaming en qualité.
The series follows a couple of short skits accompanied by songs.
In a shabby neighborhood where serial murders are disguised as lonely deaths occur, an elderly priest who hears the confession of a criminal and a middle-aged female detective work together to find and chase down the culprit.
One can't help wondering whether, some quarter-century ago, Carsten Brandt had the slightest inkling of the epic dimension the project he was then starting to conceive – The Gentle Pain – would take on in the subsequent decades. For it became epic in just about every sense of the word: the film is very long; it tells a multi-layered story characterised as much by its digressions as by its main narrative thread, which concerns a filmmaker’s attempts to make sense of the life of Thorkild Hansen, a Danish traveller/historian/writer internationally probably best known for his non-fiction novel Processen mod Hamsun (1978); and it took a long time to finish – and then sat on a shelf due to legal battles galore. What is now finally revealed is a monument of modern(ist) cinema: a work that as much charts one man’s journey into his soul as a voyage of discovery into another artist’s mind.
A surreal tale told in three chapters about a man suffering from a severe back pain. The people around him fail to understand his experience and slowly the man descends into madness and despair.
In the year 74 BC, Titus Lucretius Carus, a young man with bold ideas, tries to convince his friend Memio that moving to the city of Rome to study is a total waste of time. Years later, Lucretius returns from the capital. Trying to find a balance between his explanations of the natural world and his emotional experience of it, Lucretius lives a deep and troubled passion with his foreign wife Isa.
Plot Unavailable.
Odenbach looks at forced definitions of gender by contrasting the mechanics of physical fitness with the stifling confinement of a baroque setting.
The director travels to Almeria in Spain to rescue abandoned greyhounds. Using the method of introspection, she explores abandonment as such and makes a connection between human and canine feelings. Reportage and experimental film merge, dog and human become one in the face of abandonment.
On a hot summer afternoon, life unfolds, shadows grow and the wind blows. Two children play without noticing that time advances relentlessly, theirs, the one of the creatures, the one of the earth, and the one of the imagination. This elastic and layered time reveals itself in its traces, marks, and elements, allowing us to learn more about earth and its inhabitants. Five narrators accompany us in this excavation that is intended to be infinite, revealing time and its marks.
A passage over the pregnant body through the prisms Territory, Terrain, Terra. A questioning of belonging. An attempt to sketch the polyphonic call of the mother, to draw the navel as the scar of the maternal presence
Italian horror movie from 1919.
It tells a thriller story about a chase that begins with an old priest who pretends to be an old man who died alone in a dilapidated neighborhood and hears the prisoner's confession, and a middle-aged female detective working together.
A poor laborer, Zilio, wants to marry Betìa, the daughter of a rich peasant woman. After number of refusals Zilio is desperate, but Nale, a young lover, combines a frontal marriage between the two, convinced they can take advantage of it.
The story of an American film director who travels to Yemen to shoot an Arabic version of Macbeth among Yemeni tribal warriors.
Directed by Essy Niknejad.
