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The final 'The Yakuza Named Evil' film.
Raveh does not only document the past, he documents a future that will never be, and the films that Amrani did not live to create. Researching Amrani's documents, Raveh found several short screenplays, and sought out three directors of Amrani's generation to bring them to life. The short films are interwoven throughout the documentary - "The Boat", directed by Nir Bergman, "Albert and Ronit", directed by Dover Kosashvili, and "Sabbath Eve", directed by Joseph Cedar. The warmth, intensity and drama of family life; issues of Persian ethnicity; tradition and the desire to break away from tradition; the competition and camaraderie of boys and men; the search for love; a persistent spiritual search and a love of the sea - all these are reflected in the brief yet intriguing vignettes, imbuing the film with a sense of Amrani's vision as a filmmaker and how his presence might have influenced the Israeli film scene.
In the remote outskirts of Manorva village, Rukhiya, Phekan, and their son Karimana live on society's margins, enveloped by the haunting melodies of Kirtan prayers. Phekan, a humble laborer, struggles against poverty, while resilient Rukhiya tenderly nourishes their child despite scarce resources.
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A lithuaninan animated short film.
Based on a discursive analysis of historical right-wing forces in Argentina and around the world, the objective is to situate the current Argentine government in the context of a resurgence of reactionary thinking, as well as to warn of the country's potential direction.
A granddaughter gives a new meaning to her grandma's death through previously unspoken memories.
Recalls the day when Holocaust survivors took their first steps into freedom, unaware of their future. Every Face Has a Name puts a name on those nameless faces and lets them recount their feelings of that day, the 28th of April, 1945.
In the 1950s, Patria, Minerva, and María Teresa Mirabal - who were known by their codename "The Butterflies" - created an underground resistance movement against Rafael Trujillo, dictator of the Dominican Republic. On November 25, 1960, Trujillo had all three sisters assassinated. The assassinations turned the Mirabal sisters into national heroines and symbols of feminist resistance. The documentary interweaves interviews with over forty witnesses to the story, including the Mirabal family friends, colleagues, co-revolutionaries, teachers, and most importantly, their surviving sister, Dedé, along with dramatic reenactments and archival footage.
A couple whose kid has a brain tumor in a terminal state is coaxed into donating his organs after his death in exchange for treatment in a bigger hospital and his name on a memorial.
Once there was a boy Junseop LEE, who's the least liked boy in his class. With no true talents, the only thing that makes him stand out from his peers is his ability to eat anything. With this talent under his belt, his spirits run sky-hight and he can't wait to show off his new eating ability. Unfortunately, he doesn't know that a faltering dilemma awaits him.
Women directors from the generation of 1968 made their first films in 1990s Turkey, but what kind of working environment did they face? This documentary examines individually the “lost” films and directors of the period, who laid the foundations of women’s cinema in Turkey, and also the director’s own experience in making this film.
Enric Marco, ex-president of the Spain’s main deportees’ association, embarks on a car trip to Germany, a demythologising journey into his past. Two years earlier, a historian had shown that Enric Marco wasn’t the member of the Resistance he had claimed to be, and that he’d made up the stories of his experiences in a concentration camp that he had been recounting on television for years. Now, Marco retraces the route of his 1941 train journey as part of a convoy of workers sent by Franco to Hitler, in the middle of the Second World War.
The Black Boss, Yellow Tiger and Merciless Tsang join forces and snatch a million dollars. The Black Boss is responsible for hiding the money temporarily, and keeps a map of it's whereabouts. But Yellow Tiger and Merciless Tsang are impatient and want their split early. The dispute ends with the Black Boss dead, and only one person knowing the location of the money - his daughter. The heat is on as his daughter, and the man who befriend her, try to recover the money and outfox their pursuers
Orders go out from North Korea to kidnap South Korean tourists at the Tokyo Expo and bring them to the north.
As an early exponent of a new wave of auto-fictional writing, Tomas Espedal has established himself as one of Norway's most influential contemporary writers. We follow charming Espedal through life and writing, from hiking in the french mountains, journeys to Gran Canaria and Provence and at home with his aging father, always via his typewriter at home in Bergen. A portrait that lives up to Espedal's self-proclaimed goal, to see what is beautiful.
This is a her story lie to me