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The eldest of the family, Sara, comes of age and brings chaos to the family by announcing her intention to marry Ocho. Javier and Marisa try to avoid it at all costs. At the same time Dani has an existential crisis, Paulita feels jealous of Cris, Carlota announces that she has found a boyfriend from a high society family and Rocio has finally managed to be cast in her first film.

Christmas is coming. The children accidentally break a Nativity scene figurine from their father's collection and must by all means get an equal one, the problem is that it is a unique antique piece. Sara, the eldest daughter breaks up with her boyfriend, Ocho, who will try to recover her favors with the help of her father-in-law, Javier. Precisely Javier's father-in-law, Marisa's father, will be welcomed into the family home to spend the holidays after her recent separation, which will not leave Javier's mother, Milagros, indifferent. Rocío, the folklore of the family, who has been playing the Virgin for several Christmases, is relegated this year to playing the shepherdess, something that her father, Javier, is not willing to assume.

Javier is what we have dubbed as a "husband-in-law." That is that without taking care of the care of the house and children at all, he knows exactly what needs to be done, and that he continuously collects a sum of sentences from the type: "It is that you do not organize", or "do not get nervous", you already consider that overflowing woman drowns in a glass of water. Javier will have to face the reality of dealing with five children (between four and twelve years old) when his wife decides to go on a trip and leave him alone with them. The chaotic situation that takes place at home will progressively evolve ecologically to the most absolute disaster, but at the same time it will give parents and children the opportunity to meet and enjoy themselves for the first time.

The success of the Conchy virtual assistant (which was developed by Javier) has earned him a favorable spot in the parents chat room - until something unexpected ruins it all.

Amalio and Florencio are two cabaret artists who divorce their wives and stay with custody of their children. An unscrupulous cheat the two rent both of them the same dilapidated house. There will have to live both trying to get ahead as a team of magicians who happens to be a failure. But thanks to the ideas of their children, both parents are a couple of musical comedy that, despite initial failures, is a great success with the participation of the kids. Moreover Amalio and Florencio try to flirt with girls that are radically different from their wives but the kids will all the impediments that have no future.

Set in a bespoke toy shop, Imanol Ortiz López’s new short film is skin-crawling nightmare fuel bathed in vintage Kodachrome transfixion, calculated to the microsecond, honed to haunt and mortify.

A 1968 film that was never released, it is a reflection of the artistic avant-garde that characterized the Argentine scene at that time.

I never knew how to face death. I just lose myself. The darkness shelters and the light overwhelms.

Horacio and Claudio are two friends who plan to spend a fun weekend with two young ladies. Settling into the home of Aunt Lucrezia, a millionaire who is traveling through Europe, a lender shows up and ruins his plans.

Beatriz looks for her former partner Mercedes, but she is already with someone else. Beatriz forces her entry into his house and asks her to come back.

Three women intimately share how they faced the world and their own family when deciding to terminate a pregnancy.

Tin-tan gets involved in what seem to be a murder at the local house of wax.

René is determined to make changes in his life and learn to say no, but his neighbor manages to persuade him to look after her sick sister-in-law.

A portrait of Spanish visual artist, writer and art critic Elena Asins (1940-2015), a key figure in geometric abstraction since the sixties.

A caustic satire of many of the 'types' found in Spanish society.