No Future

"Documentary Of AKB48 : The Future 1mm Ahead" is the first AKB48 documentary which was aired on NHK. The movie feature various moments of 2010, such as the AKB48 Request Hour Setlist Best 100 2010, their Yokohama Arena concert, AKB48 Manseki Matsuri Kibou Sanpi Ryouron, Oshima Yuko winning the 2nd Senbatsu Election, their concert Surprise wa Arimasen, Ono Erena's graduation announcement,the 1st Janken Tournament, and Akimoto Sayaka resigning as Team K Captain.

A second generation migrant with a dehumanizing factory job returns to the land her family members left behind when they went to the city for a better life.

A documentary by Werner Herzog exploring the different treatment accorded to the disabled in Germany and the USA.

Initially, Ambivalent Future was intended as a film about the production of Kiyoshi Kurosawa's "Bright Future". But director Fujii has taken the "behind the scenes"-concept to unprecedented heights with this unique documentary offering a close look into the world of Kiyoshi Kurosawa, the auteur. Scenes from the surprisingly low key and relaxed production of "Bright Future" are of course sprinkled liberally throughout the documentary, but between these we are treated to interesting and revealing interviews with actors, producers and Kurosawa's many other collaborators. And perhaps the most surprising thing of all is how much of Kurosawa there is, talking candidly about his working methods and the philosophy behind it all.

A female fortuneteller examines the sole of a man's foot to see his future.

The AHRC funded Objects of Immersion created the Living Room of the Future (LROTF) to highlight the future potential of Object Based Media (OBM). OBM allows programme content to change according to unique interactions with audiences. The ‘objects’ in OBM refer to the different assets within a given programme. These include large objects like audio and video used to construct a scene in a drama, and small objects, like an individual frame of video, a caption, or a signer. By breaking down a piece of media into separate objects, attaching meaning to each object, and describing how they can be semantically rearranged, a programme can change to reflect an individual viewer’s unique context.

After Bellri recognized his sister, Aida, they went to Towasanga to recapture the G-Self. However, they were attacked by the Capital Army and one of its members, Mask, with his newest mobile suit, CAMS-RX0 Gundam G-Phenex. As Bellri and G-Self come to stop G-Phenex's attack against G-Arcane, G-Phenex's unusual Newtype power is released.

Who are the young people who are involved in the "Fridays for Future" movement and who relentlessly take to the streets for environmental and climate protection? What are their life like and how will their activism be influenced or changed by current events in 2020 and the coronavirus pandemic? The documentary accompanies them and shows how diverse, creative but also exhausting the protest work is, in that the filmmakers impressively tell of the fears, dreams, successes and defeats of the young people portrayed.

When a visitor from the future shows up at school and instigates a reign of terror, a small group of students must find a way to stop the horror from spreading.

The documentary focuses on Marco Ferreri and shows an unconventional man, extreme, provocative in ways, always a step ahead in its work, and often considered a visionary and experimental. The documentary honors the memory of a filmmaker too soon forgot that left an indelible mark in the seventh art.

"Only fifty minutes to go until the end of the world, please head to the check-out!", thus goes the instruction that rings out from the loudspeakers of a Moscow supermarket. When cashier Gulya shuts up the shop and resolves to prepare for the apocalypse, a naked individual appears from amongst the aisles to claim that he has arrived from the future with the task of saving the planet. Originally from Bishkek, Gulya is supposedly the chosen mother of the savior, whom he, Alexander Merkuriev, is to impregnate. The morning after however it soon becomes clear that Alexander ended up in the wrong supermarket with the wrong Gulya. The right Gulya, who is actually from Tashkent, cannot keep the revelation to herself on learning of her destiny, and wastes no time in breaking the story to the media. This in turn proves such a sensation that even the Presidential Administration of Russia gets involved. All involved are soon brought back to earth however when a headmistress from a provincial...

In Serra do Ramalho, in the drylands of Bahia, Milla, Gilmar and Igor will form an unconventional family that shuns convention and instead embraces love in all its dazzling iterations.

The lawyer Franziska Schlüter works for the Aescuria insurance and is responsible for processing applications for disbursement of occupational disability policies. The company policy provides as a guideline to prevent the approval as far as possible. When the widow of a victim, who committed suicide after being rejected, storms the office to loudly accuse these machinations, Franziska begins to doubt the correctness of her work and to rethink. She quits and works as a freelance lawyer to help injured parties legally to get their rights. First she deals with the case of a family in the neighborhood. The father has been in a wheelchair since an accident. However, the Strelaus have not yet seen any money from the insurance company. Initially not taken seriously by colleagues, the shy woman takes on the fight against the health insurance system and has to fight against resistance and above all with her own self-doubt.

Yuuto Matsubara is a 27-year-old man who works in the sales department of a major toy maker, but he isn't able to pursue his dreams, and he feels hollow every day. He's even given up on love with his childhood sweetheart Ai. One day a "Time Driver" robot that runs on the power of dreams appears in front of him, and he is forced into the cockpit against his will. Inside is a 12-year-old version of himself.

Michelsen, an older trucker who is lonely and sick, while traveling through Patagonia meets someone on the highway who reminds him of his daughter, whom he has not seen in years.

The audience is invited into Violetta’s privacy to have a close look at the fire to which she abandons herself among the guests of this musical and phantasmagorical celebration that blends theatre and opera, voices that speak and sing, and where the distinction between the instrumentalists and the singers becomes blurred, where Charles Baudelaire is seated next to Christophe Tarkos, and where the phantoms of this Paris in full industrial boom whose future we are living at present, sing and die.

A unique chance to explore Pier Paolo Pasolini's youth through the voice and the body of his direct cousin, writer and poet Nico Naldini.

The second release in a parody series placing popular idols as tokusatsu heroines.