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One-time gangster Antoine is enjoying retirement on the coast, now managing a boating club. He receives a visit from a former accomplice who asks for a loan. The money will be repaid by a crook who is now in hiding; Antoine intends to recover his money.
Anne and Lore, neighbors and best friends, barely into their teens, board at a convent school where they have taken a vow to sin and to serve Satan. Anne keeps a secret diary, they read a salacious novel, they get a classmate in trouble, they spy on the nuns, they set aside their communion wafers; they make a pact of devotion.
A young woman strikes up an affair with an older married man, but twisted secrets begin to emerge as their tale is told from different points of view.
Jean, a married 40-year-old filmmaker, and his young working class lover, Catherine, engage in a circular series of spectacular blow-ups and tentative reunions, their mutual desire a fire that burns them again and again.
They have been living together for some time in a bohemian environment. The boy is attracted to a friend of his mistress and he frankly acknowledges his feeling. His companion favors meetings and even multiplies them: satiety, habituation, weariness set in very quickly. It is the shrewd mistress who will be married.
As they spend one last summer night together, a group of young Ukrainians shares their hopes and dreams for the future. But one of them must choose before the sun rises: reporting to the draft office calling him to war or fleeing the country?
Out in the suburbs around Paris, a specialized teacher, Josiane, is taking care of five children failing at school. There, they share their fears, joys and sufferings at school. 'In session do not disturb' introduces us to their world while they will learn to learn.
Wandering Cambodian peasants, stripped of their land, decide to camp out in front of the National Assembly so as not to disappear, not to forget, to honour the damned and the disappeared. Rimbaud was right. Screening accompanied by a performance sung by the filmmaker.
The movie "We Won't Grow Old Together" by Maurice Pialat animated and summarized in 1 minute by the animation films director Augustin Guichot.
An idealistic rookie cop joins the LAPD to make ends meet while finishing law school, and is indoctrinated by a seasoned veteran. As time goes on, he loses his ambitions and family as police work becomes his entire life.
Soldiers undertake the perilous task of removing a stockpile of World War II bombshells discovered during roadworks under the ground of a small village.
A wrestler and a bookseller disgraced by life fall in love with each other.
Two escaped cons' only prayer to escape is to pass themselves off as priests and pass by the police blockade at the border into the safety of Canada.
Three wordless rituals: birth, between, and rebirth. A woman lies at the bottom of a swimming pool, alone. The camera pans her body. She starts to rise, then sinks; convulsions follow and then she rises and hovers above the pool. A shirtless man in white pants stands in an asphalt lot, a car visible on either side. Convulsions begin. The cars back up, still facing him and each other. They pause; they race toward him. He leaps. A youth, shirtless and in white shorts, stands in front of a tall building. Doors open, he enters and walks to an elevator. Convulsions strike him as he rides to a top floor, exits the elevator, pauses, and runs toward a window. He crashes through.
