National Theatre Live King Lear

Owerri, 1967, on the brink of the Biafran Civil War. Lolo, Nne Chukwu and Udo are grieving the loss of their father. Months before, two ruthless military coups plunged the country into chaos. Fuelled by foreign intervention, the conflict encroaches on their provincial village, and the sisters long to return to their former home in Lagos.

It's February 1974. Ted Heath's Conservative government has been ousted. But only just. In the hung Parliament, Labour manages to form a minority government by sending its whips out wheeling and dealing with the Liberals, Scottish Nationalists and Northern Irish politicians. But this fragile alliance lasts only until October, when another election is called. This time, Labour win with a tiny majority of just three. Now things get tougher as old cross-Party agreements break down and even sick and dying MPs are wheeled into the chamber to cast their votes! James Graham's acclaimed new play whisks us back to the days of the UK's previous hung Parliament, when politics got really dirty in the battle for power.

Academy Award nominee and Tony Award-winner John Lithgow (Dirty Rotten Scoundrels, Shrek, 3rd Rock from the Sun) takes the title role in Arthur Wing Pinero’s uproarious Victorian farce, directed by Olivier Award-winner Timothy Sheader (Crazy for You and Into the Woods, Regent’s Park Open Air Theatre, London). In a similar vein to the National Theatre’s smash-hit classic comedies, She Stoops to Conquer and London Assurance, The Magistrate is sure to have audiences doubled up with laughter. When amiable magistrate Posket (John Lithgow) marries Agatha (Olivier Award-winner Nancy Carroll, After the Dance), little does he realise she’s dropped five years from her age – and her son’s. When her deception looks set to be revealed, it sparks a series of hilarious indignities and outrageous mishaps.

The National Theatre's live theatrical production of Tony Kushner's two-part play 'Angels In America' about New Yorkers grappling with the AIDS crisis during the mid-1980s.

In the domain of Bernarda Alba, a daughter who disobeys is no longer a daughter. Forced to live under their mother’s tight grip as they mourn their father’s death, can five sisters survive when young Adela dares for passion and freedom?

A flat in Ladbroke Grove, West London. 1952. When Hester Collyer is found by her neighbours in the aftermath of a failed suicide attempt, the story of her tempestuous affair with a former RAF pilot and the breakdown of her marriage to a High Court judge begins to emerge. With it comes a portrait of need, loneliness and long-repressed passion. Behind the fragile veneer of post-war civility burns a brutal sense of loss and longing.

In 1964, Richard Burton, newly married to Elizabeth Taylor, is to play the title role in an experimental new Broadway production of Hamlet under Sir John Gielgud’s exacting direction. But as rehearsals progress, two ages of theatre collide and the collaboration between actor and director soon threatens to unravel.

It’s 1786 and King George III is the most powerful man in the world. But his behaviour is becoming increasingly erratic as he succumbs to fits of lunacy. With the King’s mind unravelling at a dramatic pace, ambitious politicians and the scheming Prince of Wales threaten to undermine the power of the Crown, and expose the fine line between a King and a man.

In 1950s America, protests for racial equality erupt in the face of voter suppression. On Broadway, Wiletta Mayer, a talented black actress, begins rehearsals for a new play about racism – written and directed by two white men. When Wiletta finds that her arguments to tell the truth of the story are dismissed, she decides to take action. First staged over 60 years ago, Trouble in Mind is widely considered the masterpiece of actress and playwright Alice Childress - a wry and radical satire of racism in theatre.

Salford, 1971. George Khan wants to raise his family in the traditional Pakistani way, but his children have other ideas. Abdul and Tariq aren't ready to be married off, Saleem is pushing artistic boundaries, Meenah's skirt is too short and Sajit just wants to hide in his parka. As relations reach breaking point, their English mother, Ella, is torn between her loyalty to George and the happiness of her children.

Jess has a great life: a job she loves, a sharp sense of humour and a close group of friends. When austerity threatens the world she has worked hard to build, Jess makes a stand to protect those she holds most dear. Inspired by real life experiences of disabled people in the UK, All of Us captures the humour, sadness and joy of everyday life, and is a passionate and timely look at the human cost of abandoning those who struggle to fit in.

After the death of his dad, Michael is powerless and angry. In a state of heartbreak, he confronts the difficult truths about his father’s legacy and the country that shaped him. At the funeral, unannounced and unprepared, Michael decides it is time to speak. Rafe Spall (Hedda Gabler) performs this fearless one-person play that asks explosive and enduring questions about identity, race and class in Britain.

Based on Shakespeare’s play, Timon of Athens tells the tale of conspicuous consumption, debt and ruin. Timon of Athens is a wealthy friend to the rich and powerful. With his riches, he showers hospitality on the city’s elite. Unfortunately, his associates don’t lend him a helping hand when he accidentally spends more than he has on resources. After a final banquet, Timon is forced to withdraw himself to a wasteland, living off nothing but roots and cursing bankrupt Athens.

Since the 1930s, the legendary family-run Hotel Messina has been visited by artists, celebrities and royalty.  When the current owner’s daughter falls for a dashing young soldier, the hallways are ringing with the sound of wedding bells.  However, not all the guests are in the mood for love, and a string of deceptions soon surround not only the young couple, but also the steadfastly single Beatrice and Benedick.

A powerful portrait of the American spirit and a heartbreaking testament to the bonds of friendship.

Acclaimed playwright Tom Stoppard (Shakespeare in Love, Arcadia, Rosencrantz and Guildenstern are Dead) returns to the National Theatre with his highly-anticipated new play The Hard Problem, directed by Nicholas Hytner (Othello, Hamlet, One Man, Two Guvnors). Hilary, a young psychology researcher at a brainscience institute, is nursing a private sorrow and a troubling question at work, where psychology and biology meet. If there is nothing but matter, what is consciousness? This is ‘the hard problem’ which puts Hilary at odds with her colleagues who include her first mentor Spike, her boss Leo and the billionaire founder of the institute, Jerry. Is the day coming when the computer and the fMRI scanner will answer all the questions psychology can ask? Meanwhile Hilary needs a miracle, and she is prepared to pray for one.

Simon Russell Beale plays William Shakespeare’s Richard II, broadcast live from the stage of the Almeida Theatre in London to cinemas.

National Theatre Live is an initiative operated by the Royal National Theatre in London, which broadcasts live via satellite, performances of their productions to movie theaters, cinemas and arts centres on the world. The second production, All's Well That Ends Well, showed at a total of around 300 screens, and today, the number of venues that show NT Live productions has grown to around 700.

July 1940. After an aerial dog fight, Pilot Officer Jack Absolute flies home to win the heart of his old flame, Lydia Languish. Back on British soil, Jack’s advances soon turn to anarchy when the young heiress demands to be loved on her own, very particular, terms.

Michael Balogun plays Delroy with 'firecracker energy’ in this new work by Clint Dyer and Roy Williams, which explores a Black working class man searching for truth and confronting his relationship with Great Britain.