National Theatre Live A Streetcar Named De

Caesar and his assassins are dead. General Mark Antony now rules alongside his fellow defenders of Rome. But at the fringes of a war-torn empire the Egyptian Queen Cleopatra and Mark Antony have fallen fiercely in love. In a tragic fight between devotion and duty, obsession becomes a catalyst for war.

Why is Justice blind? Is she impartial? Or is she blinkered? Friends take opposing briefs in a rape case. The key witness is a woman whose life seems a world away from theirs. At home, their own lives begin to unravel as every version of the truth is challenged. Nina Raine’s powerful, painful, funny play sifts the evidence from every side and puts justice herself in the dock. Consent received its world premiere in a co-production with Out of Joint at the National Theatre in April 2017. This archive recording was captured on 9th May, 2017.

Madame Ranevskaya is a spoiled, aging aristocratic lady who returns from a trip to Paris to face the loss of her magnificent Cherry Orchard estate after a default on the mortgage. In denial, she continues living in the past, deluding herself and her family, while the beautiful cherry trees are being axed down by the re-possessor Lopakhin, her former serf, who has his own agenda.

After years of fierce focus on her political career, a politician turns her attention to her personal life. The reappearance of a figure from her past shakes the foundations of her house and the beliefs that have underpinned her power. As buried lust and loneliness surge to the surface, her actions threaten to destroy everything she has built. Writer-Director Simon Stone (Yerma, Young Vic) reimagines Seneca’s famous tragedy in this striking play.

Bullet doesn’t want to call a hostel home. Eritrean Girl was smuggled here in a lorry. Singing Boy dreams of seeing his name in lights and Garden Boy just wants to feel safe. Homelessness amongst young people in the UK is at a record high, so when the big society doesn’t work – where do you go? An inner-city high-rise hostel, TargetEast, offers a roof. Nadia Fall’s verbatim play features performances from Michaela Coel, Antonia Thomas and Kadiff Kirwan.

John Hodge's Collaborators centers on an imaginary encounter between Joseph Stalin and the playwright Mikhail Bulgakov.

A provocative and wholly unique hybrid of dance, theatre and music, FELA! explores the world of Afrobeat legend Fela Anikulapo-Kuti. Winner of three 2010 Tony Awards including Best Choreography (Bill T. Jones). Featuring many of Fela Kuti’s most captivating songs and Bill T. Jones’ visionary staging, FELA! – an original new creation – comes via Broadway to London and the National Theatre. FELA! explores the extravagant, decadent and rebellious world of Fela Anikulapo-Kuti. Using his pioneering music (a blend of jazz, funk and African rhythm and harmonies), FELA! reveals Kuti’s controversial life as an artist and political activist.

Deep in the wood, a lonely fairy longs for someone to bless. When she is summoned to the palace to help the princess sleep, her dream turns into a nightmare and her blessing becomes a curse. Soon, she is plunged into a frantic, hundred-year quest to somehow make everything right.

Meet Tracey Gordon. Friendship, sex, UK garage, school, teachers, periods, emergency contraception, raves, tampons, white boys, God, money. Friendship. The more she learns about the world the less she understands.

The Kitchen, Arnold Wesker’s "extraordinary black comedy," is directed by Bijan Sheibani and features an ensemble cast of 29 actors. The production is set in a restaurant in 1950s London.

An occupied desert nation. A radical from the wilderness on hunger strike. A girl whose mysterious dance will change the course of the world. This charged retelling turns the infamous biblical tale on its head, placing the girl we call Salomé at the centre of a revolution. Internationally acclaimed director Yaël Farber (Les Blancs, Hamlet) draws on multiple accounts to create her urgent, hypnotic production.

Marquise de Merteuil, former lover of Vicomte de Valmont, incites him to corrupt the innocent Cécile de Volanges before her wedding night, but Valmont has targeted the peerlessly virtuous and beautiful Madame de Tourvel.

The ‘Beaux’: Mr Aimwell and Mr Archer, two charming, dissolute young men who have blown their fortunes in giddy London. Shamed and debt-ridden, they flee to provincial Lichfield. Their ‘Stratagem’: to marry for money. Lodged at the local inn, posing as master and servant, they encounter a teeming variety of human obstacles: a crooked landlord, a fearsome highwayman, a fervent French Count, a maid on the make, a drunken husband, a furious butler, a natural healer and a strange, turbulent priest. But their greatest obstacle is love. When the Beaux meet their match in Dorinda and Mrs Sullen they are most at risk, for in love they might be truly discovered.

Alan Ayckbourn's riotous exposure of entrepreneurial greed returns to the National Theatre, where it premiered in 1987, winning the Evening Standard Theatre Award for Best Play.

Puppetry, magic and storytelling combine in a unique, Olivier Award-winning stage adaptation of the best-selling novel. After a cargo ship sinks in the middle of the vast Pacific Ocean, a 16-year-old boy named Pi is stranded on a lifeboat with four other survivors – a hyena, a zebra, an orangutan and a Royal Bengal tiger. Filmed live in London’s West End and featuring state-of-the-art visuals, the epic journey of endurance and hope is bought to life in a breath-taking new way for cinemas screens.

National Theatre Live’s 2010 broadcast of Alan Bennett’s acclaimed play The Habit of Art, with Richard Griffiths, Alex Jennings and Frances de la Tour, returns to cinemas as part of the National Theatre's 50th anniversary celebrations. Benjamin Britten, sailing uncomfortably close to the wind with his new opera, Death in Venice, seeks advice from his former collaborator and friend, W H Auden. During this imagined meeting, their first for twenty-five years, they are observed and interrupted by, amongst others, their future biographer and a young man from the local bus station. Alan Bennett’s play is as much about the theatre as it is about poetry or music. It looks at the unsettling desires of two difficult men, and at the ethics of biography. It reflects on growing old, on creativity and inspiration, and on persisting when all passion’s spent: ultimately, on the habit of art.

With her father the Duke banished and in exile, Rosalind and her cousin Celia leave their lives in the court behind them and journey into the Forest of Arden. There, released from convention, Rosalind experiences the liberating rush of transformation. Disguising herself as a boy, she embraces a different way of living and falls spectacularly in love.

America in the mid-1980s. In the midst of the AIDS crisis and a conservative Reagan administration, New Yorkers grapple with life and death, love and sex, heaven and hell. This new staging of Tony Kushner's multi-award winning two-part play, Angels In America: A Gay Fantasia On National Themes, is directed by Olivier and Tony award winning director Marianne Elliott.

In 1968 America, as two men fight to become the next president, all eyes are on the battle between two others: the cunningly conservative William F. Buckley Jr., and the unruly liberal Gore Vidal. During a new nightly television format, they debate the moral landscape of a shattered nation.

On a cold September morning in 1844 a young man from Bavaria stands on a New York dockside. Dreaming of a new life in the new world. He is joined by his two brothers and an American epic begins. 163 years later, the firm they establish – Lehman Brothers – spectacularly collapses into bankruptcy, and triggers the largest financial crisis in history.