My Home The B

The desire for laughter cannot break free from reality, and the imagination of home cannot be realized. Go out the door and run around to challenge; a small stream in the backyard, tolerant and self-healing. A female high school student wants to change her family's current situation through her own efforts, but an unexpected event happens on the way to finding a job. How should she face the next phase of her life?

Ki-cheol, who spends all his tuition while trying to look good to Sook-i, a girl who loves her unrequited love , starts his first part-time job (?). Ki-cheol, who unexpectedly leaves Seoul, gets caught up in all sorts of twists and turns… Will Ki-cheol be able to return home safely?

It's so different — the world of our childhood. For Arman, the little hero of the film, these are endless meadows and snow—white flocks of sheep grazing on the steep slopes of green hills, the calm warmth of a yurt, an ancient stone baba, to which a real hunting golden eagle arrives every day, a smart dog Aktaban, boundless expanse and clear sky overhead. And suddenly this familiar world narrowed down to the size of a city boarding school with unusual laws, unfamiliar people - Arman went to the first grade.

After returning back to family, Leyla tries to fix everytihng while starting a new life wit Iskender. Everything goes smoothly until troubles find Leyla...

During WWII, a young Hungarian captured by the Soviets is left in the custody of a young Soviet soldier to assist him on a dairy farm.

Om Pius is a native Papuan from the Keerom mountains who has been living and residing with communities of various ethnicities in the coastal area of Sentani, Jayapura, since the post-Act of Free Choice in the 70s. For more than 30 years, he has been a ‘mountain man’ living with a coastal culture. The history of population displacement, violence in Papua, natural wealth, longing for the homeland, romantic past, war, hopes, and dreams, are the life stories of Om Pius which he manifests through the lottery.

When salary man Jun gets home, he finds his wife bleeding from her mouth and lying on the floor. He is shocked by the scene, but it turns out the blood is just ketchup and she is pretending to be dead. Without telling him why, she pretends to be dead everyday. Jun is dumbfounded by his wife's behavior, but he begins to feel uneasy with her.

A dreamy journey through time, a story about growing up and maturing. A story about the survival of subtle aesthetics on the edge of a big, murky wave in which greed and recklessness, immorality and unaesthetic, dirty money and the taste of bitterness roll in.

Kamalpur-based Khular family make a lot of sacrifices to get their daughter and eldest son married; as well as ensure their youngest, Himmat, gets a good education in Patiala's Punjabi University. After Himmat completes his education and returns home, the family even arrange his marriage with an America-based wealthy bride so that he can re-locate abroad and live a better life. The family's peace and harmony is shattered, the house gets divided, after Himmat refuses to marry the bride, and instead sets off with his friends to open a lowly Dhaba. He also starts wooing Resham, the wealthy daughter of Deep Singh, the President of Punjab Hotel Association - who will never permit her to marry a lowly Dhaba owner, and is already making plans to get her married to someone very wealthy.

Mehdi Jahan attempts to depict his mother's interaction with disturbing memories that trigger her panic attacks. In his mother’s memory, private, everyday experience is combined with political events from the history of India: Partition, the Indo-China War, the Assam Movement. She describes her experiences in the form of letters addressed to her mother, the director’s grandmother, who passed away several years ago. These touching messages about family, love, and homeland prove to have a therapeutic effect on the heroine and give her a sense of peace.

This contemporary drama centres around the Hong family. Head of the household is Hong Yun who together with his wife and five children tries to keep the family together despite their individual differences and conflicts. The developments in this family drama can be heart-warming and are very often unexpected.

We all know photos with painted-over or cut-out faces. The repeatedly inserted hand that works on family pictures with pens and other utensils seems like a refrain. The attempts at eradication are audible. They are a dissonance transferred to the body. Scratch, distort, remove. Usually a woman’s head.

Despite being a daughter of a triad chief, growing up in a less-than-desired environment, Hong Shan is nevertheless kindhearted by nature. Hong Shan first met Situ Hai Yang when they were six and seven, respectively, she had a crush on him and but never mustered enough courage to speak to him. Time has passed, and Hong Shan finally gets acquainted with Hai Yang- masquerades as Zi Qiang's sister. The Situ family was once a happy family. However, things changed when, Hai Yang's mother was killed by a killer-litter while shielding him from a falling flowerpot. His father plunged into depression, which resulted in self-destruction. Since then, Hai Yang's relationship with his siblings became soured and treated him indifferently since their parents' death. As soon as Hong Shan and Hai Yang's relationship blossoms, by a sudden twist of fate, it turned out that Hong Shan was the culprit for Hai Yang's mother's death .

As 'Auntie Joyce' struggles to save her home from the encroaching bulldozers, it becomes a symbol for preserving the first Aboriginal land grant.

This picturesque Ukrainian farm is not surrounded by fields, but by huge housing developments. Ominous cranes overlook Natasha's land at the edge of Kiev, which year after year is being pushed deeper into a pit by new panel buildings. The brave owner protects not only acres of land, but also traditional family values, faith and ownership. From a bird's-eye view of the farm, a sharp contrast emerges between the village and the city. This peculiar family business model is set forth in a four-year chronicle from the point of view of foreign visitors who don't interfere with the way of life that the family has lived for generations.

Homeless children in the slums of Rio are driven out of their temporary shelters by ruthless gangsters in this somber drama. The kids survive by shining shoes, stealing, and cutting the strings of the kites to sell them later to others. Tired of life on the streets, one boy turns himself over to the police in hopes he will be sent to reform school in a last desperate attempt to survive. This feature from acclaimed Swedish director Arne Sucksdorff appeared at the 1965 Cannes Film Festival.

A short animated film by Tadanaro Okamoto.