My Father

On the age of 51, a father leaves his family to live as a carpenter. Away from the family and house burdens, he spends his last 15 years living alone. From the point of view of his child, the idealistic father then changes his mind to let go of everything and lives his dream of traveling.

Director Sandor Simo based this film on his recollections of a period in his father's life just after World War II. In the film, Janos Torok is a chemist and an entrepreneur With enormous enthusiasm, he gets loans to purchase a small chemical plant and begins experiments to create innovative products, such as hormones. Meanwhile, the communist party has come to dominate Hungarian life in such a way that his activities are viewed as little more than criminal. He is hauled away to a prison camp, but even then his letters home are full of boundless optimism and his ideas for further experiments.

Roger, editor of a women's magazine, meets Roberte, his friend Jean's former mistress, at a major couturier's during a collection presentation. Roberte, who now lives in Florence with her niece Maria, asks Roger to arrange a student exchange so that Maria can come to Paris to perfect her French. Roger approaches Jean's son Philippe, a student at the Beaux-Arts, who agrees to go to Florence. Maria and Philippe meet on the platform at Pisé station. They miss their respective trains and take a walk together. A flirtation begins, then each goes back to the other. Jean finds Maria charming and, like an unrepentant Don Juan, decides to win her over, but thanks to his old maid, his intrigues come to nothing and Maria can marry Philippe.

A reckless boy in an almost desperate and therefore troublesome way persistently seeks the attention of his father – a photographer. Being confronted with his father’s artistic chaos and his obsessive fascination with photography-life, on his path of growing up these elements eventually become essential for strengthening their father-son bond. In a story that intertwines hand-drawn and stop animation in collage technique, the author takes his audience on a ride through the archive of Slovenian photographer Dragiša Modrinjak, and at the same time draws from personal experience as a filmmaker and father.

"I am going on a trip to the US. I want to make a film about my father’s absence. I grew up watching American movies. Over time the characters seemed to resemble my father more and more. During the journey to Montana, I write him letters."

When her father Helmut dies in an accident, Uli receives a box of her father's clothes from her mother, in which she finds women's clothing. She also receives his diaries, and thus uncovers the family secret that Helmut had been a "transvestite" since his youth, who only acted out his inclinations to appear as a woman in other cities.

55 years after the mysterious death of father and grandfather Ramiro Endara, Lourdes, with the help of her daughter Camila, begins an investigation looking for the truth, but the clues are little.

Young film director Even Benestad tells the story of his own father Espen Benestad who is a transvestite and seeks his son's acceptance.

plot is unknown

When he is at sea, he remembers his little daughter, and then, after many months of separation, he goes to her across the country and remembers the sea.

A subtle combination of documentary and fiction filmmaking, Luo Li’s remarkable Rivers and My Father was inspired by stories from his father’s childhood. Li inventively structures sound, image and narration, evoking the ways in which memory operates.

Self-made banker Boriss Osipovs achieves quick success immediately after the collapse of the USSR, but he flees Latvia to avoid arrest for illegal operations. Fifteen years later, his family receives a photograph from Interpol of an elderly gentleman with the same name who resides in a Malaysian mental asylum. Could it be him? Despite the reservations of her family, Osipovs’ daughter, documentary director Ieva Ozoliņa, starts an investigation to find out the truth about the man in the photograph. An emotional story about a man who loses himself in times of change...and the daughter who hopes to find him.

Summer. Half a day in the life of 10-year-old Mika, who lives in the countryside with his family in reduced circumstances. His father is very ill and is unable to handle the daily work on the farm. Mika's help is needed. But he is easily distracted by his 6-year-old sister, who is still enjoying the carefree days of childhood, regarding the farmyard as her playground.

Questioning similarities and differences and cinematically seeking an impossible closeness - As an imagined dialogue between the filmmaker and his late father Ulrich Mühe, this film becomes an attempt to find answers to those questions that were not asked during his lifetime. A prologue and five chapters were assembled from found footage, in which accusation and attempted explanation, appeasement and reinforcement clash and oscillate between fiction and reality.

Through the maze of a nightmare, a young man faces his father. His trauma springs from the darkness and he gradually exorcises his bitterness.

Biserka Šuran was two when her family fled the former Yugoslavia. At the time, her father thought that their youngest daughter would be the least affected by this sudden departure. In her directorial debut, Šuran enters into a conversation with her father about their shared past, the history of the Balkans and what it means for their identity.

Juan Ignacio Fernández Hoppe was just eight years old when his father’s body was found on a beach. His mother, a psychiatrist, decided an autopsy was unnecessary, even though his father had been depressed and had psychiatric medication among his belongings. Thirty years later, the filmmaker tries to find out what happened, who his father was and how his mother arrived at her decision.

Two young boys are trying to organize a wedding of the father of one of them and the mother of the second.

Father and son review the problems in their communication that have been accumulating in years. The son cannot get rid of fears that his life is being a true copy of his father's projections of his future, so he shoots a video letter with his amateur camera in which he tries to make his father look bad and present the evidences that would indicate how he became a much better person than him.