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Novelist and filmmaker Jose Giovanni turned to the remarkable true story of how his father helped him escape a date with the guillotine for this drama, which is based closely on events from his own life. During World War II, Manu (Vincent Lecoeur, as a character Giovanni modeled after himself) fought with the French Resistance, but near the end of the war he fell into a life of crime, and in 1947, 22-year-old Manu was arrested for his part in a bungled robbery that left a man dead. While Manu did not pull the fatal trigger, he refuses to say who did, since it would mean implicating his uncle, one of the few members of his family who has stood by him; Manu's brother is dead, and he turned his back on his father Joe (Bruno Cremer) years ago. Manu is sentenced to death, and while he protests his innocence, his attempts to escape from prison do little to convince anyone that he's telling the truth.
Fello and Marisa had been drifting apart under the weight of children, money troubles, and the strain of daily modern life in Mexico City. When they win a weekend in a luxurious resort, and the chance to compete for the money that would solve their troubles, the entire family must come together to win the prize. In the process, Fello and Maritza will learn that marriage and family is still worth fighting for.
Taiwanese drama film directed by Pai Ching-jui.
After being left for another man by his wife, Charles Bellanger raises his only son to fear and suspect women. Years later, such an education is bearing fruit.
When his long-time disappeared father is entering his life again, Jean-Luc, a successful doctor, has no option but to face his own life story. Will he ever be able to forget and forgive?
A big lawyer is involved with a girl demanding marriage, but he refuses where his social status does not allow him to be associated with her, and the girl puts her child and calls her Samiha and then she leaves life before the girl grows up to disclose her father, Samiha grows up and works in a worker, and the lawyer grows until he becomes a famous lawyer. Samiha gets to know Samir Bey, who assgresses her and escapes from her to the Levant, but Samiha insists on resorting to the judiciary, and Samir's father assigns the famous lawyer to defend his son.
Mania Akbari collaborates with British sculptor Douglas White to coin a tender fusion of langauge, where a meeting of cinema and sculpture investigates the processes of physical and psychological destruction and renewal. Begun a matter of weeks after first meeting, the film charts a deepening artistic and personal relationship exploring the nature of skin, family, death, water, desire and, throughout, a powerful will to form. Akbari looks into the connection between her body and the political history of Iran, investigating the relationship between her own physical traumas and the collective political memory of her birthplace. As she undergoes surgeries on a body decimated by cancer, remembrance and reconstruction provide a framework for investigating how bodies are traumatised, censored and politicized, and yet ultimately remain a site of possibility.
Summer of 1959. 11-year old Osvald spend his summer holiday with his parents in the countryside of Södermanland. His father has promised to play soccer with him and get some exercise. He also promised the locals to teach the church choir an Argentine mass. The father has a slight alcohol problem, so will he be able to do it?
Communal property, free sexuality, dissolution of the nuclear family - these were the basic principles of the Friedrichshof, the largest commune in Europe founded by the Viennese Actionist Otto Muehl in the 1970's. Because of these principles Paul-Julien Robert, who was born into this commune, for a long time didn't know who was his biological father.
Filmmaker David Fisher and his reluctant siblings re-trace the footsteps of their father Joseph, a Hungarian Jew who was interned in the Gusen and Gunskirchen concentration camps in Austria.
The story of this film revolves around a young girl, Amba, 16 years who lived happily with her father & mother, Swati. Amba is studying in 12th standard while her mother, Swati is a school teacher & father is not doing any work due to loss in business. In depression father becomes alcoholic & doubts his wife's extra marital affair with a colleague of hers. Things go out of way when Amba's father dies. A family friend & neighbor take charge for all family responsibility of Amba. Incidentally Amba builds up a relation with this neighbor's husband & one day Amba marries a NRI & settles in U.K. The life of Amba changes when she comes back to India to visit her mother & witnesses an unexpected turn in all their lives to find the new relations & its complications.
Elias is a 10 year old boy living in Athens with his family in 1969 and has an interest in Jules Verne's stories and in astronomy. His father, with whom Elias has a strong relationship, is a travelling salesman and his absence affects the whole family. On the eve of his departure for a long business trip he promises his son that he'll be back in time to watch the moon landing on TV together, but he is killed in a car accident. While Elias' mother and his elder brother deal with the loss in their own way, Elias refuses to accept his father's death. He creates an imaginary world, in which his father is alive. He shares fictitious stories with his friends, he sends letters to his grandmother on behalf of his father and he dreams of places like he did with him. Elias' mother and his godfather, who do everything to bring him back to reality, take him to a summer house. On the night of the moon landing Elias meets his father in his own way and comes to terms with his loss.
From its troubling appearance after nightfall, to the inhabitants all busying themselves at daybreak, Mohamed films the interior of his family home. A strange climate then establishes itself, particularly around the father, a central element in family life, as he moves about on his wheelchair, like some kind of worrying Custodian of the Premises. American writer H.P Lovecraft said : "Fear is the strongest and oldest emotion known to man"... And the film is set inside an Egyptian house... Is there a link here?
Those were the days when girls were prettier, when eyes were in all colours, without any colour. What's Different now - the camera, or the eyes?" asks Abdel Salam Shehadah's poetic and mesmerizing homage to the studio photographers of the 1950's - 70's. Set partly in a refugee camp in Rafah, this is a remarkable look back at fifty years of Palestinian and Arab history, through photographs, reportage and the voices of these photographers today.
"My Father My Lord" is an intimate and deeply disturbing story of the conflict between a father's love and his deep devotion to religion. A respected Orthodox Rabbi dotes on his only son but his religious strictures leave an emotional gap between the impish child and the stern father. When the father's all-consuming obsession with observing religious ritual inadvertently leads to tragedy, his previously subservient wife rages against both her husband and God. A dramatic retelling of the story of Abraham.
Father Jean-Claude Barreau, 39, announced in September 1971 his decision to marry. This announcement would have a considerable impact due to the notoriety he had acquired as a best-selling author. 40 years later, his daughter Chloé looks back on this story that marked her family and questions yesterday's and today's society on a matter that is still relevant: the priests' vow of celibacy.
Coring, a gay beautician, is left with a baby by his former ward, Dennis. The baby grows up thinking that Coring is his real father. Everything seems to be smooth until the kid's mother suddenly shows up to claim her son.
After the death of his mother, a repressed tv writer is forced to take care of his father who is loosing his memory, obsessed with his wife is still alive and lost.
An LGBT series from Direk Cyruz TV (Magnifico TV).