My Father S Land

Pascal Lamorisse is the son of filmmaker Albert Lamorisse. He is also the little hero of some of his father's films (White Mane, The Red Balloon and Stowaway in the Sky). Over the years, Albert Lamorisse, who took his son on all his shoots, sought to transmit his expertise and his passion for filmmaking, even on his last film, The Lover's Wind. There is something in the story of Pascal Lamorisse that touches on a fabulous story: it is the story of the transmission of cinema from father to child.

The film, starring Nijat Rahimov and Zarina Gurbanova, talks about the negative attitude of a father who has just been released from prison towards his family. This father is sometimes rude, sometimes exceeds his limits and breaks the rules, disturbing other people. But does this mean he is a bad person?

The Kurdish director Yüksel Yavuz tells in an autobiographical documentary about the life of his father, who worked as a so-called guest worker at a Hamburg shipyard from 1968 to 1984. Never really at home, he only knew the way to work, the fish market and the coffee house. Yavuz succeeds in creating a touching contemporary document in which he traces the personal life story of his father and connects it with a piece of the social history of the FRG.

Alice is a drag queen who has a son who will be a father. The girlfriend wants an abortion. In the conversation between father and son, a secret is revealed and a decision is made.

Jewish rebellers are fighting against subjection and supressors. Broken people are shouting for a leader. The crowd starts to follow a young man, who is speaking in the name of love. The man's name is: Jesus. His rapidly growing popularity fills the govenor and religious leaders with fear and scareness. Pursuit and the world's first show trial starts. The story rolling in modern setup and scenery tells the story of Jesus' life.

A road trip. Father and Son. Unanswered questions and things left unsaid as they travel through a distorted reality.

The source of this film is the personal life of my father, Nugzari, and his right hand. The hand that has been playing a crucial role in his economic and social life and has always been a guarantee of the financial stability of his family. The film traces a physical and a symbolic transition of his right hand: how the transition has been affecting his socio-economic life in his journey throughout different political ideologies that are represented and governed by symbolic hands.

An elderly man - a naive, impractical artist of the musical comedy theater - writes an operetta about goodness. His son is a resuscitation doctor, very businesslike and practical, and teases him all the time. The marriage of Petrov Sr. to the young ballerina Alena also did not add harmony to their relationship. But one day, father and son suddenly realize how necessary they are to each other... When the young stepmother begins to be in danger during childbirth, the son stops being sarcastic and fulfills his human and filial duty.

Director Sandor Simo based this film on his recollections of a period in his father's life just after World War II. In the film, Janos Torok is a chemist and an entrepreneur With enormous enthusiasm, he gets loans to purchase a small chemical plant and begins experiments to create innovative products, such as hormones. Meanwhile, the communist party has come to dominate Hungarian life in such a way that his activities are viewed as little more than criminal. He is hauled away to a prison camp, but even then his letters home are full of boundless optimism and his ideas for further experiments.

A reckless boy in an almost desperate and therefore troublesome way persistently seeks the attention of his father – a photographer. Being confronted with his father’s artistic chaos and his obsessive fascination with photography-life, on his path of growing up these elements eventually become essential for strengthening their father-son bond. In a story that intertwines hand-drawn and stop animation in collage technique, the author takes his audience on a ride through the archive of Slovenian photographer Dragiša Modrinjak, and at the same time draws from personal experience as a filmmaker and father.

When her father Helmut dies in an accident, Uli receives a box of her father's clothes from her mother, in which she finds women's clothing. She also receives his diaries, and thus uncovers the family secret that Helmut had been a "transvestite" since his youth, who only acted out his inclinations to appear as a woman in other cities.

Lea never met her father. One day, she was told by the police that he had committed suicide after 14 years in prison. This is a story about a father, a bank robber and a magician and about how his daughter got to know him backwards.

The youngest son of a legendary Hollywood producer, a Robert Evans type, accepts a bribe from his father to document his death.

Zeka's only son is killed in the war. All that is left to him is a house full of women, his wife, daughters and grand daughter, but no son to continue his legacy. Consumed with great pain he escapes into amnesia and begins to hope that his son is alive and will soon come home. One day a stranger comes in the village carrying coffins from across the border. Curious about the bodies Zeka invites him to sleep over. The night falls down along with the demons that will push Zeka into madness and make him a killer. Alienated from all the world he continues to wait for his dead son while his young daughter waits for him to be her father again.

A man who wants to move on with his life by moving to California and marry his girlfriend, finds it difficult as he still lives in the towering shadow of his aging father.

A Bosnian Muslim and a Bosnian Serb family have come to Vancouver to find peaceful new lives only to find themselves embroiled in the ethnic conflict they left behind.

Shelby is devastated after her father's death. Curious about her family connections, she decides to look up the DNA-based family tree, and is surprised to find out that her father had another daughter. She goes on a mission to find her sibling and meets Rose, her half-sister. But as the initial euphoria dies down and the question of who gets her father's inheritance crops up, things begin to change.

Reared by an abusive, pill-popping mother and an absentee playboy father, six-year-old Valentina must fend for herself. She does what she can to craft the illusion of normalcy: makes herself lunches that look just like the ones her classmates tote, dresses and grooms herself expertly, and lies to cover up for her mother Anita's erratic behavior.