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Maine and her family are accompanying her father’s coffin to the small Moroccan village where he is to be buried. Tomorrow, the men will take the body to the cemetery while the women, in accordance with tradition, wait at home. That is not something Maine can accept, however. She is determined to go with her father to his final resting place.
An intimate portrait of the relationship between Karel Schwarzenberg, a key figure of the post-November 1989 era, and his daughter Lila Schwarzenberg. The fascinating discussions, filmed over a period of five years, also open up uncomfortable, controversial themes, such as the complex process of growing up in the shadow of a charismatic father, moreover, under the weight of aristocratic traditions and customs.
An exceptionally powerful and personal animation, drawn entirely in virtual reality. It is a visual expression of spite and trauma inflicted by an abusive family member that transforms into a feeling of salvation from the inevitable mortality of the abuser.
Against the backdrop of the Unification of Italy, two men have the dream of being recognized by their respective, illustrious, fathers: a bishop and the King.
A revealing look at the life of Victoria Gotti, the daughter of notorious mob boss John Gotti.
He expressed the idea that this issue should be a universal concern, while clearly stating that the care of parents has a special role in the development of children's morals.
Ten-year-old Toda lives in a bakery with her dad and knows everything there is to know about cakes and pastries. Then, one day, her life is turned upside down: her dad is called away unexpectedly to defend his country. In order to stay safe, Toda has to undertake an adventurous and challenging journey to the neighbouring country where her mother lives. On the way she encounters challenging situations, meets interesting people and finds a special new friend. But will she eventually find her mother?
"Hermann mein Vater" is a companion piece by director Helma Sanders-Brahms to her 1980 film "Germany Pale Mother". The latter work was focused on the impact of war on a German family. This made-for-tv documentary follows Sanders-Brahms and her father Hermann on a trip to Normandy, where he was stationed as a soldier in 1940-41.
This is a film made by Andriy Zagdansky about his father, the screenwriter Yevgeni Zagdansky, who was the editor-in-chief of the Kyivnaukfilm studio for almost 20 years. The story is interspersed with fragments of popular science films and letters from Yevgeni Zagdansky to his son in New York in the 1990s, creating a portrait of both the person himself and the whole era. My Father Evgeni is a film not just about the inevitable generational conflict and the pain of a father’s separation from his son, but also about the events of the 20th century, about people who read banned books, and about the Kyiv that shaped the Zagdanskys.
Jan's father is not his father at all. The directors knows this and takes this fact as the starting point for a very personal documentary film project about the search for his biological father(s).
The film portrays the childhood and political inception of the father of the nation of Bangladesh, Bangabandhu Sheikh Mujibur Rahman. The story-line apprises his outgrowth as the greatest Bengali of all time.
My father was a landowner’s son and an ex-Kuomintang Air Force pilot, who remained in mainland China after 1949. For survival, he tried to transform himself from a man of the ‘old society’ to a man of the ‘new society’. As his son, I started investigating his ‘history before 1949’, which he had kept away from me. This film documents the process of my investigation over twenty years.
A middle-aged man, an architect by trade, decides to make an end run around getting married. He marries a charming young woman, tenderly in love, who proves incapable of holding him back and, above all, of making him work. But a young American arrives in Paris and reveals that he is the architect's natural son. At first reluctant, the latter and his young wife quickly adapt to the new situation, until the son, a businessman through and through, wants to share with his father his ideas on life, which can be summed up in one sentence: hard work, with no time for pleasure. The father is quick to balk, and the son is forced to unwillingly participate in the fickle architect's nightlife. Eventually, the father is able to settle down, while the son, having acquired a taste for love, has a good time.
On the age of 51, a father leaves his family to live as a carpenter. Away from the family and house burdens, he spends his last 15 years living alone. From the point of view of his child, the idealistic father then changes his mind to let go of everything and lives his dream of traveling.
Director Sandor Simo based this film on his recollections of a period in his father's life just after World War II. In the film, Janos Torok is a chemist and an entrepreneur With enormous enthusiasm, he gets loans to purchase a small chemical plant and begins experiments to create innovative products, such as hormones. Meanwhile, the communist party has come to dominate Hungarian life in such a way that his activities are viewed as little more than criminal. He is hauled away to a prison camp, but even then his letters home are full of boundless optimism and his ideas for further experiments.
Roger, editor of a women's magazine, meets Roberte, his friend Jean's former mistress, at a major couturier's during a collection presentation. Roberte, who now lives in Florence with her niece Maria, asks Roger to arrange a student exchange so that Maria can come to Paris to perfect her French. Roger approaches Jean's son Philippe, a student at the Beaux-Arts, who agrees to go to Florence. Maria and Philippe meet on the platform at Pisé station. They miss their respective trains and take a walk together. A flirtation begins, then each goes back to the other. Jean finds Maria charming and, like an unrepentant Don Juan, decides to win her over, but thanks to his old maid, his intrigues come to nothing and Maria can marry Philippe.
A reckless boy in an almost desperate and therefore troublesome way persistently seeks the attention of his father – a photographer. Being confronted with his father’s artistic chaos and his obsessive fascination with photography-life, on his path of growing up these elements eventually become essential for strengthening their father-son bond. In a story that intertwines hand-drawn and stop animation in collage technique, the author takes his audience on a ride through the archive of Slovenian photographer Dragiša Modrinjak, and at the same time draws from personal experience as a filmmaker and father.
"I am going on a trip to the US. I want to make a film about my father’s absence. I grew up watching American movies. Over time the characters seemed to resemble my father more and more. During the journey to Montana, I write him letters."
When her father Helmut dies in an accident, Uli receives a box of her father's clothes from her mother, in which she finds women's clothing. She also receives his diaries, and thus uncovers the family secret that Helmut had been a "transvestite" since his youth, who only acted out his inclinations to appear as a woman in other cities.
55 years after the mysterious death of father and grandfather Ramiro Endara, Lourdes, with the help of her daughter Camila, begins an investigation looking for the truth, but the clues are little.