My Body Is Not My Home Streaming Avec Sous Titres En Français

Nothing can keep you down. No man. No woman. Not even a mulleted ex who feeds you diet pills and calls you a loser. Thus begins Spandex the Musical, a tubuleric show for anyone stretching towards their dreams. Lorraine Stubenski was the favorite to win gold in the Olympics, but she toppled off the balance beam and never competed again. Enter fitness guru and love interest Dov Yisrael. In this authentic music video from (1986 Billboard Top 1 million), Dov & his unit teach America how to ‘make aerobics’ through one simple thought: your body is your temple. It’s a metaphor.

Oscar, not quite a child anymore, scavenges for scrap metal for his father. He spends his life in improvised landfills among what remains of leftovers. Worlds apart, yet close-by, there is Stanley. He tidies the church in exchange for a monetised hospitality, picks fruits, herds sheep: anything that keep his foreign body busy. Oscar, the young Sicilian, and Stanley the Nigerian don’t seem to have much in common. Except for the feeling of being thrown into the world, to suffer the same refusal, the same overwhelming wave of choices imposed on them by others.

A cynical and ruthless womanizer dies, but is given the chance to return to life if he manages to save three women within three days, whom he has deprived of their faith in love.

A woman takes a leisurely swim in the nude in the great outdoors and reflects upon how the sensations affect her body.

This videotape provides electronic, metaphorical images which, in part, illustrate theories of the disappearing body as a result of social controls, social silencing and oppression. The tape is a response to the inability to feel, touch and express in a culture that denies desire as well as non-desire. The struggle to escape the restraints of social regulation is explored through layered images, appropriated from stock biology lab films, and layered narrated sequences. Images of contemporary body decoration practices, such as piercing and tattooing depict the ability of the postmodern body to integrate the power that exists in ones own body.

An intimate documentary about transgender people and their relationship to sexuality and eroticism.

Raouf is an interior designer and an owner of a home furniture gallery. He is a very suspicious person when it comes to dealing with all people around him. It is only when he goes into a coma, he started to realise his mistakes and discover what all his friends and family think of him. Is it too late ?

The film mediates a certain kind of mental space of timelessness. At the edges somewhere unfolds the maternal body. Images and sounds of the first months after the author gave birth to her children constitute the film's distinctive language. Thus the film confronts habitual ways of imaging and understanding maternity with personal experience. From this point it is possible to approach the reality of new life and motherhood. The space between a mother's love and lactation psychosis is pervaded by intimacy and fragility on its own. The micro event in each scene contrasts with the toughness of static time framed into the white winter landscape. Thus the film speaks about something profoundly basic.

Andrea, the only son of a rich publisher, is a neurotic young man obsessed by his mother. He is dominated by uncontrollable impulses and suicidal fantasies, while his regressive behaviour makes him lonely and frustrated. Incapable of having normal sexual relationships, he spies on his stepmother's adulterous affairs and is obsessed by Carol, a young American girl he secretly films (even when she's making love with her boyfriend), and whom he clumsily courts. Finally, Andrea wins Carol over but is still tormented by the fear of losing his own private world of memories and macabre games...

A young woman powerfully declares that her body is not a weapon. Another vows to bring joy to all she meets. An intergenerational collection of singers dance in the courtyard of a holistic healing center. Female police recruits march in Bukavu

Last autumn, a baby was born.

A group of residents in an apartment block attempt to smuggle a body out of their building to prevent their properties dropping in value.

"Il mio corpo con rabbia" by Roberto Natale has been credited an uncertain and indefinite status between an art and an exploitation movie. Silvia is a daddy's girl who has wanted to have a drug experience only once, but this was enough for her parents to batten down the hatches, on the advice of a doctor, isolating the girl into a luxurious hotel in Sardinia and being vigilant on her "healing". It's out of season, there're almost no people in the compound. But a strange young man is roaming around there, maybe a fugitive, who Silvia starts to have a relationship with. This young man is the figure by whom Roberto Natale clarifies, using him as a reagent, the real key relation, the core of narration, the focus of the movie, which is the link between Silvia and her father.

A short documentary about a filmmaker's life and her relationship with her body.

Juno was just a child when his father abandoned him from their village in Central Java. Abandoned and alone, he joins a Lengger dance centre where men shape their feminine appearance and movement. The sensuality and sexuality that came from the dance, mixed with the violent sociopolitical Indonesian environment, forces Juno to move from village to village.

Set against the stunning American Southwest, this documentary is a poetic meditation on embodiment and the trans experience.

Because of her husband's business failure, the loan sharks continue to threaten Eun-seo, who has taken out a loan. The loan shark fell in love with Eun-seo's coveted body, and proposes that he can use Eun-seo's body instead of the money to be paid...

The story is about an immigrant Iranian news anchor who works for a Persian TV channel in UK. His nude pictures going viral on social media and he is trying to remove them.

A guy talks about his struggle with his food disorder.