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Father, son and even grandson, are all mesmerized by this 29-year-old sexy mom. Yong-tae is a dying cancer patient whose wife passed away. Seong-min is a nuisance of a son who is of no use. Yeong-chan is Yong-tae’s grandson who is addicted to porn. A sexy mom comes into the lives of these three men one day. Jin-hee brings positive feelings into the house and prescribes her personal methods of treatment for the three men. Who will get it on with mom?

...And Mother Makes Five is a British sitcom that aired on ITV from 1974 to 1976. Starring Wendy Craig, it is the sequel of ...And Mother Makes Three and aired for four series. ...And Mother Makes Five was written by Richard Waring, Brian Cooke and Johnnie Mortimer. Wendy Craig also wrote some episodes under the pseudonym Jonathan Marr. It was made for the ITV network by Thames Television.

Picucha may seem old-fashioned, but she has modern ideas and a great sense of humor. At 85 years old, she pushes the limits of her age and does everything she can for her family and friends. Sweet Mother illustrates the everyday life of the elderly with clarity and levity, and shows that youth actually starts at 80. In the role that earned her the 2013 International Emmy® Awards for Best Actress, Fernanda Montenegro adds another success to her list of characters, which includes an Oscar nomination for the film Central Station.

A grieving mother discovers the criminals behind her daughter's tragic death, and transforms from meek to merciless to get the real story.

SeongRi & Kyeong Bin are twins born via artificial insemination, later seperated at birth. Both twins are unaware of each other until Seung Ri's mother abandons her one day & forces her to go to her real father. Seung Ri misses her mother and has difficulty in adjusting to her new family, including her twin brother (Kyeong Bin) and 3 sisters (i.e. Yeo Kyeong, Nam Kyeong & Sae Kyeong). Her friend's brother Soo Cheol (AhnJaeWook) befriends her oldest half sister (Yeo Kyeong) who is able to hear but unable to speak due to an accident during childhood.

Nothing holds Assia Demidova to her native village anymore: her mother, the last person who was dear to her, has recently died, leaving Assia completely alone.

At age 12, in the twilight of the Chinese Civil War, GAO Bing-han followed the Nationalist government in their exodus to Taiwan under his mother’s orders. Now, in his 80s and a lawyer, GAO encounters three mothers in his work. The first is HONG, who tolerates her son’s violence. The second is JIANG, an indigenous woman who isn’t accepted by her father-in-law. And the last one is XIE, who seems elegant on the surface but is greatly depressed due to her family problems. In the midst of dealing with the conflicts of these three, GAO can’t help but sigh: “Did the war really end?”

Yumika is an actress. Since she was a child, she has had to endure her mother Yoshika (Shinobu Terajima) controlling her life. Yoshika is a “poison mother” to Yumika and Yumika cannot tolerate her mother anymore. Yumika appears on a talk show and criticizes her mother. Her criticism causes a sensation. Meanwhile, people around Yoshika state that she is not a poison mother and she is actually a good mother.

Follow mothers who go to extreme lengths to save and protect their children from murder, international kidnapping, mass suicide and judicial corruption. The episodes will reveal how each mother took matters into their own hands and organized covert operations.

Following the tragic death of her teenage son, Manuela travels from Madrid to Barcelona in an attempt to contact the long-estranged father the boy never knew. She reunites with an old friend, an outspoken transgender sex worker, and befriends a troubled actress and a pregnant, HIV-positive nun.

When his widowed mum, Maggie, sets fire to the kitchen, recently-single Arthur Gbeme moves back in to the family home, only to realise he is facing life in a hilarious purgatory in which the eccentric and electric Maggie calls the shots.

A couple's relationship is tested when uninvited guests arrive at their home, disrupting their tranquil existence.

Lana's daughter Emma returns from abroad and drops a bombshell: she's getting married. In Thailand. In a month! Things only get worse when Lana learns that the man who captured Emma's heart is the son of the man who broke hers years ago.

Asako Mizusawa is a fifty-year-old homemaker. She endured her mother-in-law's sarcasm and passive aggressive moves when her husband, Hiroyuki, decided to move in with his parents. And while she regained her freedom when her mother-in-law passed away, a life-changing event takes place two years later. It happens when her son Yuta marries a woman named Ririka. Asako has now become the mother-in-law! Asako did not approve of the marriage, but she was willing to accept it under one condition that they all live together under the same roof. Unexpectedly, Ririka agreed with a smile. Ririka invites Asako to share a bottle of wine on the first day they move in. They have a lively conversation about marital problems and Asako even mentions an affair her husband has had in the past. The two appear to be getting along, but it is all a ploy by Ririko to learn more about Asako... From the next day on, Asako notices Ririka doing suspicious things. Wanting to know more, she begins to snoop around. She learns that Ririka used to work at a bar and was more than friendly with her customers. Asako becomes determined to make her son see who Ririka really is, but her attempts only work to alienate herself from her son and her husband also takes Ririka's side. Meanwhile, a man in the neighborhood disappears. Detectives investigating the disappearance find that the evidence leads towards Ririka...

Luisa has a habit of bringing her dates home, irritating her son, Cesar. When Cesar invites his best friend Pablo over for a sleepover, Luisa's flirtations become too much to bear, especially as Cesar has his own feelings towards Pablo.

Captain Marianne Aubrais is a detective with the Le Havre Police Department. Should she believe a child who tells her that his mother is not his mother? After all, she is busy investigating a robbery that happened months ago. Stolen goods worth hundreds of thousands of euros have not been recovered and two fugitives are still at large. But if the kid’s story is not pure fantasy, it would be truly criminal to ignore it. The little boy’s memories are fading. If he is telling the truth, will he never grow up to be the adult he should have become? Will he finally be forced to accept the unthinkable and allow himself to be raised by a woman who may have abducted him?

Guan Shu Hui's (Paige Chua) domineering ways causes a rift between her husband Qi Hong Zhe (Thomas Ong) and his family. Hong Zhe is unhappy with his wife but chooses to put up with her, until Zhou Ke En (Chris Tong) enters his life. Ke En is pretty, intelligent and most of all, she listens to Hong Zhe's problem and supports his dreams. Ke En also manages to win the approval of Hong Zhe's family, leaving Shu Hui feeling helpless. Shu Hui's estranged mother Lu Xiu Zhu (Li Ping Chen) steps in and tries to salvage her daughter's marriage. Xiu Zhu tries to outwit Ke En who is actually a malicious and mentally unstable woman. How will the battle between the mightiest mistress and the mightiest Mother-in-Law end? Will Shu Hui be able to save her marriage?