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A desperate young journalist turns to podcasting to salvage her career, but her rush to make headlines leads her to an alien conspiracy.
A mother and her son plan a surprise visit to Los Angeles to see her husband/his father. Halfway there they get into a terrible accident in the middle of nowhere and now must fight to survive.
Samir is part of a sociable circle of acquaintances. One evening his friend Basil suddenly leaves the group and does not return. Shortly thereafter, Samir's night shift begins, he gets into a taxi, we follow him for 24 hours: It starts with a road trip through Berlin at night, one eye always on the smartphone that shows the way. The next day, while looking for Basil, Samir meets people who make him realize his dwindling existence more and more. When he realizes he can't go it alone, the mysterious Henry shows up and offers him a solution that requires sacrifice.
Two cops investigating the murder of a young boy become involved in a very secret project involving alien life. Needless to say, the authorities don't want them to stick their noses into this
Part essay film, part videopoem, Monolith braids found footage, documentary, experimental, 3D animation and narrative filmmaking devices to explore notions of collectivity, dissent, indigenous knowledge and time as a series of folds, splits, ruptures, loops, clusters, drifts, ascents, descents, vortexes, pulses, rhythms, linkages, aberrations, burials, and unearthings. This shape-shifting film addresses ongoing legacies of nationalist archives, archeology, and coloniality.
(USA, 12 min. Dir. Zenon Samuels) A young artist attempts to create the perfect painting, leading her on a downward spiral of unexpected and supernatural outcomes.
John Hurt narrates this highly charged and doom-laden public information film from the 1987 AIDS awareness campaign. A cliff-face explodes in slow motion; an industrial drill bores into a huge block of rock; the word 'AIDS' is chiselled into the polished surface of a granite headstone and a "Don't Die of Ignorance" leaflet drops onto the surface along with an elegiac bouquet of white lilies. The solemnity of the accompanying voice-over quells any vestiges of ambiguity.
Absurdist experimental documentary, about the tensions around the Bronze Soldier that were escalating in both Estoniam and Russian media.
In the ruins of a post-apocalyptic Earth, a wayward celestial being finds companionship in a jaded, out-of-work life coach.
STALKER: Monolith's Whisper tells the story of Alexey Savchuk, an exiled victim of the 1986 Chernobyl accident who enters the Exclusion Zone to find his lost brother after "The Second Catastrophe" where a mysterious second explosion takes place in 2006 at the Nuclear Power Plant. Helped by Seeker, he will experience the vicissitudes of "The Zone" and try to reach his objective. Stalker Team Uruguay has brought the video game to real life up to every detail, so get ready to enter "The Zone"!
A plucky monk-turned-rogue finds herself teaming up with an archaeologist and a boy with powers to stop Esluna's queen from activating an ancient technology that threatens to destroy their world.
Rocks from a meteor which grow when in contact with water threaten a sleepy Southwestern desert community.
Pioneering NYC artist, Gwyneth Leech, enters a midtown art studio only to find that her skyline view will soon be blocked by the construction of yet another high-rise hotel. But as the perspective out her window permanently shifts, so does the artist's point of view. The Monolith is directed by Angelo J. Guglielmo, Jr. (The Woman Who Wasn't There), produced and shot by Andy Bowley, EP'd by Andrea L. Smith. Rosie Walunas adeptly employed the Adobe Creative Suite to bring over 200 pieces of Leech’s beautiful artwork to life using Animation, Motion Graphics and Compositing.
Three women. Three voices. A striking landscape.
Monolith of Death Tour '96–'97 is a DVD by American death metal band, Cannibal Corpse. It was originally released in 1997 on VHS, but was re-released 5 years later on DVD in 2002. It features footage from various concerts during the Monolith of Death Tour.
A tessellating flicker film that seeks to undo the cold, impersonal architecture of the city by dousing it in organic and domestic forms. Featuring a collaged soundtrack of spam phone calls, pulsing synth chords, bagpipe drones, and a lullaby sung to my daughter while in-utero.
A short and informative public service announcement that deals with the A.I.D.S. epidemic back in the 1980s destined to British audiences. Directed by Nicolas Roeg and with the voice of Sir John Hurt narrating facts about the disease, this short raised awareness to the public about A.I.D.S., and how to avoid it back in a time when anything related to the disease was considered a death sentence.