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Paul de Marseul, a prestigious wine-maker and owner of a renowned chateau and vineyard in Saint-Emilion, is disheartened by the notion of his son Martin taking over the family business. Martin does not seem to have inherited the qualities that Paul esteems in a wine-maker: persistence, creative insight and technical prowess matched with passion for the job and the product, and Paul frequently reminds him of this, whether explicitly or in subtle gestures. When Philippe, the son of his manager, appears at the vineyard, Paul leaps at the chance to name him as his successor, neglecting the wishes of his own son...

Julien and his mum care for each other very much. But Julien has committed a deadly sin: he is growing into a teenager! Worse, he has found himself a girlfriend of his age. "Mummy" is not going to tolerate such an ignominy. Julien is HER baby and will remain HERS for ever, encouraged in her "crusade" by her bovine husband and barely thwarted by the more courageous interventions of Suzanne, Julien's sympathetic big sister.

The discovery of a lifeless body triggers a mother’s murder investigation in this gripping French thriller. Directed by Didier Le Pecheur.

A schoolteacher takes in a 16-year-old immigrant boy who has found himself without a foster family.

Boyfriends decide to come out to each of their parents with getting completely different results.

Upon being shown a photograph of a 6-year old boy, now digitally aged to 50, Yathay Pin’s realities collide. Haunted by his inner demons, his guilt surfaces for abandoning his son to escape during the Cambodian genocide. The Player, embodying Yathay, plummets into his mental prison, containing locked memories.

Marion Hänsel directed this personal meditation on the joys and responsibilities of parenthood, in which a narrator reads Hansel's philosophic musings on raising her young son on her own, while carefully shot and selected footage of different cloud formations from around the world provide a striking visual backdrop. Catherine Deneuve read Hänsel's text in the original French-language version of Nuages; Charlotte Rampling did the honors for the English-language print, while Barbara Auer, Carmen Maura, and Antje De Boeck respectively lent their voices to the German, Spanish, and Dutch editions of the film.

Fred is a projectionist, like his father. As he has to project a silver film in Normandie, he convinces him to hit the road together. The road-trip will be a journey through clash of generations, drag-queens and family affairs.

Louise has been a widow for years and teaches literature in a high school. She divides all her time between books and her son, Martin, who still lives with her. During a family lunch, she meets Martin's best friend, Stanislas, a young painter of Russian origin, who is studying at the Beaux-Arts and whose talent promises a brilliant career. Louise is still finding Stanislas very attractive and already the young man is madly in love with her. All it takes is a little something to bring the two lovers together in the same passionate embrace. Informed by his mother, Martin pretends to be delighted by this unexpected rapprochement between the two beings he loves the most. His rage bursts, however, during the family meeting that Louise has organized to make her affair with Stanislas official.

Assuming your homosexuality when you are American, as surprising as it may seem, is not necessarily straightforward. In the United States, 700,000 homosexuals have already undergone so-called conversion therapy. These therapies, which go by name only, promise to "fix" a deviant sexual orientation. Led by religious or pseudo-scientific communities, they do not hesitate to use humiliation and physical violence to achieve their ends and to change a person's inner identity. Conceived as a road movie, stretching from Alabama to California, this documentary immerses us in the world of conversion therapy, with powerful testimonies from victims and activists.

An arranged marriage as seen through the eyes of an unhappy young Algerian woman.

Every year since 1980, I have filmed the Good Friday ceremony reconstructing the Passion of Christ in Burzet, a remote village in the Ardèche area, where for seven hundred years, the local people have dressed up to celebrate and perpetuate this religious rite. (Gérard Courant)