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As death hovers, Dominique films precious moments of a great love story.

In Spring of 1945, the Wehrmacht forces are weary from retreat, while the Allies are closing in. A single Austrian captain attempts to guide what is left of his platoon behind the Russian lines to surrender to the Americans. They take under their wing a young man with a severe disability. As the loyalty of his men is brought to the test, the captain grows closer to the boy who evokes a deep secret from his past in the Nazi Reich.

A return to the story of Nazi doctor Josef Mengele's passage through South America. Conspiracy theories report that the border of Diadema, Sao Bernardo do Campo, and Sao Paulo was the center of German immigration. In the Eldorado neighborhood, on the border of these cities and bathed by the Billings Dam, lived a gentleman named Pedro Hochbichler, one of the aliases adopted by the alleged Mengele. Mengele fled to the US leaving a double in Brazil.

This film is about what the routine of everyday life can do to the human mind and psyche. It also reflects on the importance of the choices we make and how limited these choices are in the first place. The plot evolves around a family of four. They live in the suburbs, in a strange villa that appears, through a complex game of mirrors, to be more like a piece of installation art than a real house. The main character, who hardly appears on screen, is the son, a man in his thirties. Suffering from asthma and eczema since childhood, he uses his condition to manipulate his parents and his sister. Thus the existence of the terrorized family turns into an endless ritual of attempting to satisfy his whims, and always on the alert for yet another one of his “health crises”. Las Meninas resembles the scattered pieces of a puzzle. It is up to the viewer to assemble them in order to form his very own picture – something that makes the film itself personal and unique.

Luísa is forbidden to go out on the street by her mother after being harassed. At home, imagination is the limit.

Interviews, footage and photos profile violinist Yehudi Menuhin as prodigy, musician, husband, father and teacher.

A young man grieves for his family as he looks back at his childhood. A monologue act.

Leila and Maria. Two women as symbols of Cyprus. Turkish Cypriot Leila’s husband is missing; Greek Cypriot Maria is a refugee. Their love eliminates the hatred of war. Their common tears nourish hope on both sides of the barbed wire. Their story lies in the heart of this documentary inspired by Leila’s book The White Wet Handkerchief We Shared.

A documentary by Ásthildur Kjartansdóttir focusing on two Thai women who originally came to Iceland to work in the fisheries but later settled with two Icelanders in the Öxarfjördur-region in the North-East of Iceland, one of them a shop-keeper and the other a sheep-farmer. The film not only shows daily life in rural Iceland near the Polar Circle but also the couples' trip to Thailand where life and surroundings are dramatically different to Öxarfjördur.

Richard Herring is getting desperate. At 39 years old, he's still making jokes about monkey semen, is wilfully nose-diving into middle-aged pedantry and what's more the love stakes are looking decidedly low. The makings of a midlife crisis? Yes, we thought so too, but - well you don't like to say do you? Still, a life of misanthropic singledom doesn't have to be all doom and gloom - at least his misogyny is postmodern and ironic, unlike Bernard Manning's (actually, is that a good thing?). And he can always take heart in his experience with the carwash company rather carelessly name 'The hand job centre'...

The film shows a strong rivalry between two families passing from generations. At present, Madhava Rao (Nassar) and Raja (Nandumuri Balakrishna) are their heirs who live in the same premises constructing walls in between.

In a bid to bring back life to their town after seeing its population dwindle in recent years, the manager of a shopping mall in northern Saitama Prefecture and the executive director of the Honjo Chamber of Commerce start a project to put together an improvised jazz band from local citizens. A former music teacher (Shimizu Shogo) is coerced into becoming the band leader, but the other prospective members are all elderly amateurs with little knowledge of music.

mens·beeld (het; o; meervoud: mensbeelden) A "Mensbeeld" is a well-thought-out and coherent representation of what it means to be human. Human images are linked to (historically determined) philosophical, philosophical or religious convictions.

"La Vira - the secret menu" documentary produced by the State Security Service in collaboration with Real TV

In a Brazilian village infested with piranhas, Nanã and Mel are fast growing into adolescence as they dream of ways of protecting themselves against a seemingly inescapable violence. When a mysterious body appears tangled in a fisherman's net, they learn what might be their ultimate protection.

Filmed over five years, this documentary charts the progress of several veterans dealing with post-traumatic stress disorder at a California clinic.

Tribute to Leopoldo Méndez, a prominent Mexican artist, considered the most important printmaker in Contemporary Mexico