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Actor who used to be a celebrity once upon a time, when he played in number of films and theatre shows, lives his elderly days monotonously... Up until he meets a girl wanting to become an actress. In their encounters actor revives his love affairs from his young age...
In the 19th century Austro-Hungarian Empire, David Hersko, a Jewish shepherd, witnesses the attack of a young girl. His home is burned down and he finds shelter with the family of a Jewish logger. The loggers find the body of a young woman which they bury, going against local laws. They are charged with her murder and it is believed that they killed her as a ritual murder.
Migo, a Linguistic student, goes back to his hometown to annotate the language in the area. He finds out that the place was not what it used to be. He traverses around the place and sees fragments of his childhood friend Ami, who speaks a different language. The deeper he goes into the memories of the place, the more something in him echoes why he has returned.
The capital city of Romania is documented from the turn of 20th century to the more modern times under post WWII Communism.
Tonight will be a special night. For the first time in 21 years, the Moon will be visible in the sky. Tonight, time will pass at different speeds for everyone, and no one can know in advance how fast he or she will see the night pass. For the occasion, Elodie has joined some friends who have planned to spend the night in a shared house. There, she meets Sophia, a young woman that she does not leave indifferent. Together, they will face the night and the vagaries of time.
Utilizing the impressionistic techniques of IN THE CITY OF SYLVIA (if SYLVIA was a riff on the “city film,” the more miniaturized MEMORIES might be termed a “street-corner film”), Guerín uses a disturbing incident in his Barcelona neighborhood to thread together a rich tapestry on music, culture, community, the fragility of life, and the tenacity of life.
Memories of Alhambra
"One of the most curious and mysterious strengths of cinema is that it outlives us all. So sometimes, on camera, everything is a matter of life and death."
Director Vincent Lan returns to his hometown Chengdu and reflects on the past years.
It’s summertime in Corsica, the days are hot and time passes slowly. Marie, Lucas, and Ghujvan spend the afternoon hanging out at the river. They spot a tourist sleeping not far from them, and come up with the idea of stealing his wallet.
Actors and film students Geum-joo and Dong-geun descend on Muju, the hometown of their classmate Min-ju. Their task is to create the "first memory" of the person the play--the memory that has been kept in the character's mind for the longest time, the memory that has become the character's unconscious.
The documentary is based on the director's mother and aunt (twin sisters) who grew up under the terrors of Soviet occupation in Estonia. The film itself is a mix of personal memories of the occupation/Stalin's concentration camps and old footage.
A little girl finds herself in a completely dark room, except for the spotlight that follows her. Parts of the room lit up when she interacts and keeps in touch with certain objects. With each part of the room uncovering, she starts learning about the person living in it and also herself.
On April 1st, 2022, my grandfather passed away and i felt lost. I think my path changed when, some days after he passed away, i was offered a small VHS camera. "Moving Memories" is a visual journey that makes the viewer reflect on our momentary presence on earth and questions the nature of memory. Throughout this journey, we get to the conclusion that memories are more than just static photographs in our minds, they're alive and in constant movement, changing while we evolve as individuals. These memories have influence and help us to move on.
an elegiac rumination on loss of memory. The filmmaker reflects on the experience of seeing his grandmother gradually lose her memory over time by weaving across archives and footages, utilizing the film as a medium for recollections even when they are at their most unsalvageable.
The film focuses around Ina and Nikoloz, eleven and ten years old Georgian children who live in the 2008 Georgia-Russia war refugee village Tserovani. Unlike troubled adults who long for their old homes, the children are oblivious of the past. As they find fun and scary pastimes around the village, they try to reconstruct memories of their past, of where they came from. They don’t remember the war, but it continues to affect their present and future.
Ra'fat marries Souad against his family's wishes and they go to live in Syria. When Ra'fat dies, Souad works to support her daughter Sahar who wants to marry her neighbor Walid. Souad falls ill but hides it from her daughter whom she sends to live with her rich aunt, Dalwat, in Cairo.
Maria turns 20 and has a party with friends at home. As the party continues, she retreats and climbs the roof alone. Memories from last year's Birthday begin to flood her thoughts and the trip down memory lane begins. How much something that has long since ended can hurt us. Because we dwell on thoughts of things that don't exist. Acceptance of the past and reconciliation with what happened is now all we ask. PS: "I take pictures to remember. I write to remember. I don't like to forget, I often reminisce, I always try to remember." The film was made in the context of the 5th Panorama Film School of the Aristotle University of Thessaloniki with the theme DEACTIVATION.
Vanessa is plagued by flashbacks. What had once started out so poetically, shattered over time. Now she can't help but live inside her mind. But there is no room for two.