Memory Streaming Vf Complet

Garrett gets a random text message from an old lover that brings up some old feelings at the wrong time.

My intention was to explore the landscape where I spent my early life, and to some extent the people who helped me to inhabit it. So I started by flying over this landscape and was filmed while doing so. My new view of a place with which I am very familiar is an important aspect of the film.

Myra and Galen, two young adults, cope with their drug addiction through willful ignorance; however, the reality of their situation begins to unfold, tainting Myra's childhood memories.

A woman struggles to calm herself in the midst of a panic attack, as she processes memories of the moments that have sent her into her spiral.

"The images of “Memory Fade” are not lost… they are spectral and the dance steps repeated over and over in time fights the Fade – a falling down that breaks the spine of the book of life (mankind)."

Trapped within a seemingly endless, perpetual cycle of the dead of night - all while secluded to the physical boundaries and solitude of a bedroom - the nameless protagonist must reckon with a world of memories, both forgotten and half-remembered, past and future, in order to reconcile the present; to end the dream.

The lastest neuroscience discoveries show surprising results: false memories, distortion, modification, déjà vus. Our memory is affected in many ways, and deceives us every day. The very fact of recalling souvenirs modifies them. The everyday consequences are manyfold. To what extent can we rely on our souvenirs? How much credit can we give them during trials? Even more shocking, scientists have proved to be able to manipulate our memory: creating artificial souvenirs, deleting, emphasizing or restoring them on demand.

A girl sees her dead father in front of her after taking a bad fall. Her visions intensify and her true feelings about her father surface.

Two gamers chase hidden coordinates in classic PlayStation games to win a valuable collectible memory card.

To process grief, a young adult revisits fragments of their late grandmother’s life to restore the version of their own inner child when she still remembered them.

A young woman has spent her life tormented by the death of her mother, who was on a ship torpedoed during World War II. When her father hires an investigator to look into the circumstances of the mother's death 30 years prior, it triggers a new rash of emotional turmoil for the young woman and uncovers a heinous crime.

A video to commemorate the victims of the disaster that occurred on October 3, 2013, off the coast of Lampedusa. Its intention is to force the institutions and civil society, in the words of the director, to “name each and every one, to make us aware of how many names lost their bodies on one single day, in the Mediterranean sea”.

An edgy film that tackles anxiety/panic attacks triggered by retrograde amnesia in a person desperately seeking and rebuilding a distorted past . He realizes in the end that his future cannot and must not be defined solely by his past. His present is as relevant as his past to his future.

Varun's seemingly trivial choices cascade into a haunting symphony of consequences. Faced with a life-changing tragedy, he ventures into the enigmatic realms of time, desperate to rewrite destiny, but destiny has other plans for him.

Memories of a long lost love are rekindled when a young woman resembling that lost love is introduced to an older bachelor.

At age 33, Finley Blake lives alone in a remote house in Austin, Texas. Since her divorce, she has been fighting to get back custody of her son, who was removed from her because of the supposedly immoral nature of her work. Finley is a camgirl: she earns her living by performing customized sexual scenes online. Flesh Memory is a document of a few days in her life, which is at once profoundly isolated and populated by virtual presences, a life attuned to screens, to so many distant interfaces connecting her to the outside world. The background to Finley’s performance life is her custody battle for her son.

We found Ishikawa's sketching route by following the 1909 travelogue of Kinyichiro Ishikawa's "Tataga's Memories" (タッタカの思出): the Nantou mountainous area was once a battleground for the aboriginal people and the Japanese army, and because of the need to contact the farm for filming, we learned that in 2016, the Meifeng Farm in Taichung University accidentally discovered the site of the garrison in the park, and so we decided to take the members of the Southern Art Association and their friends to go there and make a two-day and one-night sketching tour. The trip was a two-day, one-night sketching tour. For this sketching trip after 110 years, a few young Sedgwick men working at NTU's Mountain Experimental Farm cleaned up fallen trees and weeds in the park after the typhoon, and worked continuously in the forest, waiting for the upcoming team of painters and a team of photographers.

This micro-documentary is a chapter of the series Who I am?, which proposes a reflective journey through moving testimonies, emblematic places and the struggle for human rights, truth and justice. In the former clandestine detention centre Pozo de Banfield, Teresa Laborde Calvo narrates her birth in the car that transported her mother to the place, and Miguel Santucho tells the story of his mother’s last days. Together they walk through the space of memory narrating the way in which they reconstructed their identities, the present of each one and the importance of having dared to find the truth and continue searching for the missing grandchildren.

Pierre Schoendoerffer revisits his life and career, with a strong focus on the impact that his experience as a war cinematographer for the French army during the Indochina War had on him.

This documentary is a record of moments with family, friends, travels, outings, and a passion that Carla inherited from her father. The need to encapsulate time led her to film her daily life with Bahian friends in Barcelona, a city where she lived the best of her youth for eight years. When she decided to return to Brazil, everything took on new significance. It was then that she began the project of making a documentary to immortalize that period. The casual recordings turned into an obsession, and her friends were interviewed, totaling more than 50 hours of filmed memories and a year of editing in Brazil. This process was a painful stagnation in the past, an effort to make sense of material that fed a difficult feeling to overcome: longing. The result is a delicate film that reflects on exile, memory, time, family, change, and life.