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The street poll proves that the memory of Nowa Huta has faded in the Poles' consciousness. The documentary filmmaker and his team decided to seek out the heroes of those events from 1949-1954, from the beginning of the works to the smelting of the first pig iron from the first furnace.
A love story between Ana and Laura, two women who think of life in completely different ways. Ana has a mysterious secret that can generate a conflict between reason and desire, to distance or bring the two closer together.
One of the five-part documentary series by Belarusian writer and director Viktor Dashuk, which recounts the horrors experienced by the Belarusian people during World War II, through firsthand accounts of survivors and newsreel footage.
Tomislav is a former Partizan who continues his struggle after the war as a dedicated member of Tito's secret police. He meets and falls in love with a ballet dancer from a bourgeois family. His love affair with the class enemy and his slow adaptation to the post-war realities could seal his doom.
Praised by The New York Times as a "stunning paean to Monet," Ohio at Giverny is the title of Lucier's highly acclaimed two-channel, seven-monitor installation. Writes Lucier, "This work is an investigation of light in landscape and its function as an agent of memory, both personal and mythic. It deals with the convergence of disparate entities — geographies, epochs, sensibilities: with transitions from one state of being to another, and how within the frame of imagination and collective memory these 'dissolves' take place. "Nostalgic images from Lucier's native Ohio — the pastoral countryside and a Victorian home — are fluidly juxtaposed and correlated with the lush beauty of Impressionist painter Claude Monet's gardens in Giverny, France.
One of the five-part documentary series by Belarusian writer and director Viktor Dashuk, which recounts the horrors experienced by the Belarusian people during World War II, through firsthand accounts of survivors and newsreel footage.
U.S. Marshall Duke Donovan is imprisoned, accused of being an accomplice in a bank robbery. After discovering that his partner is planning to kill his wife, he must escape prison in time to save his wife and clear his name.
The memoir of a woman married to an orthodox Brahmin philosopher who converts to Christianity, her story explores issues of religious barriers, disillusionment,and romantic devotion.
After being kicked off a jury for arriving five minutes late, a troubled woman becomes obsessed with the verdict, which sent a woman her age to prison for life. As she fights to have the case reopened, her bond with the prisoner forces her to confront questions of guilt, justice and responsibility.
Adaptation of Arthur Miller's "A Memory of Two Mondays".
On the 29th September 1945, the incomplete rough cut of a brilliant documentary about concentration camps was viewed at the MOI in London. For five months, Sidney Bernstein had led a small team – which included Stewart McAllister, Richard Crossman and Alfred Hitchcock – to complete the film from hours of shocking footage. Unfortunately, this ambitious Allied project to create a feature-length visual report that would damn the Nazi regime and shame the German people into acceptance of Allied occupation had missed its moment. Even in its incomplete form (available since 1984) the film was immensely powerful, generating an awed hush among audiences. But now, complete to six reels, this faithfully restored and definitive version produced by IWM, is being compared with Alain Resnais’ Night and Fog (1955).
Antonio, a pub owner and a photographer, returns to his home village, Pacios, in the countryside of Galicia, in Spain. After his father's death, the family home is empty, as so many other houses at the village. He spends some days with his old neighbors. He portrays them with an old plate camera, in order to pay tribute to the memory of this place, kept in these people's faces. Directed by: Manuel Darriba
A year ago, Mia collided with an exhibitionist. She still has thoughts about it.