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Ompung Putra Boru, a sixties indigenous Batak woman from Humbang Hasundutan, North Sumatra, retraces her life stories through photographs that interweave her past and present as a wife, mother, healer and indigenous land defender in two neighboring villages. Her multi-layered stories are juxtaposed with visual records of everyday life in the two villages, where people’s living space is still increasingly threatened by a giant pulp expansion.
People from tripoint of Italy, Slovenia and Croatia tell their stories of the World War II events that happened there.
The racism between their families forces Carla and Helena to keep their friendship as a secret. They both share a dream: to be Olympic swimmers. And for that, they train in secret in the city pool when it's closed. Carla gets selected by the national team, leaving Helena behind. One year later, Carla gets back to the swimming pool with the intention of talking to Helena, but that day, they're found and stalked by a stranger.
A boy falls in love with the girl whose injuries he is responsible for...
Nadia is a beautiful and arrogant girl, and her arrogance pushes her to reject everyone who proposes to her, including her cousin Sayed and her cousin Wael, and after a period of time Nadia faces a shocking fact, which is that all of those whom she refused to marry have married other women better and more beautiful than her, and even Wael himself has married a rich girl, which makes her feel remorseful.
In May 2006, the Ministry of Defense enforces a "move out" of Daechuri in order to make room for the expanding U.S. base. 'Protectors' who support the residents fighting against the action move into the village to help protect it. People who have lived different lives gather in the same space and try to build a new community in Daechuri. As the villagers make up their mind to move, they experience another kind of separation. The faces of so many people who strived to protect the community they dreamed of are reflected on the backs of those who set off for a new place to live their lives.
An essay film that interweaves meditations on travels with stories of journeys in China across a century: A student expedition into the heart of China in the 1930s, a young traveler's visions of the melancholic landscapes of his homeland, the narratives of movements in early Chinese silent films. Through these fragments of travelogues, the film explores the nature of consciousness in motion and what it means to use archives, images, and cinema as documentations as well as vehicles for travel.
In early 2014 and also in early 2015, two old laboratories in Tehran were closed. The story of the film follows negative memories from the beginning of the laboratory in Iran until their closure.
In those 60 years, everything happened to him. He experienced carefree youthful days, struggled to find his place within the family community, which he eventually had to leave, constantly moved due to the drought, enjoyed swimming, forgetting that he had to constantly feed his huge body ...
A valuable testimony that approaches the essence of Nijinsky who did not leave a video. Boris Kochno, who was at the center of Russian ballet, vividly tells how Nijinsky, who had fallen ill, witnessed his newly choreographed self-made work. Nijinsky's successor machine is a rare record of transferring Nijinsky's appearance in the popular work "Afternoon of a Faun" to two great dancers, Grigorowich and Wasiriev, who carry Bolshoi ballet on their backs.
A woman attempts to resume her place in the family that she abandoned years earlier.
This film narrates six different stories in a very lyrical way: a coachman wanders around town; two elderly people go to the park every Sunday; a man leaves flowers in various neighbourhoods in memory of a friend who was killed during the war; a boy narrates how they celebrated his father’s name-day; a member of the resistance lives his last moments; a woman keeps waiting for a letter which never arrives. (Greek Film Archive)
Ramón Aguirre is an old actor from the time of the Mexican Golden Cinema, whose years of fame are completely over. Locked away in his apartment in Tacubaya, afflicted by his unfortunate physical condition, as well as by the resounding change suffered in his city, Ramón only has two hobbies left, writing his memories and regrets in a small diary, mainly that of having lost the love of his life, Silvia, and spy through a small crack on his neighbor, Pedro, who is a writer who suffers from artistic block and constant phone fights with his fiancée, and with whom Ramón has developed a peculiar bond, despite of never having exchanged any word.
Ramón grew up in the shadow of his father's expectation. Now being a father and accompanied by his son, he returns to the places that determined his way of being, to confront the relationship he had with his late father and heal the relationship with his son.
A young pianist influenced by his own dreams and memories, must play three parts of 'Moonlight sonata' by Ludwig Van Beethoven. How would it be unbearable, if only we could remember our loved ones from the past life?
A series of 13 videos made between 2000 and 2009 shown together for the first time. Starting with the “musical” writings of Pier Vittorio Tondelli, Ancarani retraces the changes that have come to Romagna’s ‘riviera’ in recent decades: immigration and petrochemical plants amidst timeless landscapes.
This story is about a tea community’s mundane life where old chieftain Padmoluv , awaits his death and often reminisces the past controlled by colonial masters. School drop-out Chandan wants to elude the exploitation. However, young worker Sojoy, feels trapped but continues the grind. Every plant in the garden is a mute witness to the unsaid stories of their lives. In death, struggle and escape, these characters become archetype of entrapped tea garden worker in Bangladesh.
This is a 1952 Hong Kong drama film directed by Bu Wancang, Kuang-Chi Tu, Wang Yin and Shankun Zhang. It stars Chou Man-Hua and Li Li-Hua.