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Memory’s a funny thing.
A cinematic diary that examines the nature of remembering. Assembled in the spirit and memory of the late filmmaker and friend, Will Hindle. -Canyon Cinema
In collaboration with Andrei Jay
A woman uses her body to destroy fruit. Ho employs slight alterations in form, material, and function to challenge our perceptions of domestic objects' relationship to the spaces we inhabit.
Cockney Danny Cruff is the son of a man wrongly accused of murder. Danny decides to solve the mystery himself by hobnobbing with London's underworld. To do this, he poses as a juvenile delinquent.
Memory X is a story of Sikkim that charts across time and mind.
When a dying young man is released from the hospital for hospice, his closest friends and family surprise him with a small celebration of his life to create one last memory for him.
A film by Robert Cahen and John Borst. A woman passes through Hong Kong after dark.
A woman on the verge of a nervous breakdown follows the afroed spirit of a revolutionary past through London's streets: Brixton and Portobello. I used the camera as the means for reflexive analysis of black female subjectivity and performances of resistance in urban spaces, specifically within the context of London's Portobello and Brixton.
Collin Searls tells the true story of his great grandmother, Rose Kurek, and her experiences in one of the darkest moments of human history, the Holocaust.
A car journey to an unknown destination becomes a reflection of the life journey of a mum and a son.
Moving away from home, a young man finds photographs of himself as a teen, which causes him to reminisce about the ups and downs of his childhood.
Someone demonstrates a formula to recount memories. The process is safe and virtually painless.
Thought communicates with the body and writes upon it its own emotions by incessantly retrieving contents from memory. Each body is memory, arranged in so many layers that any act we perform is inevitably connected to memories which conscious thought aims to cancel, though they stay inside the body, unassailable. Whereas mind acts through knowledge and displacement, the body doesn’t forget anything, preserving every event, every thought, every look, every word into its cells. Thus, the idiom of the body is the inexplicable language of memory.
A short, slightly personal, slightly experimental, archival documentary about the history of bowling in America and the history of America in bowling. The film interweaves our established perception of this innocuous all-American game with the pervasiveness of cultural racism, sexism, and violence by showcasing nearly 100 years of archival bowling footage from newsreels, instructional films, commercials, home movies, and mainstream films & television.
Made over the course of ten years, Memory/Lies is a feature comprised of five interrelated short films all written by different screenwriters that tell the stories of two people as they move from their mid twenties towards forty.
Memory Palace is a short video grounded in the personal history of the artist. A discovery of a photo album activates memories of physical spaces, which in turn open doors to reminiscences of past family life. Inspired by the classical method of loci, the film presents a woman — singer/songwriter Alice Smith — at work in Los Angeles. - Video Data Bank
A documentary about Crawford, Texas (hometown of George W. Bush) and the siege in Waco, Texas.
October 2015, a French film student at the University of Wuhan in China recounts his memories of a day of location shooting made for the production of his first short film.
