Memory Film Vf Streaming

A man studies old collections of newspapers in the library. A news package rips. He burns the clippings he hits. A man who has a family shame because his brother is homosexual cleans the past. In memory of his family and society, this so-called shame erases.

The first Alien Workshop video stands as one of the trippiest skate videos ever made, and arguably the company's most influential. At times the video feels more like an avant-garde visual experiment than something made to spotlight the gnar shredding of Bo Turner, Rob Dyrdek and other Workshop riders.

The wife of a wealthy man hires memory erasing agents to erase the memory of the young lover with whom he is having an affair, but soon realizes that the young lover will stop at nothing to keep the man's love for her alive.

To escape from his everyday life, Hee-Tae visits the area where he grew up in search for his ex-girlfriend Tae-Eun. It is the place of his childhood memories, good ones, as well as ones he would rather forget. Torn between past and future, guilt and desire, will Hee-Tae be able to find Tae-Eun and go back to the past?

Michael, later in life also known as Mikhail, became intrigued by news of youth like himself running off to San Francisco, to new ideas, living communally and breaking away from conservative expectations. In these times of social exploration, of liberated energy, of amassing memory after memory there also were conflicts with those intolerant of everything the young ones created. After a few short years, numerous traumatic experiences drove many to return home and others to seek utopia elsewhere. Michael/Mikhail was not a revolutionary, he was only lending a hand to a way of life that fostered a healthy, prosperous community, a place where mutual support raises the wellbeing and power of everyone.

In 1946, a young forester was dispatched to the north of Finland to find trees large enough to serve as electricity poles in Ireland. The only surviving record of his hazardous mission are a few telegrams he sent to the home front. Directors Feargal Ward and Adrian Duncan literally follow in his footsteps in this tough trek through the subarctic wilderness, captured in dreamlike, hallucinatory scenes. The fantastic soundscape with high-pitched, sparse tones only intensifies the sense of desolation and mystery.

A sequel to HEALING PROCESS: "Four years after my father died, I found the sympathy cards, the certificates for trees in Israel, and the letters of condolence that I stashed away in haste when my mother demanded, 'Get rid of these.' Due to my morbid curiosity, I opened the envelopes." – (from the beginning of the soundtrack)

In the Dome of World Archives, the memory of the gifted people has replaced the memory of the computers. Two young citizens, Nichmon and Lara, oppressed by a rigid bureaucracy, meet by chance and their lives connect forever.

A tragic accident drives a father to push the boundaries of science. Will the emotional scars turn to physical scars, or are some wounds too deep to heal?

"See Memory" is a 15 minute stop motion film made out of 10,000 painting stills. The film explores how our memories define who we are, how we remember, and the inextricable link between memory and imagination.

Your parents bought a video camera. You were born. 1990–2004 all mixed up.

The title of Vegetable Memory derives from the writings of Jalaludin Rumi, a 13th-century Persian poet. Evolving as what Viola terms a "kind of temporal magnifying glass," the work explores the perceptual phenomenon of repetitive, cyclic viewing. A loop of images recorded at the Tsukiji fish market in Tokyo is extended in progressively slower cycles, changing the form, feeling and ultimately the meaning of the original images as they move further into the subjective and pictorial.

"Surviving Memory" is a film about the role of loss in the formation of identity. It is a narrative intercut with documentary fragments of political actions, which connect the various characters to event through collective memory. Through autobiographical spoken texts, the narrator relays fragments of a relationship between two Jewish women.

A man finds himself trapped in a mysterious location after an accident with no source of communication except an artificial intelligence.

A cinematographic poem that presents interviews with surgeons, neurologists and psychoanalysts on the phenomenon of the 'phantom limb', the sensation and subsequent hallucinosis that a missing body part still remains connected to the body following physical amputation.

Directed by Amy Greenfield.

A documentary about Jewish-American identity.

A film focused on building a conversation around evolving technical innovations which impact how we view ourselves.

Memory Lost (2019-2021) recounts a life lived through a lens of drug addiction. This captivating, beautiful and haunting journey unfolds through an assemblage of intimate and personal imagery to offer a poignant reflection on memory and the darkness of addiction.

Dream-like images from 8mm home movies create a poetic and intimate contemplation on identity and memory. With tools old and new—8mm home movies and the iPhone—Drawing upon the use of home videos and the family album as ” archive ” the film-making process was a space to witness the past and simultaneously think about culture and self exploration and identity through the act of remembrance.