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A man becomes involved in a memory manipulation operation to try and regain lost memories. He thinks the exercise may help repair his failed marriage, but accidentally ends up with the mind of a serial killer.
NANJING: MEMORY AND OBLIVION uses archival footage and photos, interviews with Chinese survivors and eyewitnesses, former Japanese soldiers, and both Chinese and Japanese government officials, historians and lawyers, to document the events of "The Rape of Nanking" and to show how the interpretation of this history has become politicized.
Mueda was a massacre. The name is that of the village in Northern Mozambique where in 1960 it took place. The Portuguese colonial regime did the killing. In independent Mozambique, those inhabitants of Mueda who survived regularly re-enact the massacre in situ. They themselves play the roles of victims, assassins, and spectators. Ruy Guerra, now a Brazilian but born in Lourenço Marques (now Maputo, the capital of Mozambique), filmed this extraordinary creation of liberated popular culture, intercutting it with first-hand interviews on the massacre. The mix is compelling, and the grave yet joyous spectacle unique.
When a medical experiment turns into a blood-soaked nightmare, the only surviving subject flees for her life. Painfully missing her most precious memories of childhood, pummelled by horrific hallucinations, and pursued by those who stand to profit from her damaged brain, Amber Sheridan embarks on a cross-country road trip to track down a mysterious stranger – a man who has the ability to end Amber’s madness, and restore the memories that have been stolen from her.
The film relates the story of a surgeon (Doctor Pārsā) who returns to Iran after living in Germany for 33 years. Arriving in Tehran, Doctor Pārsā performs a heart operation on the nephew of the family friend Mr Ghanāti. Mr Ghanāti urges him to travel with him to his home town, Bam. On the trip, they drive past the rubble and destruction and Pārsā remembers back to his childhood.[citation needed]
Minoru visits his home on Okinoerabu island for the first time in thirty years. Seeing the old man who used to be in love with his mother, Minoru recalls the old days spent on the island with his young, beautiful mother.
The person in the photo is my grandma. She passed away… After developing this roll of film, I found out this is the only portrait. My grandma is blurred in this photo. I neither knew the reason what happened to me back then. The distance between me and Grandma has always been so far, and the closest one. It's the moment when our eyes meet in the camera.
The film features excerpts from conferences on the preservation of Holocaust remembrance, as well as authentic documentary footage from Lithuanian Jewish life.
Paintings and graphic works of Slovenian artist Spacal. An attempt to break into the humanitarianism, synthesis and rhythm of his arts.
Capturing the early recording process of the compilation album “Prison Songs: Nyanyian yang Dibungkam”, this film is a collaborative work of Komunitas Taman 65 Bali, archiving history through dialogue with composers and people knowledgeable with the songs of Pekambingan penitentiary, Denpasar.
After an interruption of thirty years. Christian Ghazi resumes his cinematographic work with the documentary "Coffin of the Memory". The film mixes newly shot interviews with archive images. In the interviews it sheds light on two basic issues, solitude and economic situation. Through images and simple daily situations, Christian Ghazi draws a portrait of the Lebanese society, a society drowning in its contradictions and its search for an empty individualism and the superficiality of daily consumption, that of production, ideas, time and space.
During a cathartic writing exercise, an evocation of childhood and adolescence arises in relation to the mother figure. Thus, a rhythmic text is born that is recited, recorded and made available for listening. An audiovisual reflection in which the filmmaker observes her mother being a mother but also being a daughter.
Adam is going to dinner with his wife, when he is disrupted by something from his past. 'The Memory of You' is a story about a love that never was, and the promise of what could have been, shot in one single take during a quiet night on a Stockholm side street.
Margarita Begolli, the portagonist of the film, returns to Albania after 25 years with her memory lost.
Count Cronschöld is visited by his friend the historian Paul Linder, who wants to vist the castle ruin which is situated close to the count's mansion. During their excursion, the count spots a family of gypsies which is camping on his territory.
An isolated brother and sister live with their memories and a grisly secret.
The average person’s head has up to 100,000 hairs. Each strand may be unique in length and texture but they are said to bear our memories of sorrow and worry. Neighbors come to the old shop “Barber’s Time” to part with both their hair and bad memories. Although Cantonese style haircutting is on the slippery slope to extinction, barber shop owner Hoi-chuen wishes for his son Cheung-fat to manage the shop. Aspiring to be a writer like J. D. Salinger instead, Cheung-fat takes over “Barber’s Time” when his father had an accident. Just like his father, Cheung-fat develops rapport with the customers and provides guidance. His own life also turns around when a runaway girl comes to the shop. A magical heartwarming tale of community support and kindness, the short features Kaki Shum from the film “Weeds of Fire”.
The protagonist faces depression after Sofia's disappearance.